Márta Mészáros
Márta Mészáros | |
---|---|
Born | |
Occupation(s) | Film director, screenwriter |
Years active | 1954–present |
Spouse(s) | Laszlo Karda (1957-1959) (divorced) Miklós Jancsó (1960-1973) (divorced) (3 children) Jan Nowicki (?-2008) (divorced) |
Márta Mészáros (born 19 September 1931) is a Hungarian screenwriter and film director. The daughter of László Mészáros, a
Mészáros' work often combines autobiographical details with documentary footage. Prominent themes include characters' denials of their pasts, the consequences of dishonesty, and the problematics of gender. Her films often feature heroines from fragmented families, such as young girls seeking their missing parents (The Girl) or middle-aged women looking to adopt children (Adoption).[4]
Although Mészáros has made over fifteen feature films, she is arguably best known for
Throughout her career, Mészáros has won the
Early life and education
Born in Budapest, Mészáros spent eleven years of her childhood in the
Career
Mészáros began working at the Budapest Newsreel Studio in 1954 where she made four short films, and then for the Alexandru Sahia documentary studio in Bucharest, Romania, from 1957–59. She then returned to Budapest in 1958 to make science popularization shorts, and documentary shorts, where she worked until 1968. Mészáros joined the Mafilm Group 4 in the mid-1960s, and directed her first feature in 1968.[7] At this time, Mészáros was the first woman director in Hungary to make a feature film.[8] In the 1980s Mészáros made her semi-autobiographical “Diary films” that had a major impact on “Hungarian cinema” because of her conscious depiction of the government and individual past experiences.[9] She challenged the censorship in Hungary and ascertained herself as an integral voice in the country's cinema.[10] Since Mészáros first feature in 1968 she has made over fifty films, won numerous awards, and has been a judge on various film panels; she also continues to make films to this day.
Legacy
Mészáros' films are in many ways reflective of her experiences growing up and deal with issues relevant to her life. Having lost both of her parents early in life, and having spent much of her youth living in a post-Stalinist Hungary, Mészáros' life was rife with tragedy and oppression, and her films are often reflective of this. Additionally, because Mészáros spent many of her first years as a filmmaker working in documentary films, many of her feature films also contain much documentary footage. In most of Mészáros' features, the films are open-ended, lack a conventional plot, and dialogue is sparse.
In terms of content, Mészáros' films explore the wide and often tragic gaps between ideals and realities, and between parents and their children. Mészáros' films deal with realities usually ignored in
Mészáros is one of few female filmmakers who consistently makes films that are both critically and commercially successful for an international audience. Her eight feature films, made from 1968 to 1979, are concerned with the social oppression, economic constraints, and emotional challenges faced by Hungarian women. In her own words, Mészáros explains: "I tell banal, commonplace stories, and then in them the leads are women — I portray things from a woman's angle."[This quote needs a citation]
Personal life
Mészáros was first married to
Filmography
Director (65 titles)[13]
Feature films
Year | Title | Director | Screenwriter |
---|---|---|---|
1968 | The Girl | Yes | Yes |
1969 | Holdudvar/Garden Party | Yes | Yes |
1970 | Szép lányok, ne sírjatok! | Yes | No |
1973 | Szabad lélegzet/Riddance | Yes | Yes |
1973 | Szeptember végén (TV Movie) | Yes | No |
1975 | Adoption | Yes | Yes |
1976 | Kilenc hónap/Nine Months | Yes | Yes |
1977 | The Two of Them | Yes | Yes |
1978 | Olyan mint otthon/Just Like Home | Yes | Yes |
1979 | Útközben/On the Move | Yes | Yes |
1980 | The Heiresses | Yes | Yes |
1981 | Anna | Yes | Yes |
1983 | Délibábok országa | Yes | No |
1984 | Diary for My Children | Yes | Yes |
1987 | Diary for My Lovers | Yes | Yes |
1989 | Bye bye chaperon rouge | Yes | Yes |
1990 | Diary for My Mother and Father
|
Yes | Yes |
1992 | Edith és Marlene/Edith and Marlene (TV Movie) | Yes | No |
1994 | Foetus | Yes | Yes |
1996 | The Seventh Room | Yes | Yes |
1998 | Három dátum (Documentary) | Yes | |
1999 | A Szerencse lányai/The Daughters of Fortune | Yes | Yes |
2000 | Kisvilma - Az utolsó napló/Little Vilna: The Last Diary | Yes | Yes |
2004 | The Unburied Man | Yes | Yes |
2009 | Utolsó jelentés Annáról/The Last Report on Anna | Yes | Yes |
2011 | Ármány és szerelem Anno 1951 (TV Movie) | Yes | Yes |
2017 | Aurora Borealis | Yes | Yes |
Short films
- ...és újtra mosolyognak/...And Smile Again (1954)
- Albertfalvai történetek (1955)
- Mindennapi történet (1955)
- Túl a Cálvin téren (1955)
- Országutak vándora (1956)
- Sa zîmbeasca toti copii (1957 documentary)
- Popas în tabara de vara (1958 documentary)
- Az élet megy tovább/Life Goes On (1959)
- Tomorrow's Shift (1959 documentary)
- Az eladás müvészete (1960)
- Szerkezettervezés/Structural Design (1960)
