Pat Walshe

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Pat Walshe
Westwood Village Memorial Park Cemetery
Occupations
  • Actor
  • circus performer
  • vaudevillian
Years active1908–1950
Height3 ft 11 in (119 cm)
Signature

Patrick Walshe (July 26, 1900 – December 11, 1991) was an American dwarf

theater, vaudeville and circus. Throughout his vaudeville career, he was a frequent collaborator of Lew Fields and Joe Cook
.

Life and career

A triptych of Walshe, from The Boston Post, 1920. From left to right: Walshe outside his monkey costume, getting into his costume, and in full costume with makeup.

Pat Walshe was born as Patrick Walshe, on July 26, 1900, in New York City. Living his early years in Brooklyn,[1] Walshe had a form of restricted growth, and as a result never grew to be taller than 3'11".

Walshe began performing in

Ringling Brothers. He also appeared alongside 'The Rising Generation', a vaudeville family act, featuring a young Eddie Quillan
.

In following years, Walshe appeared in the cabaret revue Hell at the

Broadway production A Good Little Devil,[4] starring Mary Pickford, where he played the roles of a gnome called "Huggermunk", and of a squirrel. Subsequently, Walshe appeared in Winthrop Ames' production of Snow White and the Seven Dwarfs, once again with Irwin Emmer. He subsequently spent time with the Frank A. Robbins Circus[4] and the following year he appeared, alongside Irwin Emmer and several other dwarf actors, at the 'Toyland' exhibit of the Panama–Pacific International Exposition.[6]

Walshe made his motion picture debut in 1915, in the Lew Fields comedy Old Dutch. He reprised his role from The Girl Behind the Counter from five years previously.[7] The waiters' quartet had been popular with audiences, so Fields reunited them all for his comedy film produced by World Films.[8]

Walshe (centre) in his motion picture debut Old Dutch, as part of the "waiters' quartet" alongside Lew Fields (far right)

Many of Walshe's performances included playing animals, particularly

variety shows, Walshe earned prominence for his performances and received the nickname 'the Monkey Man'.[9] His performances were known for their meticulous attention to detail. He made many visits to zoos to study primate behaviour,[9] and could faithfully mimic their physicality and sounds. A zookeeper he befriended allowed him to enter the apes' cages to spend time closer to them. His performance was so realistic that, when wearing his costume, he was allegedly able to convince a particular chimp that he was an ape, scaring it.[9]

Rather than attaching fur to his body, Walshe had a costumer make a special fur suit for him. However, Walshe dealt with the makeup himself. With grey paint, he used highlights and shadows, as well as protruding false teeth and a wig to transform himself into a monkey. Walshe often worked directly with apes, which was dangerous due to the creatures' unpredictable nature. To minimize risk, Walshe was well acquainted with the apes with which whom appeared, had an in-depth knowledge of ape psychology, and was naturally comfortable around them.[9]

In addition to working with live apes simply to mimic their movements, Walshe also performed with them. One of his best-known performances was alongside the

chimp Baldy, of whom Walshe was custodian for several years.[10] They performed in many shows, and did stunts, such as riding a two-seated bicycle together. Working with Baldy's trainer, the two spent weeks inside Baldy's cage, to help prepare her for the performance, as well as simply studying her behavior. Walshe had a close bond with Baldy, and was known to carry a photo of her in his pocket. He described her as "the most intelligent of all performers of the animal kingdom".[9]

Throughout the 1920s, Walshe earned a reputation for his act. At one point he worked as a businessman, though he found being a little person made it considerably difficult. His business was unsuccessful, and after a period of illness, he ceased his business activities and returned to performing.[9] In 1920 he was once again reunited with Irwin Emmer, when they both played monkeys in As You Were.[11]

In 1928, Walshe was enlisted to appear in Rain or Shine,

Barnum and Bailey) and Dave Chasen (later famous for his Chasen's restaurant). Unlike most of the principal cast, all three had extensive circus and carnival experience, and performed an act with various acrobatics and stunts. Walshe portrayed the role of marmoset, and one point was propelled from the end of a pole. Despite their prominence in the show, neither Gregory nor Walshe were credited in its program, but did receive billing on posters and were mentioned in press releases.[4]
After opening on Broadway, the production toured the North America throughout 1929.

Walshe continued to perform in vaudeville, variety shows, circuses, and several Broadway productions, as well as the occasional screen appearance. In 1930 he appeared in Harold Beaudine short film Seeing Things starring William Demarest. Back on stage he appeared in Fine and Dandy[10] with Joe Cook, with whom he'd worked in 1928 in Rain or Shine. Walshe appeared alongside another dwarf actor, Hermon Ergotti, a German standing 3'8". They portrayed "The Colt", with Walshe doubling as "J. Newton Wheer". In 1936 Walshe appeared in Topsy Turvy Revue, billed as the 'midget Tarzan', again with Joe Cook.[12]

The Wizard of Oz

The Wizard of Oz

In, 1938, Walshe was cast in the most prominent role of his career: his feature film appearance in

Winged Monkeys.[13] Walshe was sought after for the role due to his extensive vaudeville and circus experience and his acclaimed ape imitations. His casting was formally announced on September 28 and he travelled up to MGM on October 3.[14]

Unlike the other monkeys, Nikko was a credited role, serving as the

stage makeup he generally used in his shows, he had to wear complex prosthetics designed by Jack Dawn. While the other monkeys wore simple rubber masks, Walshe needed to appear in closeups, so multi-piece prosthetic makeup was produced for him, moulded to his features and glued to his face.[13]
He also wore a full fur body suit, with a short open tunic as well as a tail and wings. Unlike the other monkeys, Nikko's wings are clipped to prevent him from flying. As a result, he is confined mostly to the Witch's castle and does not take part in the forest capture of Dorothy.

