Latin American music in the United States
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The genre of
History
For example, in the bridge of "
The
The song
The term Latin music originated in the United States due to the increasing influence of
Artists like
During the 1940s, music from Latin America was introduced to large audiences throughout the United States via international radio networks such as
Latin American music imported from Cuba (such as
The first Mexican-Texan pop star was
In the 1950s, further innovation took place in the Mexican-Texan community, with the addition of
The "Spanish tinge" was also a common feature in rhythm and blues in the 1950s. The monster hit "Little Darling" was driven by the clave beat, and Chuck Berry's "Havana Moon" achieved great success. Ritchie Valens, born Ricardo Valenzuela, soared to the top of the hit parade with 'La Bamba,' originally a Mexican wedding song. In 1954, Andy Russell relocated to Mexico, where he became a star in radio, television, motion pictures, records, and nightclubs. The Argentinian band Los Cinco Latinos released their first album, "Maravilloso Maravilloso," which found success in Latin America and the United States.[15]
In 1963, Trini Lopez burst onto the scene with his chart-topping album, "Trini Lopez at PJ's." While performing at a popular Los Angeles nightclub frequented by Hollywood stars, Frank Sinatra noticed Trini and signed him to his own record label, Reprise Records. Trini was the first rock act on Reprise Records, which later signed Jimi Hendrix.
Trini Lopez, the son of immigrant Mexican parents, was born in Houston, Texas. He was chosen to replace Buddy Holly in the Crickets after Holly's tragic death. Growing up in a Mexican and Black neighborhood in Houston, his father bought him a guitar to keep him engaged in a hobby that wasn't associated with gangs. He began his career as a rockabilly artist in Texas.
After relocating to Los Angeles with the goal of meeting his idol, Frank Sinatra, he found himself at PJ's nightclub, where he played solo guitar and sang for a year and a half. He performed popular tunes during 4 or 5 sets every night. At the time, the folk music scene was thriving, and he incorporated well-known folk songs into his sets, along with rock standards ranging from Ray Charles to show tunes from "West Side Story." His infectious energy and ability to captivate an audience and get them in the party spirit were captured live on the two albums recorded at PJ's, with the addition of drums and bass guitar.
The result was international stardom, marked by several folk-rock hits, including "Lemon Tree" and "If I Had a Hammer," along with a sensational remake of "La Bamba," all recorded live in front of the PJ's crowd. Trini Lopez not only pioneered the folk-rock genre but also paved the way for future generations of Latin stars by refusing to change his last name when early record executives doubted that a Lopez could make a name in the predominantly Anglo radio and TV world.
He later ventured into film acting and became associated with Frank Sinatra's Rat Pack. He was co-billed with
Similarly, the Tex-Mex and
In the modern
Herman Santiago wrote the lyrics to the iconic rock and roll song "Why Do Fools Fall in Love." Another song that became popular in the United States, especially during the holiday season, is "Feliz Navidad" by José Feliciano.
1980s crossover acts
Starting in the mid-1980s,
1990s Latin explosion
In the mid-1990s, Selena was gaining prominence within the Latin American music world. Primarily marketed as a Tejano music artist, Selena's success was met with rhythmic Cumbia recordings. After bypassing several barriers within the Tejano industry, she quickly superseded other Latin artist acts and earned the title "Queen of Tejano Music". After being presented with a Grammy for Selena Live!, Selena became the first Latin artist to release four number–one singles in 1994. With a meteoric rise in popularity, Selena was presented with the opportunity to record an English-crossover album.
Months before the release of her English album, Selena was murdered by
Despite, and perhaps fueled by, Selena's death and crossover success, the "Latin explosion" continued in the late 1990s. At that time, a handful of rising stars who shared a Latin heritage were touted as proof that sounds from Latin countries were infiltrating the pop mainstream. These included Ricky Martin, Thalía, Marc Anthony, Enrique Iglesias and Jennifer Lopez, who rendered a Golden Globe performance as Selena on film. Like Estefan and Selena, many of these artists, including some who recorded in English after gaining fame singing in Spanish, had been influenced at least as much by American music and culture.
