Mis Mejores Canciones – 17 Super Éxitos

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Mis Mejores Canciones – 17 Super Éxitos
A. B. Quintanilla
Selena chronology
Selena Live!
(1993) 		Mis Mejores Canciones – 17 Super Éxitos
(1993) 		Amor Prohibido
(1994)

Mis Mejores Canciones – 17 Super Éxitos (English: My Best Songs – 17 Super Hits) is a

Top Catalog Albums chart, the first Spanish-language recording to do so. The Recording Industry Association of America (RIAA) certified the album diamond (Latin)
, denoting 600,000 units shipped in the United States.

Background and production

1989 Tejano Music Awards.[1] By 1993, the group, led by vocalist Selena, was approaching its pinnacle of success.[2] While backup vocalist and dancer Pete Astudillo embarked on his solo career,[3] he persisted as a member of the group and provided songwriting assistance.[4] Selena's husband and guitarist, Chris Pérez, expressed a growing inclination towards quitting the band. In realizing that within Tejano music guitarists were not given ample room for experimentation, Pérez found himself confined to repetitious chord progressions alongside the band. Sensing a lack of artistic growth, Pérez confided with Selena about his boredom and yearning for something new.[5] Pérez remained with the band after Selena expressed that their relationship would be over, stressing her concerns over Pérez's past behaviors around women and alcohol.[6]

In May 1993, Selena released her

Houston Astrodome in February 1993 attracted over 60,000 attendees, an unprecedented feat.[8] Selena's biographer, Joe Nick Patoski, found Selena Live! to have functioned as a proclamation that signaled Selena's preeminence as the most popular Tejano musician.[9] The singer began garnering consistent airplay in New York City and Miami, areas where Tejano music had not previously gained significant interest.[10] By August 1993, Selena ranked as the fifth best-selling Latin artist in the United States, behind Luis Miguel and Gloria Estefan.[10] EMI Latin first issued its Latin Classics catalog series for Paloma San Basilio on January 22, 1993,[11] before issuing it for the label's other artists beginning in the week of September 17, 1993, under the titles Mis Mejores Canciones – 17 Super Éxitos.[12] The company released an all-encompassing collection series showcasing their Latin music artists.[13]

Music

The compilation encompasses 17 tracks, ranging from compositions present on

polka,[24] expresses Selena's yearning for a former lover to return. In a recitative preamble accompanied by the auditory backdrop of a thunderstorm, Selena remarks that the precipitation evokes memories of the day her lover departed, drawing a parallel between the raindrops and her tears.[25]

"

A. B. Quintanilla and Astudillo overcame this stereotype by crafting songs that rendered vibrant depictions of life in the barrio.[26] The following tracks, "Tú Eres" and the 1960s cover of Japanese singer Kyu Sakamoto's "Sukiyaki", are taken from Selena (1989).[27] The penultimate piece, "Estoy Contigo", originally recorded in 1983 for Cara Records,[28] was re-recorded for 16 Super Exitos Originales (1990). "La Tracalera" from Ven Conmigo (1990) serves as the concluding track for the compilation.[29]

Release and critical reception

Professional ratings
Review scores
SourceRating
AllMusic[30]
The Encyclopedia of Popular Music[31]

Mis Mejores Canciones – 17 Super Éxitos was released around the time

Veronica Castro's Y Vero América ¡Va!, which was shown throughout Latin America through Televisa.[34] Writing for Vogue México y Latinoamérica, Esteban Villaseñor felt that Selena displayed "charisma, genuineness and talent" during her appearance on Castro's show.[35] On its first day of release, Selena performed at La Feria de Nuevo León, drawing 70,000 attendees.[36] Noticing a string of compilation releases, Ramiro Burr, writing for the Houston Chronicle, referred to Selena's release as being part of a "compilation craze",[37] that offered an enjoyable range of options for listening.[38] Howard Blumenthal included Selena's Mis Mejores Canciones – 17 Super Éxitos in his listening guide on the best world music albums, describing it as a commendable assemblage that showcases the singer's early popular recordings.[39]

On March 31, 1995, Selena was

Top Catalog Albums chart, the first Spanish-language recording to do so,[44] on the week ending May 6, 1995.[45] It held the distinction of being the only Spanish-language album to reach atop the chart until Buena Vista Social Club's self-titled album reached the top spot in November 1999.[44] Mis Mejores Canciones – 17 Super Éxitos remained atop the chart for two consecutive weeks.[46] In 1995, catalog titles made up nearly 50% of the music consumed in the United States. Selena's Ven Conmigo and Mis Mejores Canciones - 17 Super Éxitos contributed to the $5 billion (1995 USD) revenue reported that year by the music industry.[47] The Recording Industry Association of America (RIAA) certified the album diamond (Latin), denoting 600,000 units shipped in the US.[48]

Track listing

Credits from the album's liner notes.[29]