- Az öszibarack termesztése (1960)
- Egy TSZ elnökröl (1960)
- Rajtunk is múlik (1960)
- A szár és gyökér fejlödése/The Stem and Root Development (1961)
- Danulongyártás (1961)
- Szívdobogás/Heartbeat (1961)
- Vásárhelyi színek (1961)
- A labda varázsa (1962)
- Gyerekek - könyvek (1962)
- Kamaszváros (1962)
- Nagyüzemi tojástermelés (1962)
- Tornyai János (1962)
- 1963. július 27, szombat (1963)
- Munka vagy hiratás (1963)
- Szeretet/Love (1963)
- Bóbita (1964)
- Festök városa - Szentendre (1964)
- Kiáltó/Crying (1964)
- 15 perc - 15 évröl (1965)
- Borsos Miklós (1966 documentary)
- Harangok városa - Veszprém/City of Bells (1966)
- Mészáros László emlékére (1968)
- A lörinci fonóban (1971)
- Ave Maria (1986 documentary)
- The Miraculous Manderin (2001)
- Magyarország 2011 (segment, 2012)
Television Shows
- Teatr telewizji (TV Series) (2 Episodes)
- Vieras (1984) (5 part TV series for Finnish television channel Mainostelevisio)
- Edith i Marlene (1998)
- Urodziny mistrza (2000)
Awards
Berlin International Film Festival:
- 2007 - Won - Berlinale Camera
- 1994 - Nominated - Golden Berlin Bear for A magzat
- 1987 - Won - OCIC Award for Diary for my Lovers
- 1987 - Won - Silver Berlin Bear for Diary for my Lovers
- 1987 - Nominated - Golden Berlin Bear for Diary for my Lovers
- 1977 - Won - OCIC Award Recommendation for Kilenc hónap
- 1975 - Won - C.I.D.A.L.C. Award Recommendation for Adoption
- 1975 - Won - Golden Berlin Bear for Adoption
- 1975 - Won - Interfilm Award/Otto Dibelius Film Award for Adoption
- 1975 - Won - OCIC Award Recommendation for Adoption
- 1984 - Won - Grand Prize of the Jury for Diary for my Children
- 1984 - Nominated - Palme d'Or for Diary for my Children
- 1980 - Nominated - Palme d'Or for Örökség
- 1977 - Won - FIPRESCI Prize for Kilenc hónap
Chicago International Film Festival:
- 2010 - Won - Gold Plaque - The Last Report on Anna
- 2017 - Won - Audience Choice Award for Best Narrative Foreign-Language Feature Aurora Borealis
Karlovy Vary International Film Festival:
- 2005 - Nominated - Crystal Globe for A temetetlen halott
Moscow International Film Festival:
- 2010 - Nominated - Golden St. George for The Last Report on Anna
- 2001 - Nominated - Best Director for Aurora Borealis
- 1978 - Won - Silver Seashell for Olyan mint otthon
- 2018 - Won - Special Recognition for Aurora Borealis
- 1995 - Won - Elvira Notari Prize/Special Mention for The Seventh Room
- 1995 - Won - OCIC Award for The Seventh Room
References
- JSTOR 1211850.
- JSTOR 1212935.
- ^ Hordiichuk, Iryna. "Márta Mészáros: Happiness is Being Strong Enough to Fight for Yourself, and to be Cruel at Times". day.kyiv.ua. Retrieved 2012-04-30.
- S2CID 164343986.
- ^ "17th Moscow International Film Festival (1991)". MIFF. Archived from the original on 2014-04-03. Retrieved 2013-03-02.
- ^ Horton, Andrew James. "Ordinary Lives in Extraordinary Times – Márta Mészáros Interviewed." Senses of Cinema. December 15, 2010. Accessed November 16, 2018. http://sensesofcinema.com/2002/feature-articles/meszaros/.
- ^ Gianoulis, Tina. "Mészáros, Márta". filmreference.com. Retrieved 2012-04-30.
- ^ “Márta Mészáros: Celebrating the Career of the Pioneering Hungarian Director.” 2017. The Calvert Journal. June 20, 2017. https://www.calvertjournal.com/articles/show/8387/marta-meszaros-celebrating-career-trailblazing-hungarian-director.
- ProQuest 238333339.
- ^ Gray, Carmen (20 June 2017). "Márta Mészáros: celebrating the career of the pioneering Hungarian director". The Calvert Journal.
- ^ "Marta Meszaros Biography (1931-)". filmreference.com. Retrieved 2012-04-30.
- ^ Maslin, Janet (2008). "NY Times.com: Just Like Home". Movies & TV Dept. The New York Times. Archived from the original on 2008-02-06. Retrieved 2010-01-31.
- ^ "Márta Mészáros". IMDB.com. Retrieved 2018-11-11.
Further reading
- Quart, Barbara (1993). "Three Central European Women Directors Revisited". Cinéaste. 19 (4): 58–61. JSTOR 41687247.
- Parvulescu, Constantin (2009). "Betrayed Promises: Politics and Sexual Revolution in the Films of Márta Mészáros, Miloš Forman, and Dušan Makavejev". Camera Obscura: Feminism, Culture and Media Studies. 24 (2 71): 77–105. .
- Wheeler, Winston Dixon (1995). "A Personal/Political Artist: Márta Mészáros". Literature/Film Quarterly. 23 (4). Salisbury: 293–294. ProQuest 226991142.
External links
- Márta Mészáros at IMDb
- Mészáros, Márta, Film Reference.com's Biography of Márta Mészáros
- Ordinary Lives in Extraordinary Times, 2002 interview from Senses of Cinema
- Central Europe Review, interview about Kisvilma – Az utolsó napló (Little Vilma: The Last Diary)
- I'm for Liberal, Social Democracy: Marta Meszaros, 2009 interview from the Economic Times
- Film: Márta Mészáros's, Diary for my Children, NY Times movie review of Diary for my Children
- Márta Mészáros: Happiness is Being Strong Enough to Fight for Yourself and be Cruel at Times, Translated from a 2010 interview with The Day, a Kyiv newspaper
- Márta Mészáros: Lies do not Like, Translated from an interview with Viva!
- [1] Adnotated Bibliography
- [2]
Transylvania International Film Festival