Oleg Bogayev

Source: Wikipedia, the free encyclopedia.
Oleg Bogayev
Oleg Bogayev, seated, smoking a cigarette
Native name
Олег Богаев
Born1970
Russia
OccupationPlaywright
LanguageRussian
Alma materYekaterinburg State Theatre Institute
Literary movementNew Drama
Notable worksThe Russian National Postal Service (Русская народная почта)
Notable awards
  • Anti-Booker Prize
  • Best Play at Russia's Golden Mask Festival

Oleg Anatolyevich Bogayev (

Moscow Times theatre critic John Freedman as "one of the first and best-known students to graduate from [Nikolai] Kolyada’s playwriting course at the Yekaterinburg State Theatre Institute."[2] He is now on the faculty at the same school.[3] Bogaev is also the editor of the Ural (Russian: Урал) literary magazine, a post he took over from his mentor Nikolai Kolyada in August 2010.[4]

Biography

Oleg Bogayev was born in 1970 in the city of Sverdlovsk (now called Yekaterinburg) in Russia. He writes of growing up as the Cold War gave way to the emergence of Perestroika, a "change from the decay of the empire to the birth of a new society." He cites the social turmoil of recent decades as useful for artistic product: "[What] I know is that Russia is just the right place for a playwright - with shattering of fates, conflicts, crumbling of hopes, clashes of ideas - all that I've seen and experienced."[5]

Bogayev became interested in writing as a teenager, spurred by what he describes as "two tragedies": first love and the death of his father. He began writing poems and short stories. He worked in theatre as a set and lighting designer; he became interested in writing plays after being exposed to the work of Harold Pinter.[5]

In 1997, Bogayev won the

Anti-Booker Prize for Русская народная почта (The Russian National Postal Service) and the award for Best Play at Russia's Golden Mask
Festival for that same play.

Plays

The author of over 30 plays,

Slavic
world.

The Russian National Postal Service follows impoverished Russian pensioner Ivan Zhukov on his descent into madness. He engages in fanciful correspondence, writing letters to important world figures (living, dead, and fictional) and then writes replies to himself on their behalf. Prominent among his imagined correspondents are

cosmonauts, Russian officials, and Robinson Crusoe. The play has often been compared to the works of Nikolai Gogol for its absurdism and treatment of alienation.[9][10][11]

Few of Bogayev's works other than The Russian National Postal Service have been produced in the English-speaking world. His play Maria's Field (Марьино поле) received its

Russian history.[13] Bogaev relates that the story was inspired by his grandmother, Anafisa, and others like her whose husbands were declared "missing" during war and who still hoped for their return. He writes "The fate of men was easier than the fate of women. It is harder to wait than to die."[5] Despite the tragic theme of the play, it is leavened by a "whimsical and wistful" tone and a "comical cow" accompanying the women on their journey.[12]

Notable Productions of The Russian National Postal Service

Notable Productions of The Russian National Postal Service
Date Theatre Director Language (Translator) Title as Produced Note
June 1997 Lyubimovka Festival of Young Playwrights, Moscow unknown Russian (not in translation) Русская народная почта (The Russian National Postal Service) staged reading
Fall 1998 Tabakov Theater, Moscow Kama Ginkas Russian (not in translation) Komnata Smekha (Room of Laughter)[9] World Premiere
May 2001 International Playwrights Festival, Royal Court Theatre, London unknown English (Tom Birchenough) Russian National Post[14] Rehearsed reading
Fall 2001 Théâtre Espace Go, Montreal Luce Pelletier French (Fabrice Gex) La Poste Populaire Russe (The Russian People's Post) [15]
Fall 2004
Washington DC
Paul Mullins English (John Freedman) The Russian National Postal Service [16] United States Premiere
Summer 2005 Sputnik Theatre Company, London Noah Birksted-Breen English (Noah Birksted-Breen) The Russian National Mail[17][10][11] British premiere

List of Selected Plays

    • The Rubber Prince is a musical based on Phallus Imitator, 2003[19]
  • Maria's Field [13]
  • Thirty-three Fortunes [20]
  • Dead Ears, or A History of Toilette Paper [3][21] (the title has also been translated as Deaf Souls [20])
  • The Great Wall of China [22]

External links

References

  1. ^ "Spectacle 'La poste populaire russe'". Art Russe. 2 December 2004. Retrieved 17 December 2008.
  2. ^ Freedman, John (Winter–Spring 2007). "The Poetry of Excess: Nikolai Kolyada in Yekaterinburg". TheatreForum (30): 48–57.
  3. ^ .
  4. ^ "Срочно! Николай Коляда ушел из журнала "Урал". Его тут же вызвали в минкульт, а Гредин встретился с преемником". 2010-09-08. Retrieved 2010-11-29.
  5. ^ a b c Bogaev, Oleg (December 2008). "[Untitled letter to Luda Lopatina]". Retrieved 2009-01-06.
  6. ^ Engelman, Liz (15 December 2005). "Artist Exchange in Yekaterinburg". Literary Managers and Dramaturgs of the Americas. Literary Managers & Dramaturgs of the Americas. Archived from the original on 1 October 2006. Retrieved 16 December 2008.
  7. Moscow Times
    . No. 1501.
  8. New York Times
    . p. 38. Retrieved 16 December 2008.
  9. ^
    Moscow Times
    .
  10. ^ a b Billington, Michael (29 August 2005). "Lenin meets the Queen at the Old Red Lion: Russian National Mail: Old Red Lion". The Guardian. p. 14.
  11. ^ a b Jones, Alice (5 September 2005). "Russian National Mail, Old Red Lion, London". The Independent. p. 43. Archived from the original on January 31, 2009. Retrieved 16 December 2008.
  12. ^ a b Williams, Albert. "Maria's Field". Chicago Reader. Retrieved 27 January 2009.
  13. ^ a b "Bogaev: Maria's Field". Chicago: TUTA Theatre. Retrieved 16 December 2008. [dead link]
  14. ^ "International Playwrights 2001". Royal Court Theatre. London. Retrieved 16 December 2008.
  15. ^ "Archives: Cycle Tchékhov". Théatre de l'Opsis.
  16. Washington Times
    . pp. D08. Retrieved 16 December 2008.
  17. ^ "Sputnik Theatre Company website".
  18. ^ O'Mahony, John (25 October 2003). "Blasted Theory". The Guardian. Retrieved 15 December 2008.
  19. Moscow Times
    . 31 October 2003. Retrieved 16 December 2008.
  20. ^ a b Freedman, John (August–September 2006). "Lending an Ear to Russian Tradition" (PDF). Plays International. pp. 18–19. Retrieved 22 January 2016.
  21. ^ Ross, Yana (18 October 2005). "Synopses of New Russian Drama". Literary Managers & Dramaturgs of America. p. 4. Archived from the original (Microsoft Word) on October 1, 2006. Retrieved 1 October 2006.
  22. ^ Freedman, John. "Index of Russian Plays by Plays and by Author". Literary Managers & Dramaturgs of America. Archived from the original (Microsoft Word) on 1 October 2006. Retrieved 16 December 2008.