Reginald Gray (artist)

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Reginald Gray
Reginald Gray in 2011
Gray in 2011
Born1930 (1930)
Dublin, Irish Free State
Died29 March 2013(2013-03-29) (aged 82–83)
Paris, France
EducationCecil ffrench Salkeld. ARHA (1953–57)
Known forPortrait painter and theatre set designer
AwardsSandro Botticelli Prize. Florence, Italy (2004)
Websitehttp://www.artmajeur.com/grayportraits

Reginald Gray (1930 – 29 March 2013) was an

National Portrait Gallery in London.[2][4] He subsequently painted portraits from life of writers, musicians and artists such as Samuel Beckett, Harold Pinter, Brendan Behan, Garech Browne, Derry O'Sullivan, Alfred Schnittke, Ted Hughes, Rupert Everett and Yves Saint Laurent. In 1993 Gray had a retrospective exhibition at UNESCO Paris and in 2006, his portrait "The White Blouse" won the Sandro Botticelli Prize in Florence, Italy.[2][5]

Life

Born in Dublin, Gray grew up on Grove Avenue in Blackrock. His father worked for the Guinness company.[2] Gray studied at All Saints, Blackrock, the Blackrock Technical Institute and the National College of Art and Design, Dublin.[2][5]

After a short period he left to study under Cecil Ffrench Salkeld

ARHA.[2][5] At the age of nineteen Gray joined The Dublin Atelier, a small group of painters who exhibited at The Dublin Painters Gallery.[6] During this period Gray was inspired by the early works of the French painter Bernard Buffet who had won the Prix de la critique
, in Paris in 1948 at the age of 20.

Gray had a studio on Leeson Street in the early 1950s. There he made a wash drawing of the artist

The Grand Opera House, Belfast and Gray travelled there to redesign and create the much larger settings need for the bigger stage. Look Back in Anger by John Osborne was at the same time running at the Opera House and Gray befriended and sketched the leading actress Jocelyn Britton. Later he designed the sets for Nekrassov[11] by Jean-Paul Sartre which was mounted at The Gate Theatre. Gray later went on a tour of Ireland with The Dublin Repertory Theatre Company designing their productions, including The Wood of the Whispering by M. J. Molloy
.

London

Portrait of Doina by Reginald Gray. Paris, 2001. (egg tempera on canvas)

Gray moved to London in 1957 and lived near the Portobello market, sharing a flat with three Irish actors Donal Donnelly, Brian Phelan and Charles Roberts. Needing more solitude to paint, Gray moved to Bayswater. He got a job in the display department at Whiteleys department store designing and dressing their windows but still painting. In the same year he made a gouache drawing of the Barkers of Kensington department store on Kensington High Street, showing the workmen refreshing the façade of the store. This work is now in the collection of The Museum of London.

National Portrait Gallery, London
)

Gray met Catherine Hall in November 1958 and they were married a month later in Caxton Hall, London. In 1960, Eric Holder, owner and director of the gallery Abbott and Holder, invited Gray to hold a solo exhibition. This exhibition received favourable reviews especially from The Arts Review, London.[12] The English film actor Patrick Waddington bought a number of Gray's works and arranged an exhibition for Gray and Aubrey Williams, the painter from Guyana at The Caravan Gallery, New York. Another exhibition for Gray at Abbott and Holder was programmed for the following year which had a further good reception. Alan Simpson, the Pike Theatre director, came to this exhibition and suggested that Gray should paint a portrait of Samuel Beckett.[13]

Gray flew to Paris and worked on the portrait which was then exhibited at The

Francis Bacon in a Bayswater pub. Bacon was curious to see Gray's studio and while they were there Gray made a drawing of Bacon which he later turned into an egg tempera on wood portrait.[14] The portrait was bought by the collector Aubrey Beese, who donated it to the National Portrait Gallery, London
in 1975, where it remains today. By 1963 Gray's marriage was failing, and he moved to Paris.

Rouen

The Last Supper by Reginald Gray. Rouen, 1962.

On his way from London to Paris, Gray stopped in

masters on the ground. A year later conditions improved when he got long periods of work as an extra in the Théâtre des Arts de Rouen, mostly in Opera. In spite of the rough life, Gray exhibited at the Salon des Artistes Normands at the Musée des Beaux-Arts for three successive years before he eventually moved on to Paris.[citation needed
]

Paris and Ravenel

Reginald Gray in Paris in 1986

Having felt that "he had exhausted Rouen and that Rouen had exhausted him", Gray arrived in Paris with little money, in mid 1964, where he would live for the last 50 years of his life.[2] In this year his eldest daughter Eleonore was born. Gray came to live at l'Académie de Feu on the rue Delambre, run by the Hungarian sculptor, László Szabó. About 15 young sculpture students lived and worked there under the supervision of the master. The sculptor with the aid of six of his students built Gray a small room in the studio from wood, plaster and resin with running water and electricity.