In 1994, Frank Sinatra personally invited Luis Miguel to participate on a duet in the album Duets II. Luis Miguel has been dubbed several times by the press and the media as the "Latin Frank Sinatra".[16] "Come Fly with Me" was the song of the duet with Luis Miguel.
Ricky Martin gained success with "
Martin at the
Martin prepared his first English album in 1999, as the first and most prominent single was "Livin' la Vida Loca", which reached number one in many countries around the world, including the United States, the United Kingdom, Argentina, Australia, Brazil, France, Greece, India, Israel, Italy, Japan, Guatemala, Mexico, Russia, Turkey, and South Africa. He followed up with the hit "She's All I Ever Had" which peaked at No. 2 on The Billboard Hot 100. This album became one of the top-selling albums of 1999, and was certified seven times platinum, selling over 22 million copies worldwide to date.
Also in 1999, attempting to emulate the crossover success of Gloria Estefan, Selena, and Ricky Martin in the anglophone market,
Enrique Iglesias had begun a successful crossover career into the English language music market. Thanks to other successful crossover acts, Latino artists and music had a great surge in popularity in mainstream music. Iglesias's contribution to the soundtrack of Will Smith's movie Wild Wild West, "Bailamos", became a number–one hit in the US. After the success of "Bailamos", several mainstream record labels were eager to sign Enrique. Signing a multi-album deal after weeks of negotiations with Interscope, Iglesias recorded and released his first full CD in English, Enrique. The pop album, with some Latin influences, took two months to complete and contained a duet with Whitney Houston called "Could I Have This Kiss Forever" and a cover of the Bruce Springsteen song "Sad Eyes". The album's third single, "Be With You", became his second number one.
Jennifer Lopez's debut album On the 6, a reference to the subway line she used to take growing up in Castle Hill, was released on June 1, 1999, and reached the top ten of the Billboard 200. The album featured the Billboard Hot 100 number-one lead single, "If You Had My Love", as well as the top ten hit "Waiting for Tonight", and even the Spanish version of the song "Una Noche Mas" became a hit as well. The album also featured a Spanish language, Latin-flavored duet "No Me Ames" with Marc Anthony, who later would become her husband. Although "No Me Ames" never had a commercial release, it reached number one on the U.S. Hot Latin Tracks.
By the mid-nineties, sales of Spanish language albums in the US by such acts as Luis Miguel, Enrique Iglesias and Ricky Martin had increased to compete with English language acts. To reflect the growing interest in Latin acts the American Music Awards instituted a category for Latin recording artists.
Martin was seen as the forerunner of a trend in pop music of using Latin tropes which the press dubbed a "
2000s Latin pop boom
After the 1990s, there were very few crossover acts that became successful in the 2000s. The only ones who proved successful were Shakira, Thalía, Paulina Rubio, Jennifer Lopez and Christina Aguilera, although the latter started at first in English and then turned to Spanish. Both Ricky Martin and Enrique Iglesias retained their roles as one of the most successful crossover artists this decade.
Colombian singer Shakira, who had been successful in the Latin world in the late 1990s, began working on an English crossover album in 2001. Thanks to other successful crossover acts in the 1990s, the crossover of Spanish artists to the English market had a great surge of popularity in mainstream music and it was the next logical step to Shakira and her label for her career, and Shakira worked for over a year on new material for the album. "
in its instrumentation. Produced by Shakira, the track was internationally successful, reaching number one in most countries. It was also her first success in the U.S., reaching No. 6 on the Hot 100.Shakira's third studio album and first English language album,
Because the album was created for the English language market, the rock and Spanish dance-influenced album gained mild critical success, while some critics claimed that her English skills were too weak for her to write songs for it. Rolling Stone stated "She sounds downright silly", and "Shakira's magic is lost in translation." Shakira's Latin fans also criticized her for seemingly abandoning her folk and rock roots in favor of contemporary American pop music. Despite this fact, the album became the best-selling album of 2002, selling 13 million copies worldwide and becoming the most successful album of her career to date.
