Music of Somalia

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The Music of the Somali people (

Somali people
.

Overview

Traditional Somali music

Somali oud player Nuruddin Ali Amaan.

Somali people have a rich musical heritage centered on traditional Somali folklore.

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Somali songs are

Arabian peninsula, but it is ultimately recognizable by its own unique tunes and styles. Somali songs are usually the product of collaboration between lyricists (lahamiste), songwriters (abwaan), and vocalists (odka or "voice").[1] The Somali word for dance is ciyaar.[2]

Traditional instruments prominently featured in the music of

reed flute in the background. However, heavy percussion and metallic sounds are uncommon in Somaliland.[1] The riverine and coastal areas of Somalia use a wide variety of traditional instruments including:[3][4][5]

History

Somali singer Saado Ali Warsame receiving a Gold Record, Lifetime Achievement Award.
Abdullahi Qarshe, popularly known as the father of Somali music.

Somali popular music began with the balwo style, pioneered by Abdi Sinimo, who rose to fame in the early 1940s.[6][7] This new genre then in turn created the Heelo style of Somali music.[8] Abdi's innovation and passion for music revolutionized Somali music forever.[9]

Introduction of melody in modern Somali song is credited to Abdullahi Qarshe, who is recognised for introducing the kaban (oud) as an accompaniment to Somali music.[10] Qarshe is revered by Somalis as "father of Somali music".[11]

Many qaraami songs from this era are still extremely popular today. This musical style is mostly played on the kaban (oud). Prominent Somali kaban players of the 1950s include Ali Feiruz and Mohamed Nahari.

During the rule of the Supreme Revolutionary Council (Somalia), music was suppressed except for a small amount of officially sanctioned music. There were many protest songs produced during this period, pioneered by the people of Somaliland who were trying to gain independence from the government of Somalia, especially the genocidal Barre regime.

Bands such as Waaberi and Horseed have gained a small following outside of the country. Others, like Ahmed Ali Egal, Maryam Mursal and Waayaha Cusub have fused traditional Somali music with pop, rock and roll, bossa nova, jazz, and other modern influences.

Music recorded in the 1970s was preserved in Hargeisa, buried underground, and is now available at the Red Sea Foundation at the Hargeisa Cultural Center, and in Radio Hargeisa. The Barre dictatorial regime effectively nationalised the music scene, with bands and production under state control. Bands were operated by the police, the army and the national penitentiary. Female singers were encouraged more than was the case in most of East Africa. Most musicians had left the country before 1991. Hiddo Dhawr is now operating as the only live music venue in the city.[12]

Music institutions

The first

Sony Music Entertainment as well radio popular television networks such as Horn Cable Television
(a private company which is based in Somaliland).

List of Somali musicians and musical groups

Popular Somali singer Aar Maanta.

See also

Notes

  1. ^ a b Abdullahi, pp.170-171
  2. ISBN 978-88-7063-084-8
    .
  3. ^ Somali Culture and Folklore (1974) pp.63-64
  4. ^ Historical Dictionary of Somalia (2003) p. 166
  5. ^ The Concise Garland Encyclopedia of World Music. p.57-58
  6. ^ African Language Review, Volume 6. The University of Michigan: F. Cass. 1967. p. 5.
  7. ISBN 9780521256469
    . Cabdi Deeqsi, who created a genre of love poetry called Balwo
  8. ISBN 1874209812
    .
  9. ISBN 9780810866041
    .
  10. ^ Brinkhurst, Emma (2012). Music, Memory and Belonging: Oral Tradition and Archival Engagement Among the Somali Community of London's King's Cross. University of London. p. 61.
  11. ISBN 9788888934471
    .
  12. ^ "Uncovering Somalia's forgotten music of the 1970s". Al Jazeera. 18 August 2017. Retrieved 22 August 2017.
  13. ^ Journal of the Anglo-Somali Society, Issues 30-33. Anglo-Somali Society. 2001. p. 56. Retrieved 28 June 2014.

References

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