Although Walshe is listed in the film's credits as "Nikko", and despite his frequent appearances, the name "Nikko" is never spoken. (In the book, the character is simply called "the Monkey King".) Many of the film's viewers wondered who "Nikko" was; some confused him with the

Captain of the Winkie Guards (played by Mitchell Lewis).[15]

Later career, retirement

From 1945 to 1946, Walshe performed with the Ringling Bros. and Barnum & Bailey Circus,[16][17] Al Dean's Circus,[18] at the Court Square Theater, and with the Cole Bros. Circus.[19] He also made some other film appearances, with minor roles in Pinky and Roseanna McCoy, and in addition to working as a stunt double.[20] He had one of his few on-screen speaking roles in Panic in the Streets (1950), where he played a newspaper peddler named Pat (after himself). Walshe eventually quit performing due to the physical demands of his work, but was still remembered for his appearance in The Wizard of Oz.

Death

Walshe died on December 11, 1991, in

Westwood Memorial Park
.

Selected theatre appearances

Filmography

Year Title Role Notes
1915 Old Dutch Waiter Film debut, Uncredited
1930 Seeing Things Little Guy Short
1939
The Wizard of Oz
 		Nikko
1949 Pinky Minor Role Uncredited
Roseanna McCoy A Hatfield Uncredited
1950 Panic in the Streets Pat - Newspaper Peddler Final film, Uncredited

References

  1. ^ a b c "Theatre Topics: Charles Frohmans List of New plays promises much that is interesting". Brooklyn Eagle. July 9, 1931. Retrieved April 11, 2016.
  2. ^ "LEW FIELDS in the musical comedy THE GIRL BEHIND THE COUNTER". Billboard. No. 20. September 26, 1908. Retrieved August 9, 2018.
  3. ^ "News, Notes and Gossip About Plays and Pictures". The Boston Sunday Globe. No. 20. December 19, 1920. Retrieved February 4, 2021.
  4. ^ a b c d e "From Circus to "Rain or Shine"". Brooklyn Eagle. May 27, 1928. Retrieved April 11, 2016.
  5. ^ "The Barnum & Bailey Show at Madison Square Garden in All its Glory". The New York Clipper. Vol. 60, no. 3. March 2, 1912. Retrieved February 3, 2021.
  6. ^ "P. P. I. E. News". Variety. No. 5. January 1915. Retrieved February 3, 2021.
  7. ^ "Brevities of the Business". Motography. Vol. 13, no. 1. January 2, 1915. p. 216. Retrieved February 3, 2021.
  8. ^ "Remember the Waiter's Quartette in 'The Girl Behind the Counter?'". The New York Clipper. No. 47. January 2, 1915. Retrieved February 3, 2021.
  9. ^ a b c d e f g "Monkey Shines as "Man", While Man Apes "Monkey"". The Boston Post. December 12, 1920. Retrieved April 8, 2016.
  10. ^ a b "Private Lives' Reopens and Jed Harris Bobs Up Again". Brooklyn Eagle. April 5, 1931. Retrieved April 11, 2016.
  11. ^ "P. P. I. E. News". The New York Clipper. Vol. 67, no. 51. February 4, 1920. Retrieved February 3, 2021.
  12. ^ "News of the Stage and Screen". Pittsburgh Post-Gazette. January 31, 1936. Retrieved May 4, 2017.
  13. ^
    ISBN 978-1480397194
    .
  14. ISBN 9781493035328
    .
  15. ^ "The Nikko Controversy". Reelclassics.com. November 8, 1998. Archived from the original on October 6, 1999. Retrieved April 11, 2016.
  16. ^ "Dressing Room Gossip: Ringling Barnum". Billboard. Vol. 57, no. 29. July 21, 1945. Retrieved February 4, 2021.
  17. ^ "Ringling-Barnum 1946 Program". Billboard. Vol. 58, no. 15. April 13, 1946. Retrieved February 4, 2021.
  18. ^ "They Bloom With the Sprigs In Spring -- Tra-La -- L. A." Billboard. Vol. 58, no. 14. April 6, 1946. Retrieved February 4, 2021.
  19. ^ "Dressing Room Gossip: Cole Bros". Billboard. Vol. 62, no. 27. July 8, 1950. Retrieved February 4, 2021.
  20. ISBN 9780525484868
    .

External links
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