No.TitleWriter(s)Length
1."
A. B. Quintanilla
  • Pete Astudillo
    		• 3:02
    2."Mentiras" (1989; from Selena sessions)
    • A. B.
    • Astudillo
    		2:35
    3."¿Qué Creías?" (1992; from Entre a Mi Mundo sessions)
    		3:30
    4."Besitos" (1989; from Selena sessions)A. B.[b]2:22
    5."Yo Fui Aquella" (1990; from 16 Super Exitos Originales sessions)A. B.3:00
    6."Después de Enero" (1990; from Ven Conmigo sessions)Johnny Herrera2:57
    7."Vuelve a Mí" (1992; from Entre a Mi Mundo sessions)
    • A. B.
    • Astudillo
    		2:55
    8."No Quiero Saber" (1990; from Ven Conmigo sessions)
    • A. B.
    • Astudillo
    		2:54
    9."Costumbres" (1990; from 16 Super Exitos Originales sessions)Juan Gabriel3:46
    10."Tengo Ganas de Llorar" (1989; from Selena sessions)
    • A. B.
    • Vela
    		3:16
    11."Baila Esta Cumbia" (1990; from Ven Conmigo sessions)A. B.[c]2:57
    12."Yo Me Voy" (1990; from Ven Conmigo sessions)Gabriel3:28
    13."La Carcacha" (1992; from Entre a Mi Mundo sessions)
    • A. B.
    • Astudillo
    		4:09
    14."Tú Eres" (1989; from Selena sessions)
    • A. B.
    • Astudillo
    		2:52
    15."Sukiyaki" (1989; from Selena sessions)
    		3:01
    16."Estoy Contigo" (1990; from 16 Super Exitos Originales sessions)Abraham3:15
    17."La Tracalera" (1990; from Ven Conmigo sessions)Herrera2:50
    Total length:54:07

    Chart performance

    Weekly chart performance for Mis Mejores Canciones – 17 Super Éxitos
    Chart (1995) Peak
    position
    US
    Top Catalog Albums (Billboard)[45]
    		 1

    Certifications

    Certification for Mis Mejores Canciones – 17 Super Éxitos
    Region Certification Certified units/sales
    United States (RIAA)[48] Diamond (Latin) 600,000‡

    ‡ Sales+streaming figures based on certification alone.

    See also

    Notes

    1. A. B. Quintanilla and Pete Astudillo.[49]
    2. ^ Astudillo uncredited as co-writer.[20]
    3. ^ Astudillo uncredited as co-writer.[23]
    4. ^ Janice-Marie Johnson and Astudillo are uncredited as co-writers.[50]

    References

    1. ^ Patoski 1996, pp. 79–80.
    2. ^ Pérez 2012, p. 168.
    3. ^ Patoski 1996, p. 124.
    4. ^ Maldonado 1993, p. 74.
    5. ^ Pérez 2012, pp. 168–169.
    6. ^ Pérez 2012, p. 171.
    7. ^ Pérez 2012, p. 191.
    8. ^ Patoski 1996, p. 112.
    9. ^ Patoski 1996, p. 113.
    10. ^ a b c Maldonado 1993, p. 75.
    11. ^ Burr 1993a, p. 49.
    12. ^ Burr 1993b, p. 52.
    13. ^ Anon. 1993, p. 39.
    14. ^ Parédez 2009, pp. 1034, 1053.
    15. ^ Blanco-Cano & Urquijo-Ruiz 2011, p. 227.
    16. ^ Ragland 1996.
    17. ^ Patoski 1996, p. 100.
    18. ^ Garcia 1993, p. 1.
    19. ^ Patoski 1996, p. 101.
    20. ^ a b Soriano 2021.
    21. ^ Huston-Crespo 2022.
    22. ^ Cabrera 1998, p. 66.
    23. ^ a b Patoski 1996, p. 91.
    24. ^ Saldana 1995.
    25. ^ Oliva 2022.
    26. ^ Burr & Shannon 2003, p. 91.
    27. ^ Patoski 1996, p. 81.
    28. ^ Patoski 1996, p. 283.
    29. ^ a b Quintanilla 1993.
    30. ^ Bogdanov 2001, p. 933.
    31. ^ Swift 2006, p. 1965.
    32. ^ Pérez 2012, p. 204.
    33. ^ Patoski 1996, p. 114.
    34. ^ Burr 1993c, p. 86.
    35. ^ Villaseñor 2021.
    36. ^ Patoski 1996, p. 103.
    37. ^ Burr 1993d, p. 26.
    38. ^ Burr 1993e, p. 2G.
    39. ^ Blumenthal 1998, p. 4.
    40. ^ Lannert, Bronson & Mayfield 1995, pp. 72, 80, 82.
    41. ^ Mahoney-Jones 1995, p. F4.
    42. ^ Schone 1995, p. 91.
    43. ^ Mejias-Rentas 1995, p. 31.
    44. ^ a b Mayfield 1999, p. 112.
    45. ^ a b Anon. 1995a, p. 55.
    46. ^ Anon. 1995b, p. 49.
    47. ^ Tirella 1995, p. 138.
    48. ^ a b Anon. n.d.
    49. ^ Quintanilla 2002a.
    50. ^ Quintanilla 2002b.

    Works cited

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