Long-term nuclear waste warning messages
Long-term nuclear waste warning messages are communication attempts intended to deter human intrusion at
A 1993 report from Sandia National Laboratories recommended that such messages be constructed at several levels of complexity. They suggested that the sites should include foreboding physical features which would immediately convey to future visitors that the site was both man-made and dangerous, as well as providing pictographic information attempting to convey some details of the danger, and written explanations for those able to read it.
Message
A 1993 report from Sandia National Laboratories aimed to communicate a series of messages non-linguistically to any future visitors to a waste site. It gave the following wording as an example of what those messages should evoke:[1]
This place is a message... and part of a system of messages... pay attention to it!
Sending this message was important to us. We considered ourselves to be a powerful culture.
This place is not a place of honor... no highly esteemed deed is commemorated here... nothing valued is here.
What is here was dangerous and repulsive to us. This message is a warning about danger.
The danger is in a particular location... it increases towards a center... the center of danger is here... of a particular size and shape, and below us.
The danger is still present, in your time, as it was in ours.
The danger is to the body, and it can kill.
The form of the danger is an emanation of energy.
The danger is unleashed only if you substantially disturb this place physically. This place is best shunned and left uninhabited.
The Sandia report further recommended that any such message should comprise four levels of increasing complexity:[1]
- Rudimentary information: "Something man-made is here"
- Cautionary information: "Something man-made is here and it is dangerous"
- Basic information: Tells what, why, when, where, who, and how
- Complex information: Highly detailed written records, tables, figures, graphs, maps and diagrams
Written messages
The
Conceptual designs for the Waste Isolation Pilot Plant included an "Information Center" at the geometric center of the site.[4] The building would be an open structure of solid granite or concrete, measuring 40 by 32 by 10 feet (12.2 m × 9.8 m × 3.0 m), and contain Level IV messages. The plans included a suggestion that the building be designed so as to create a "dissonant and mournful" whistling sound when wind blew through it, acting as a Level I message.[1]
Working as part of the Human Interference Task Force in 1981, Vilmos Voigt from Eötvös-Loránd University (Budapest) proposed the installation of warning signs in the most important global languages in a concentric pattern around any terminal storage location.[5] As time passed, further signs would be added translating the earlier signs, with the earlier ones remaining in place.
Physical markers
The Sandia report explored designs for physical markers which conveyed the concepts of dangerous emanations, shapes that evoke bodily harm, and the concept of "shunned land" that appears destroyed or poisoned.[1] The designs suggested included:
- Landscape of Thorns
- A mass of many irregularly-sized spikes protruding from the ground in all directions.
- Spike Field
- A series of extremely large spikes emerging from the ground at different angles.
- Spikes Bursting Through Grid
- A large square grid pattern across the site, through which large spikes protrude at various angles.
- Menacing Earthworks
- Large mounds of earth shaped like lightning bolts, emanating from the edges of a square site. The shapes would be strikingly visible from the air, or from artificial hills constructed around the site.
- Black Hole
- An enormous slab of basalt or black-dyed concrete, rendering the land uninhabitable and unfarmable.
- Rubble Landscape
- A large square-shaped pile of dynamited rock, which over time would still appear anomalous and give a sense of something having been destroyed.
- Forbidding Blocks
- A network of hundreds of house-sized stone blocks, dyed black and arranged in an irregular square grid, suggesting a network of "streets" which feel ominous and lead nowhere. The blocks are intended to make a large area entirely unsuitable for farming or other future use.
Cultural research
To determine how to convey long-term nuclear warning messages, the Zeitschrift für Semiotik (Tübingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: "How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?" leading to the following answers:[6]
Thomas Sebeok
The linguist
Tradeoffs with this approach include:[according to whom?]:
- An atomic priesthood would gain political influence based on the contingencies that it would oversee.
- This system of information favors the creation of hierarchies.
- The message could be split into independent parts.
- Information about waste sites would grant power to a privileged class. People from outside this group might attempt to seize this information by force.
Stanisław Lem
Polish science-fiction author
Lem acknowledged the problem with his idea was that humans would be unlikely to know the meaning of atomic flowers 10,000 years later, and thus unlikely to decode their DNA in a search for information.
Françoise Bastide and Paolo Fabbri
French author
have a long history of cohabitation with humans, and this approach assumes that their domestication will continue indefinitely. These radiation cats would change significantly in color when they came near radioactive emissions and serve as living indicators of danger.To transport the message, the importance of the cats would need to be set in the collective awareness through fairy tales and myths. Those fairy tales and myths in turn could be transmitted through poetry, music and painting. As a response, the podcast 99% Invisible commissioned musician Emperor X to write a song about ray cats for a 2014 episode about long-term nuclear waste warning messages.[15][16] The song, called "10,000-Year Earworm to Discourage Settlement Near Nuclear Waste Repositories (Don't Change Color, Kitty)", was designed to be "so catchy and annoying that it might be handed down from generation to generation over a span of 10,000 years".[17]
Vilmos Voigt
Vilmos Voigt from Eötvös-Loránd University (Budapest) proposed the installation of warning signs in the most important global languages in a concentric pattern around the terminal storage location.[18] After a certain time span new signs with translations would be installed, but the old signs would not be removed. Newer signs would be posted farther away from the location, thus the warning would be understandable as languages change and it would be possible to understand the older languages through the translation.
