Music of Antigua and Barbuda
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The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.[1]
Little to no musical research has been undertaken on Antigua and Barbuda other than this. As a result, much knowledge on the topic derives from novels, essays and other secondary sources.[1]
History
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chordophone) |
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Documented music in Antigua and Barbuda began only with the discovery of Antigua, then populated by
Colonial era churches and missionary activity displaced and otherwise influenced the music of the African slaves, who adopted elements of European-derived religious music. The
Folk music
During the period of French colonial rule, African slaves were prohibited from celebrating in Carnival; they continued to do so, secretly, at home. There, an Afro-Caribbean style of percussion, dance and song called benna developed. Later, Antiguan and Barbudan folk music became more dominated by Trinidadian calypso and steelpan.
Most forms of modern Antiguan and Barbudan music are not indigenous to the islands, and were imported from France, the United Kingdom, United States, Jamaica and Trinidad. Colonial dance styles like the
Old Time Christmas Festival
The
Christmas Festival traditions include both music and dance, especially related to
Benna
By the beginning of the 20th century, it had become a method of folk communication, disseminating news and reports from across the island. In the 1940s and 50s, an improvisational benna singer named John "Quarkoo" Thomas sang up-to-date stories on legal scandals, and the sexual affairs of the upper-class. He was eventually imprisoned because of the lyrics to "Cocoatea", which was about the daughter of a respected citizen, and her secret pregnancy while in a convent.[4][1]
Popular music
In other popular genres of music Antigua is best known for oldest and most successful soca band the Burning Flames, who have claimed the road march title for many years, most recently 2005. Another well-known Antiguan musician was Patrick "Johnny" Gomes, who worked for, among many others, the calypso giant Mighty Swallow. The most famous indigenous musician in Antigua and Barbuda may be Oscar Mason, whose son O'Neill is also a noted trombonist.[5] The Antigua Community Players[6] have been active for more than 52 years, performing a variety of musical productions in many styles, including the Antiguan folk song, benna.
Jazz guitarist Roland Prince was from Antigua.
Basil Hill, owner of King Midas Records in New York, built a large international nightclub called the Atmosphere in 1978, creating a direct outlet for Antigua and Barbudan singers and bands.
Elements of non-Antiguan and Barbudan music have continued to be imported to the islands in the latter 20th century, including the electronic
Platinum-selling Antiguan-German singer-songwriter Au/Ra was also raised in Antigua, who has excelled in dance and pop music.
Carnival
See full article: Antigua Carnival
The Antiguan
Music festival
The Antigua and Barbuda international music festival,
Steelpan
The steelpan comes in many different forms, and put together is called a steel orchestra. Steel bands traditionally are made up of old pieces of metal such as old irons, tire rims, or steel pipes. Antigua's steel orchestras and iron bands can be found in churches and in many villages, and have been popular since their introduction. Every Carnival there is a competition to dub the best band of the island. Antigua's largest and oldest steel orchestra that still competes is Hell's Gate. It is said that the Brute Force Steel Band was the first steelpan band to record an album.
Steel orchestras have evolved to using highly technical instruments costing up to US$1500 for one instrument. These pans are meticulously honed out of the steel drum, sunken and burned over a hot fire, chromed and tuned. This process was perfected in Trinidad and Tobago and exported to Antigua and Barbuda through various collaborations between several of the bands in both island-nations.
Calypso
Calypso was sung throughout the English-speaking Caribbean, and was used by the poor as a platform for social and political commentary, using complex metaphors and folkloric references to obscure their meaning to outsiders. Later, beginning in the 1960s, a popularized kind of calypso was developed for use in tourist hotels. The first hotel calypsonians were Black Shirt, Skeetch and Dadian, who were accompanied by a string ensemble of two guitars and a bass guitar (created out of an oil drum). The Antigua Carnival, and the Antiguan Calypso King competition, began in 1957; the King that year was Styler. This era also saw a growth in patriotic calypsos, focused on an emerging sense of victorious nationalism in the wake of growing autonomy. By the middle of the 1960s, two rival calypsonians dominated the Antiguan scene, Zemaki and Lord Canary. Their conflict was perpetuated as the King Short Shirt and Swallow rivalry during the 1970s and 1980s. In the middle of the 1980s, the Burning Flames emerged, winning the road march with "Styley Tight" in 1985. They achieved pan-Caribbean acclaim.[10]
It is clear that the genre of music now called calypso had strong roots in Trinidad and Tobago, but it would be inaccurate to suggest that this music started in any one island. Every island in the Caribbean has a form of music that resembles "kaiso", more commonly referred to as calypso. It is inaccurate to attribute the origin of calypso to any island. In Belize, they call their variation
Particularly in the English-speaking islands and Belize, African cultural roots have greatly influenced the beats and form of the music. All these musical forms borrow beats from West African highlife music and have fused North American pop and R&B with the Latin beats of central and South America and Cuba to form distinct musical genres which have significant variations in islands that were influenced by the French.
Soca
The defining staccato bass was the creation of the late Lord Shorty from Barrackpore, Trinidad and Tobago, and rose to fame as Lord Shorty with his 1963 hit "Clock and Dagger". He started out writing songs and performing in the calypso genre. In the 1970s, he began experimenting with calypso by blending it with the local chutney — the music of Trinidad's East Indian population — using instruments such as the sitar and tabla. The style was dubbed "soca".
See also
References
- ^ ISBN 978-0-8240-6035-0.
- ^ Luffman, John (1788). A Brief Account of the Island of Antigua: Together with the Customs and Manners of Its Inhabitants. T. Cadell.
- ^ Flannigan/Lanaghan (1844). Antigua and the Antiguans: Also, an Impartial View of Slavery and the Free Labour Systems; the ... Harvard University. Saunders and Otley.
- ^ "Antigua & Barbuda's Cultural Heritage". Museum of Antigua and Barbuda. 2005-10-26. Archived from the original on 2005-10-26. Retrieved 2023-09-19.
- ISBN 1-85828-636-0.
- ^ "Antigua Community Players". Archived from the original on 2005-01-06. Retrieved 2005-05-21.
- OCLC 35960026.
- ^ Quote from McDaniel, pp 798–800, describing Manning, Frank (1977). Sally F. Moore; Barbara G. Myerhoff (eds.). "Cup March and Carnival: Secular Rites of Revitalization in Decolonizing Tourist-Oriented Societies". Secular Ritual. Assen, Netherlands: Van Gorcum: 265–281.
- ^ "Antigua and Barbuda Music Festival".
- ^ a b "History of Calypso". Museum of Antigua and Barbuda. Archived from the original on October 26, 2005.
- ISBN 0-87930-655-6, p. 225