Manek Premchand

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Manek Premchand
BornIndia
Occupation
  • Writer
  • historian
EducationUniversity of Mumbai

Manek Premchand is an Indian writer and historian of film music at

WorldSpace Satellite Radio and been a consultant with Saregama. His books, while finding a presence online,[1] have been cited by authors and students writing on Indian films and film personalities, many related to the music in Indian films.[2][3][4] Bollywood Sounds: The Cosmopolitan Mediations Of Hindi Film Song (2014) by Jason Beaster-Jones[5] has references sprinkled throughout, citing him several times, including about composer Naushad
's style of working.

In 2003 he completed his first book, Yesterday's Melodies, Today's Memories, with the aim of giving songwriters, singers and composers credit.[6] It was followed by Musical Moments from Hindi Films (2006). In 2010 he became part of the Mohammed Rafi Academy's governing body and two years later produced Romancing the Song (2012). He contributed an essay on Shivkumar Sharma in Shiv Kumar Sharma: The Man and His Music (2014), and released a biography of Talat Mahmood the following year. In Hitting the Right Notes (2016) he focusses on songwriters and composers, the difference the music made and the trends they produced. He devoted a chapter to Mubarak Begum in The Hindi Music Jukebox: Exploring Unforgettable Songs (2018), and has published a biography of Hemant Kumar in 2020.

Early life and education

Manek Premchand spent his early childhood in Delhi as the youngest of six children. He was introduced to music by his mother who used to sing. By the age of ten, he had moved to Mumbai, where he became acquainted with the nearby qawwali singer Jaani Babu Qawwal, who arranged for him to learn the bulbul tarang.[6] His education has included a diploma in journalism and an arts degree from the University of Mumbai.[7][8] He received a two-year Senior Fellowship from the Ministry of Culture on the subject The Changing Face of Lyrics in Hindi Cinema.[6][7] Prior to his career in writing he spent many years abroad.[7] He is married to Lata Jagtiani,[9] a writer and author of several books including Sindhi Reflections and Bhagavad Gita in 365 Days.[10]

Career

Premchand has hosted shows on

Bombay (now Mumbai) for The Asiatic Society of Mumbai.[16] Among the film and music related events he has anchored was an event to honor stars of yesteryear Shammi Kapoor, Waheeda Rehman and Vyjayanthimala, reported in The Financial Express.[17] He has hosted an evening to celebrate yesteryear's playback singer Sudha Malhotra.[18] He conceptualized and anchored a show at the birth centenary of lyricist and poet Sahir Ludhianvi in March 2021.[19] He has conversed with composer Anandji and singer Usha Timothy on The Indian Performing Rights Society (IPRS) platform,[20]
a non-profit organization of authors, composers and music publishers.

He was the Guest of Honor to celebrate the music of composers Laxmikant-Pyarelal.[citation needed] He has been invited as a guest on television shows related to music personalities from Hindi cinema like Shankar-Jaikishan,[21] Talat Mahmood,[22] Jan Nisar Akhtar,[23] Kishore Kumar, Mohammed Rafi[24] among them. Even television shows on different themes like Bollywood's Top 20 Rain Songs.[25] He has been a guest speaker at several Rotary Club meets, outlining the changing trends in music over the past about 90 years.[26] He has arranged several interactive audiovisual presentations for Asiatic Society of Mumbai, including one on Mohammad Rafi, on the singer's death anniversary on 31 July 2021[27] and on actor-filmmaker Dev Anand, on 12 February 2022.[28] He was interviewed by the BBC after the passing away of santoor maestro Pt Shiv Kumar Sharma.[29] Earlier, Premchand's contribution to the santoor exponent's biography was termed "fascinating" by The Free Press Journal.[30]

He served as a Jury Member for the Bengaluru Film Festival in March 2022,[31] and was presented a memento by the Governor of Karnataka for the same.[32] He was invited as a speaker to the Mangalore Litfest in January 2024, where his recent book was also released.[33][34]

Manek Premchand teaches broadcasting to post-graduate students at Xavier Institute of Communications, a part of

FICCI (Federation of Indian Chamber of Commerce and Industry).[37]

In January 2023, he presented an audiovisual of songs based on the streets of Mumbai in a program called "Zara Hatke Zara Bachke" for the

Asiatic Society of Mumbai, in December 2023.[44]

Writing

Book Release – Musical Moments From Hindi Films. L- R : Jagjit Kaur, Khayyam, Hema Malini, L K Advani, Manek Premchand and Ameen Sayani

Among the publications he wrote for were Hindustan Times,[45] Mumbai Mirror,[46] and Deccan Herald.[47] He had a weekly column with DNA Jaipur[48] to which he contributed film and music related articles. Among his essays is one about the contribution of Parsis in Hindi cinema,[49] and an article on Dilip Kumar[50] with a focus on his musical prowess and abilities for The Indian Performing Right Society Limited (IPRS).[51]

Premchand began writing his first book, Yesterday's Melodies, Today's Memories, in January 1997, with the aim of giving songwriters, lyricists and singers of what he calls "the golden era of Hindi film music", credit.

