Manasamangal Kāvya

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Bengali
popular art.

Manasamangal Kāvya (

Dravidians, who hoped she would safeguard them from snake-related dangers. The goddess holds alternative names such as Bisahari, Janguli, and Padmavati.[1]

Story

Behula sails with her deceased husband, scene from Manasa Mangal

The narrative of Manasamangal commences with the merchant Chandradhar, or Chand Sadagar, who initially conflicts with Manasa but eventually becomes a devout worshipper. Manasa aspires to convert Chand, a staunch devotee of

Lakhindar
, challenges the goddess with her unwavering courage and deep love for her husband, subsequently reviving Chand’s sons and their ships. Only after accomplishing this does Behula return home. The tale essentially portrays human resilience against divine cruelty, showcasing Chandradhar and Behula as robust, determined individuals during an era when common people were often suppressed and humiliated.

Villages Named After the Kavya

Ruins, believed to be Lakshmindara-Behula’s bridal chamber, at Gokul Medh, near Bogra in Bangladesh

Villages such as Baidyapur, Hasanhati, and Udaypur owe their names to the Kavya.

Village Name Naming Origin
Baidyapur Named because local 'Baidyas' (doctors) attempted and failed to revive Lakhindar as Behula transported him through the village.
Hasanhati The village where people laughed at Behula during her journey.
Udaypur Named for the place where the sun rose during Behula’s voyage.

Poets of Manasamangal Kavya

The original poet of this medieval Bengali literature genre may have been Kana Haridatta (c. 13th century), but his works are no longer extant. His name is referenced in the works of both Bijay Gupta and Purushottam. Subsequent poets, including Purushottam, Narayan Deb (c. 15th century), Bijay Gupta, and Bipradas Pipilai, created their own versions of Manasamangal. Bijay Gupta's Manasamangal (or Padmapuran) (1484–85) is renowned for its rich literary quality and is perhaps the most popular version. Bipradas Pipilai's Manasabijay (1495–96) was also composed during this period.[2] Narayan Deb's composition is also known as Padmapuran.

Ketakadas Kshemananda (c. 17th century),[2] Jagajjiban Ghoshal (c. 17th century), and Jibankrishna Maitra (c. 18th century) were also contributors to this genre.[3]

See also

References

  1. ^ p.145, Bengali Literature, Annada Shankar Ray and Lila Ray, Paschimbanga Bangla Akademi, Kolkata
  2. ^
    ISBN 81-7276-407-1
    . p. 558.
  3. ISBN 81-7066-966-9
    . p. 178.
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