Emil Kowalski
Physicist Emil Kowalski from Baden, Switzerland, proposed that terminal storage locations be constructed in such a way that future generations could reach them only with a high technical ability. The probability of an unwanted breach would then become extremely small. Furthermore, cultures able to perform such excavations and drilling would most certainly be able to detect radioactive material and be aware of its dangers.[citation needed]
See also
- Deep time
- Long Now
- Longtermism
- Defensive design
- Hostile architecture
- Into Eternity, a Danish documentary about how the Onkalo spent nuclear fuel repository tries to resolve the issue
- Knowledge ark
- Time capsule
References
- ^ from the original on 20 May 2021. Retrieved 5 February 2024.
- ^ Beauchamp, Scott (2015-02-24). "How to Send a Message 1,000 Years to the Future". The Atlantic. Archived from the original on 2019-12-20. Retrieved 2019-12-20.
- ^ "Permanent Markers Implementation Plan" (PDF). 2004-08-19. Archived (PDF) from the original on 2021-01-26. Retrieved 2021-02-02.
- ^ Piesing, Mark. "How to build a nuclear warning for 10,000 years' time". www.bbc.com. Archived from the original on 2021-09-11. Retrieved 2021-10-09.
- from the original on 2020-05-07. Retrieved 2020-02-28.
- from the original on 2020-05-07. Retrieved 2020-02-28.
- ^ Thomas A. Sebeok, "Pandora's Box in Aftertimes" in I think I am a verb: more contributions to the doctrine of signs, Springer, 1986, pp. 149–173.
- from the original on 2020-05-07. Retrieved 2020-02-28.
- ^ "Pandora's Box: How and Why to Communicate 10,000 Years into the Future". www.mat.ucsb.edu. Archived from the original on 2020-02-28. Retrieved 2020-02-28.
- from the original on 2020-05-07. Retrieved 2020-02-28.
- from the original on 2020-05-07. Retrieved 2020-02-28.
- ^ Kaufman, Rachel (2011). "Ray Cats, Artificial Moons and the Atomic Priesthood: How the Government Plans to Protect Our Nuclear Waste". Mental Floss. Archived from the original on 2016-05-14. Retrieved 2016-04-21.
- ^ "Ray Cat Solution". 10,000. Archived from the original on 2016-04-19. Retrieved 2016-04-21.
- ^ Schwartz, Ariel (August 16, 2015). "Color-changing cats were once part of a US government plan to protect humankind". Tech Insider. Archived from the original on 2016-04-17. Retrieved 2016-04-21.
- ^ "10,000 year earworm to discourage settlement near nuclear waste repositories". Bandcamp. 2014-05-12. Archived from the original on 2020-11-08. Retrieved 2020-11-07.
- ^ "Ten Thousand Years". 99% Invisible. 13 May 2014. Retrieved 22 October 2022.
- ^ "Raycats and earworms: How scientists are using colour-changing cats and nursery rhymes to warn future generations of nuclear danger". CityAM. 24 November 2014. Archived from the original on 12 November 2020. Retrieved 7 November 2020.
- from the original on 2020-05-07. Retrieved 2020-02-28.
External links
- Trauth, K. M.; Hora, S. C.; Guzowski, R. V. (1 November 1993). "Expert judgment on markers to deter inadvertent human intrusion into the Waste Isolation Pilot Plant". UNT Libraries Government Documents Department. Albuquerque, New Mexico: Sandia National Labs. OSTI 10117359.
- A Message to the Future
- WIPP Exhibit: Message to 12,000 A.D.
- "Sebastian Musch: The Atomic Priesthood and Nuclear Waste Management – Religion, Sci-fi Literature and the End of our Civilization
- WIPP Permanent Markers Implementation Plan Archived 2015-09-26 at the Wayback Machine for DOE Waste Isolation Pilot Plant.
- WIPP PIC Appendix
- "Distant Future Warnings: The challenges of communicating with eternity". CBC Ideas. June 14, 2017.
- Deep Time Reckoning: How Future Thinking Can Help Earth Now, by anthropologist Vincent Ialenti, MIT Press, 2020.
- "How do we warn future generations about our toxic waste?" Kit Chapman, New Humanist, Spring 2022.
- Sebastian Musch: Hans Jonas, Günther Anders, and the Atomic Priesthood: An Exploration into Ethics, Religion and Technology in the Nuclear Age
- The Atomic Priesthood Project
- Temple of Doom: How do we warn the future about nuclear waste?