Majrooh and lyricist and composer Prem Dhawan.[6] He estimated that 4,334 Hindi films made between 1930 and 1970 depicted around 36,000 songs.[52] The book was described as having "excellent short sketches of the major composers, singers, lyricists, and arrangers" in Global Bollywood: Travels of Hindi Song and Dance. [53] In 2018, the book saw its third reprint with enhanced content.[54] While Gregory D Booth, the author of Behind the Curtain: Making Music in Mumbai's Film Studios (Oxford University Press, 2009),[55] mentions Premchand's book several times in his own book, it has also been cited as a reference point for Booth's book.[56] It was followed by Musical Moments from Hindi Films (2006), released by Hema Malini.[6][7]

In 2010 Mohammed Rafi's son Shahid Rafi launched the Mohammed Rafi Academy with Premchand as part of the academy's governing body.[57] Two years later Premchand produced Romancing the Song (2012),[7] a large book that plots the journey of lyrics over 80 years of cinema, in which he clarifies who really was the male voice in Kismet's "Dheere dheere aa".[6][7] He wrote a third of the 2014 book Shiv Kumar Sharma: The Man and His Music,[58] a biography of Shivkumar Sharma, alongside a piece by Pandit Vijay Kichlu.[59][60]

In 2015, he released a biography of Talat Mahmood,[61] published by Manipal University. It contains chapters written by Mahmood's daughter Sabina Talat Mahmood Rana, and son Khalid Talat Mahmood.[62] Mahmood was a favourite of his and his mother and he stated in an interview that "my book on him was a way of saying 'Thanks Talatji, for the hundreds of hours you gave me joy ...and sometimes tears'."[6] The following year he produced Hitting the Right Notes (2016), which reveals who blew the whistle in Kati Patang's "Ye shaam mastani".[6] The book focusses on songwriters and composers, the difference the music made and the trends they produced.[7]

His 2018 The Hindi Music Jukebox: Exploring Unforgettable Songs devotes one chapter to Mubarak Begum.[63] In 2020, he released the biography of Hemant Kumar in a book titled The Unforgettable Music of Hemant Kumar.[7] Gulzar has written the Foreword for two of Manek Premchand's books – Romancing the Song (2012) and The Unforgettable Music of Hemant Kumar (2020).[7] In his foreword to Premchand's book Romancing the Song, Dadasaheb Phalke award winner, filmmaker-lyricist Gulzar has compared the work with Jawaharlal Nehru's The Discovery of India. For his book The Unforgettable Music of Hemant Kumar, santoor maestro Padma Vibhushan awardee Pt Shiv Kumar Sharma has called Manek Premchand the Munshi Premchand of Hindi cinema.[64]

His book Majrooh Sultanpuri: The Poet for all Reasons[65] on the work of the Hindi film lyricist and poet, was published in December 2021. When asked why the word Reasons instead of the generally used Seasons, the author said, "While there are only 4 seasons, there can be far many more reasons. A poet for happiness and misery, but also for hope and despair, spirituality and love, dignity and doom, the whole range of human emotions. Majrooh offers us nuances of all these and more. I felt Reasons was more apt here."[66] The book offers clarity on the often misunderstood poetic forms of the ghazal, rubai and nazm. "There are detailed chapters on ghazals and nazms (in both of which Premchand does an excellent job of explaining the technicalities around these two forms of Urdu poetry.)" [67] A review of the book: "...the meat of the book for those who love the world of words, is dissection, interpretation of the poetry, imagery, detailed description with reference to the scene of the film, for hundreds of songs in a number of chapters on different themes."[68] Another review declares the book "a joy forever".[69]

Released in January 2022, Windows to the Soul: and other essays on Music,[70] a collection of essays on music, tells us why the tambourine cannot play sad music, presents singer Mukesh's fascination for Raag Darbari, explores the music-inspiring "popular charmer Marine Drive", and urges the I & B Ministry to posthumously confer the Bharat Ratna on composer Madan Mohan.[66]

His book, Director's Chair: Hindi Cinema's Golden Age, was released at the Mangalore Litfest in January 2024 and is a study of the work and lives of most of the notable film directors from Hindi cinema during the 1930-1980 period.[71] Describing the process of writing this particular book in an interview, the author said, "This book was a departure from my other work, and it was tough deciding whom to take, and whom not to...Resource matter had to be found, and old films had to be watched and rewatched. I had to make perhaps three dozen changes in virtually every para of the book to offer a sharp focus on the people who needed to be saluted."[72] A prominent cinema website offers a detailed review of this book, calling it "informative, engrossing, entertaining, inspiring."[73]

His most recent work was as the editor of Shyam - A Star Forgotten, a book that outlines the journey of a Bollywood actor who passed away tragically in May 1951.[74]

Publications

Books

Articles

  • The Only Film Mahatma Gandhi Saw[85]
  • Songs of Life, Sweet And Sour[86]
  • Pt Shiv Kumar Sharma[87]
  • Meeting Dilip Saab[46]
  • The other Kishore Kumar, surrounded by sadness[45]
  • Memories of Another Day[47]
  • A Rare Greatness[50]
  • The World Did Not End on 21st December 2012[88]
  • Daan Singh: Forgotten Melody[89]
  • Mukesh's Fascination for Raag Darbari[90]

References

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  61. ^ a b Premchand, Manek (18 May 2015). "Talat Mahmood-A Velvet Voice". apnnews.com.
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  74. ^ a b "SHYAM — A Star Forgotten | A Biography by Bimal Chadha | Cinema Books". www.bluepencilpublishers.com. 30 January 2024. Retrieved 8 March 2024.
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  86. ^ Premchand, Manek (25 February 2006). "Songs of life, sweet and sour". DNA India. Retrieved 11 February 2021.
  87. ^ Premchand, Manek (14 October 2012). "Pandit Shivkumar Sharma: Classical music to melodies to iconic film". DNA India. Retrieved 11 February 2021.
  88. ^ Piyush (9 January 2013). "Enlighten India: Enlighten India: January 2013 Issue". Enlighten India. Retrieved 10 January 2022.
  89. ^ "Daan Singh: Forgotten Melody – Unboxed Writers". Retrieved 2 August 2022.
  90. ^ "Mukesh's Fascination for Raag Darbari".
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