Nikolay Punin
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Nikolay Punin | |
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Born | Nikolay Nikolayevich Punin November 28 [ Russian SFSR, Soviet Union |
Occupation | Scholar, writer |
Subject | contemporary art, art history |
Notable works | Diaries |
Spouse | Anna Arens (1917–?) |
Partner | Anna Akhmatova |
Children | Irina |
Nikolay Nikolayevich Punin (Russian: Никола́й Никола́евич Пу́нин; November 28 [
Biography
A key figure in the Russian art world
Nikolay Punin was born in Helsingfors (now Helsinki),
Punin was among the first art critics who focused on the emerging new trends and styles. Punin's own multi-cultural exposure, as well as his diverse education and broad vision, made him the leading ideologist of the "Left Art," embracing and representing many innovative and experimental movements. Punin was nicknamed a "Futurist" and a "Leftist" by both artists and historians. His circle of friends included artists
In 1917, Punin married Anna Arens, a physician; they had one daughter, Irina.[1]
In 1918, Punin was appointed by
Union with Anna Akhmatova
Nikolay Punin was in a civil union with poet
Akhmatova had saved Punin's life after his first arrest, in the 1930s, regardless that their relationship ended at that time. Nikolay Punin was released only after Anna Akhmatova's written petition to Joseph Stalin, but later he was arrested again. Punin was twice arrested and imprisoned by the Soviet secret service under the dictatorship of Stalin.[3]
In November of 1941, during the
Under Stalin's dictatorship
A secret file on Punin was created with numerous accusations of his anti-Soviet activity. Most accusations were fabricated by various agents of the former Soviet KGB office in Leningrad, such as Lt. Prussakov, who accused "former professor of Leningrad University and Academy of arts, Punin" of "anti-Soviet" propaganda. Punin's popular lectures about European artists, such as
In 1949, Punin was arrested on accusations of "anti-Soviet" activity, because he said that many thousands of
Legacy
Punin was known as "savior of art collections" because he protected many valuable paintings of western artists, which were labeled "decadent bourgeois art" by the communist propaganda. In doing so, Punin took many risks by raising his voice in opposition to the Soviet officials. As curator of the
Punin was also a remarkable lecturer; his lectures were extremely popular among open-minded members of the Soviet Academia, and among his numerous students.[7]
Punin's art essays and his memoirs were published in English and in Russian.[8]
In June 2012, the first biography of Punin, The Unsung Hero of the Russian Avant-Garde. The Life and Times of Nikolay Punin, written by art historian Natalia Murray, was published by Brill.[9]
See also
- Fine Art of Leningrad
- Rykov A. Between a Conservative Revolution and Bolshevism. Nikolai Punin’s Total Aesthetic Mobilization” // The New Literary Observer №140 (4/2016) pp. 240-258.
- Rykov A. Russian Modernism as Fascism. The Case of Nikolay Punin // Art and Politics in Europe in the Modern Period. Zagreb, 2016. pp. 81-82.
- Rykov A. Between a Conservative Revolution and Bolshevism: Nikolai Punin’s Total Aesthetic Mobilization // Russian Studies in Literature, vol. 53, no. 2, 2017, pp. 147–171, DOI: 10.1080/10611975.2017.1400270
References
- ^ Harry Ransom Humanities Research Center
- ^ Russian source: "The Keeper of the Future" Archived October 27, 2007, at the Wayback Machine
- ^ N. N. (Nikolai Nikolaevich) Punin. Diaries and correspondence
- ^ [1] Anna of All The Russians: The Life of Anna Akhmatova by Elaine Feinstein retrieved 13/8/2018
- ^ "Punin's files at Sakharov center". Archived from the original on July 4, 2017. Retrieved January 27, 2008.
- ^ Экспонаты /Портрет Н.Н. Пунина. Фотография, Virtual Museum of the Gulag
- ^ Russian source: НИКОЛАЙ НИКОЛАЕВИЧ ПУНИН (1888–1953) – ИСКУССТВОВЕД, ПЕДАГОГ, МУЗЕЙНЫЙ РАБОТНИК. [2]
- ISBN 0-292-76589-4 [3]
- ISBN 9789004204751 [4]