After that success, Shakira's second English studio album,
In early 2007, Shakira worked with American R&B singer
After that success, She Wolf was released in October 2009 internationally and then on November 23, 2009, in the U.S. The album received mainly positive reviews from critics, but only managed to sell 89,000 copies in its first week in the U.S., earning the number–15 spot on the Billboard 200. It has gone on to sell only 300,000 records in the U.S., becoming her least successful album there. However, the album has been moderately successful worldwide, having been certified Gold in Russia, Ireland, Switzerland, Poland, France, Argentina, Greece, and Hungary, Platinum in Spain, the United Kingdom, and the Middle East, 2× Platinum in Colombia and Mexico, and 3× Platinum in Taiwan. To date, the album has sold 3 million copies worldwide, becoming Shakira's least commercially successful studio album so far. The lead single, "She Wolf" and "Loba" were successful worldwide, reaching number one in Latin America, number two in Germany, Ireland, Italy, Estonia and Spain, number three in Switzerland and Austria, number four in the UK, France and Greece, number five in Canada and Belgium, number six in Finland, number nine in Japan, and number 11 in the U.S.
Jennifer Lopez officially released her first full Spanish-language album, Como Ama una Mujer, in March 2007. Her husband, singer Marc Anthony, produced the album with Estefano, except for "Qué Hiciste", which Anthony co-produced with Julio Reyes. The album peaked at number ten on the Billboard 200 and number one on the U.S. Top Latin Albums for four straight weeks, and on the U.S. Latin Pop Albums for seven straight weeks. The album did well in Europe, peaking at number three on the albums chart, mainly due to the big success in countries such as Switzerland, Italy, Spain, France, Belgium, Greece, Germany, Austria, and Portugal.
On 24 July 2007,
Lopez won an
This century also saw the
In addition to collaborations with English recording artists like Paulina's song "Nada Puede Cambiarme" (English: Nothing Can Change Me), the music video, like the song itself, wouldn't have been complete without presence of the legendary former Guns N' Roses' guitarist, Slash. Thalia collaborated with legendary American pop singer Tony Bennett in the duet "The Way You Look Tonight", which featured on Bennett's album Viva Duets, released in October 2012. Thalía's first English-language album, released in 2003, shares a title with her 1990 and 2002 Spanish-language albums.
"I Want You" was the album's most popular song, peaking at number 22 on the Billboard Hot 100 and number seven in the Mainstream chart. It is her only song to date that has charted within the Billboard Hot 100. In Greece, the song peaked number twenty-six in Top 50 singles sales. The Spanish version of the song, "Me Pones Sexy", was released for the Spanish-language audience and also performed quite well on the Latin charts, peaking within the top ten of the Hot Latin Tracks at number nine. The album's music incorporated Latin pop styles with rock, R&B, dance, and mariachi elements. Vicente Fernandez, Mexican singer of traditional pop ranchera standards and cultural icon, also collaborated with singer Tony Bennett in a duet for Viva Duets with "Return To Me" ("Regresa a Mí").
Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa, "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers' Fang song named "Zangalewa" by the group Zangalewa or Golden Sounds. The song was made popular in her native Colombia in 1987 through west African DJs in Colombia. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S., and was performed by Shakira at the World Cup kick-off and closing. The Spanish version was successful as well.
Sale el Sol was released as Shakira's seventh studio album on 19 October 2010. It has both English and Spanish songs. Shakira and Enrique Iglesias have retained their roles as some of the most successful crossover artists this decade.
