Rayner Hoff

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Rayner Hoff
war memorials
Notable workAnzac Memorial, Hyde Park, Sydney
King George V Memorial, Old Parliament House, Canberra
William James Farrer Monument, Queanbeyan
Signature

George Rayner Hoff (27 November 1894 – 19 November 1937) was a British-born

Anzac War Memorial in Sydney
.

Early life and training

Hoff was born on the Isle of Man, the son of a stone and wood carver of Dutch descent. He began helping his father on architectural commissions at a very young age and attended the Nottingham School of Art where he studied drawing, design, and modelling, from 1910 to 1915. During World War I, he was in the British Army and fought in the trenches in France, an experience from which he was to draw most passionately in the creation of his various war memorials. Later in the war, he made maps based on aerial photographs.

Returning from the trenches following the War he enrolled in the

East Sydney Technical College (Australia
) and set up his private studio. In 1933, he was named the head of the ESTC Art School.

Australian work

Portrait of sculptor Rayner Hoff, Sydney, ca. 1934, by Harold Cazneaux
ANZAC War Memorial
(1934), Hyde Park, Sydney.
Sacrifice, Anzac War Memorial
The 1972 Holden logo evolved from the original designed by Hoff in 1928 (left).

Hoff came to Australia as a young man of 28. He soon adapted himself to Australian conditions, and his quiet, slightly whimsical personality made him generally liked. He was a quick worker and an artist of great originality, although his work, originally based on the Greeks, shows he had paid attention to tradition. He had studied much that was best in Italian work of the Renaissance, the Assyrian friezes, the attempt to retain only the essentials, characteristic of some of the moderns, and the simple sincerity of the Chinese.

His modelling is in a lyrical, classical art-deco manner which effortlessly combines sensuous curves with geometric line patterns.

Hoff's coming to

Anzac War Memorial in Hyde Park, Sydney, the central group in the interior, and the bronze reliefs. The figures on the exterior and the interior group, including Sacrifice, are cited by sculptor, Ron Robertson-Swann as "Sydney's most moving example of publicly visible architecture".[1] Art historian, Professor Virginia Spate, wrote in 1999: "Even incomplete, [it] is the most perfect sculptural monument in Australia."[2] An example of his sculpture associated with architecture is at the University of Sydney
, where four medallion portraits of great scientists are on the façade of the physics building.

Rayner also produced a variety of smaller work, built up a fine school of sculpture, and in 1934 was commissioned to design the Victorian centenary medal. His use of a ram's head as the design for one side of it was much criticised, and it is not one of his most successful efforts. At the time of his death on 19 November 1937 he was engaged on the George V Memorial for Canberra. He had recently been commissioned to design part of the new coinage for the Commonwealth, and earlier in 1937 had become an invited foundation member of Robert Menzies' anti-modernist organisation, the Australian Academy of Art.[3]

Among his works is the emblem of the Holden Australian car company, a stylised 'Lion and Stone' symbol representing a legend of man's invention of the wheel.

Architectural sculpture

The Anzac War Memorial, completed in 1934, is the main commemorative military monument in Sydney, designed by C. Bruce Dellit, has an exterior adorned with monumental figural reliefs and sculptures by Rayner Hoff, and is arguably the finest Art Deco structure in Australia.

A ten-metre-long bronze relief, over the west door of the Sydney ANZAC War Memorial. These two sculptures illustrate the functions and activities of elements of the Australian Imperial Forces overseas.[4]
The other bronze relief, over the east door.

Other works

William Farrer bust

Death

Hoff died on 19 November 1937, eight days before his 43rd birthday, and was survived by his wife and two daughters.[6]

Further reading

  • Daele, Patrick and Roy Lumby, A Spirit of Progress: Art Deco Architecture in Australia, Craftsman House, Sydney, 1997
  • Edwards, Deborah, This Vital Flesh: The Sculpture of Rayner Hoff and His School, Art Gallery of New South Wales, 1999
  • Hedger, Michael, Public Sculpture in Australia, Craftsman House, 1995
  • Hutchison, Noel S. Hoff, George Rayner (1894 - 1937), Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp 322–323.
  • Inglis, K.S., Sacred Places: War Memorials in the Australian Landscape, Melbourne University Press, Carlton South, 1998
  • Serle, Percival (1949). "Hoff, George Rayner". Dictionary of Australian Biography. Sydney: Angus & Robertson.
  • Sturgeon, Graeme, The Development of Australian Sculpture 1788–1975, Thames & Hudson, London, 1978
  • Beck, Deborah, Rayner Hoff: The life of a sculptor, NewSouth Publishing, 2017

References

  1. ^ Dow, Steve; Andrew Taylor (8 December 2012). "Public sculpture: the good, the bad - and the downright ugly". The Sydney Morning Herald. Retrieved 11 December 2012.
  2. ^ Sheehan, Paul (19 April 2004). "Peace offering that shocked the church". The Sydney Morning Herald. Retrieved 23 November 2013.
  3. ^ Australian Academy of Art First Exhibition, April 8th-29th, Sydney : Catalogue (1st ed.). Sydney: Australian Academy of Art. 1938. Retrieved 2 November 2022.
  4. ^ Art Deco, Sydney, ANZAC War Memorial Archived 15 February 2008 at the Wayback Machine, February 2008.
  5. The Argus (Australia)
    , 16 January 1935
  6. ^ Hutchison, Noel S., "Hoff, George Rayner (1894–1937)", Australian Dictionary of Biography, Canberra: National Centre of Biography, Australian National University, retrieved 23 May 2023