In May 2013 Christina Aguilera appeared on Mexican singer Alejandro Fernández's cover of "Hoy Tengo Ganas de Ti" from his album Confidencias.[17]
2010s continued success
Today, Latin American music has become a term for music performed by Latinos regardless of whether it has a Latin element or not. Acts such as Shakira, Jennifer Lopez, Enrique Iglesias, and Pitbull are prominent on the pop charts. Iglesias, who holds the record for most No. 1s on Billboard's Hot Latin Tracks, released a bilingual album inspired by urban acts, and he frequently releases two completely different songs to Latin and pop formats at the same time. Mainstream artists and producers tend to feature more on songs from Latin artists and it has also become more likely that English language songs crossover to Spanish radio and vice versa.
Viva Duets is a studio album by Tony Bennett, released in October 2012.[18][19] The album is sung in English, Spanish and Portuguese, and features Latin American singers. Album's adaptations were written by Andres Castro, Edgar Barrera, Miguel Bose, Ricardo Arjona, Kany Garcia, Thalia, Franco De Vita, Dani Martin, and Mario Molina Montez.
The
In 2018, Latin music became the fifth most popular and successful music genre in the U.S., surpassing country and EDM.[21] Nearly 11 percent of song consumption (including streams and digital sales) and 9.4 percent of album consumption (streams, physical and digital sales) in 2018 was from Latin music.
91 percent of the $135 million produced by the Latin music market last year[clarification needed] came from either paid subscription platforms such as Spotify, or ad revenue from streaming services like YouTube.[22]
In 2017,
Perhaps the biggest subgenre of Latin American Music, Latin Trap has emerged to be one of the most popular genres of music to this day. Latin Trap, also known as Spanish Trap or trapeton, is a style of trap music that is infused and influenced by Latin Hip Hop and Reggaeton.
Paving the way for Latin trap artists all over the world is Puerto Rico's own Bad Bunny. Bursting into the music scene in 2016, Bad Bunny is a chart-topping Latin trap artist based in San Juan. With hit songs like "I Like It" with Cardi B and J Balvin, which became the first Latin trap song to reach No. 1 the Billboard Hot 100,[26] and "MIA" featuring Drake, which debuted at No. 5 on the Hot 100 in October 2018,[27] Bad Bunny is one of the most successful Latin artists of his generation.
The 2018 Top Latin Artist Billboard award was won by Dominican-Puerto Rican reggaeton and Latin trap singer, Ozuna. Ozuna's infectious music has put him on top of Latin song charts and was even named YouTube's most watched artist of 2018.[28]
Ozuna released his first studio album titled
The popularity of Latin music has increased over the years. While Latin music has always had a place in the American music industry, there's certainly been a rise of the music and has become mainstream. Its high demand has helped many Spanish speaking artists. It is reaching a greater audience in the United States and outside the Spanish speaking world. The growth of Latin music has resulted for the opportunity for female Latin artists to dominate in the music industry as well. [citation needed]
2018 was a breakthrough year for women in Latin music. Female artists like Dominican singer and songwriter Natti Natasha and singer and actress Becky G are a few of the young Latinas who climbed the male dominated reggaeton music charts in 2018. This was especially true after Becky G and Natti Natasha's song, “Sin Pajamas”, ranked in the top ten most viewed music uploads worldwide, according to Rolling Stone. Latin pop growth has helped non-Latin recording artist as they pair with popular Latin stars, thus increasing collaborations. The collaborative efforts between Spanish speaking and English speaking artist is a testament to how big the genre has gotten. In 2018, Latin pop appears to have been more traction than it did in the 1990s Latin boom. With that being said, it is a dominant force in the music industry with no signs of slowing down. [citation needed]
Selena Gomez released her first
Awards
The
The most prestigious Latin American music awards in Spanish in the United States are broadcast by the two biggest Spanish networks
Premios Lo Nuestro was first awarded in 1989 by the network to honor the previous year's top artists in
See also
- Hot Latin Tracks
- Latin music (genre)
- Latin Pop
- Chicano rock
- Music of Puerto Rico
- Latin American culture
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Further reading
- Doeden, Matt (2013). American Latin Music: Rumba Rhythms, Bossa Nova, and the Salsa Sound. ISBN 978-0761345053.