Self-portrait of Gray in a Paris bistro (2008)

In the second year that Gray lived at the academy, Szabó mounted Le Monde apres les Buildings, a large exhibition of Sculpture and Painting, named for the modern high-rise blocks that Szabó hated. The English sculptor Henry Moore and the Italian Marini also exhibited at the exhibition. During this period Gray exhibited at the Daniel Casanova Gallery at the Palais Royale. After three years at the Academy Gray moved from time to time to small ateliers on the left bank such as Rue Descartes and Rue des Saints Pères.[citation needed]

Gray worked as a copy editor at the Paris edition of

Fairchild Publications and as a fashion photographer for over five years, covering collections in Paris, Milan, Rome and London.[citation needed
]

Gray worked as cameraman filming the fashion collections for German Vogue and Swedish Television. Gray directed his first full-length feature Jeu (game, also known as Le Passant)[16] starring Laurent Terzieff, Dirk Kinnane, Pascale de Boysson and Bibi Hure. Gray then lived in the Chateau de Ravenel, 50 miles north of Paris and raised his second daughter Deirdre and son Terence there during a stay that lasted ten years.[citation needed]

Last years

From 1993, Gray taught painting at the Irish College in Paris.

Halifax), Russian composer Alfred Schnittke, (The Royal College of Music and the Russian Academy of Music, London), and Harold Pinter (1998) not long before Pinter's death.[18]

In 1995, Gray's 1960 portrait of

National Portrait Gallery, London.[2][5] in 2006, Gray's portrait "The White Blouse" won the Sandro Botticelli Prize in Florence, Italy.[2]

Death

Gray died on 29 March 2013 in Paris from stomach cancer, aged 82.[2]

Collections

Some of the public collections in which Gray's work appears are:

References

  1. ^ 2015 Artmajeur Online Art Gallery/Reginald Gray. "Self-Portrait at the Ecole des Beaux Arts. Paris". Artmajeur Online Art Gallery.{{cite web}}: CS1 maint: numeric names: authors list (link)
  2. ^ a b c d e f g h i j k l m n "Irish artist Reginald Gray dies in Paris". The Irish Times. 30 March 2013.
  3. ^ "Reginald Gray - National Portrait Gallery". www.npg.org.uk. Retrieved 12 December 2023.
  4. ^ a b Reginald Gray page at the National Portrait Gallery
  5. ^ a b c d e Artmajeur, Reginald Gray | (1 July 2011). "Reginald Gray (France), Contemporary Painter Artist | Artmajeur". www.artmajeur.com. Retrieved 12 November 2023.
  6. ^ Irish Press (Dublin), 11 April 1953; Art critic James White (later Director of The National Gallery, Ireland) wrote that "Reginald Gray has the unmistakable mark of integrity, he will not rest content with a borrowed image, but seeks for a unique and personal vision, the aim of all great artists."
  7. ^ The Week. The Week Publications Inc., 28 August 2004; "Review of Reviews: Art p. 26, "Grays sombre elegant Homage to the Artist Patrick Swift (2002) – in which he recalls the painter as a young man – is an unforgettable image"
  8. ISBN 1-56833-187-8
  9. ^ Aesthetica. (Contemporary Writing Art Music Film) ISSN 1743-2715. Issue May/June. 2006. p. 23; "After studies at The National College of Art, Gray became designer for The Pike and Gate Theatres in Dublin and The Lyric Theatre in London [...] in February, 2002 Gray was elected an official member of The American Society of Portrait Artists. (ASOPA)"
  10. ^ Evening Mail. Dublin. 13 May 1957. Theatre critic R.M.Fox on "The Rose Tattoo" "To have presented such a play without a hitch on the tiny Pike stage reflects great credit on Reginald Gray's settings and Alan Simpson's production."
  11. ^ Evening Mail (Dublin), 31 October 1956; Theatre critic R M Fox, writing on Nekrassov, "Settings by Reginald Gray were attractive and ingenious."
  12. ^ The Arts Review. London. 5 May 1962. Art Critic James Burr: "It is rare today to find a young painter whose visual language has grown out of the formal austerities and induced linear precision of the 15th century; this is a decade where painting is ferociously impulsive and dominated by abstraction so that the calm objectivity and direct reaction to the visual world of Reginald Gray comes as a relief from a rapid indulgence in manipulating material".
  13. ^ Simpson, Alan (1962) Beckett and Behan, Routledge and Kegan Paul. London. pp 3-15
  14. ISBN 1-85514-234-1
  15. ^ Funds Europe Ltd. London. SE1. ISSN 1477-4453. Nov. 2004. Issue 23. p 94; Art critic Hannah Watson writes on Gray, "one of his works is a figure taken from one of Ghirlandaio's frescos in the Santa Maria Novella, Florence and painted in his own style, her pink smocked sleeves with wavy blond locks is part hippy/part Botticelli's Venus."
  16. ^ International Herald Tribune 9 May 1975. Film critic Thomas Quinn Curtis writing on The Cannes Film Festival "In the experimental field too, there was error in judgement in neglecting The Passant by Reginald Gray."
  17. ^ "HebWeb News 2010: Ted Hughes Portrait donated to Calderdale". hebdenbridge.co.uk.
  18. ^ "You want to free the world from oppression?". newstatesman.com.
  19. ^ Portrait in tempera and marble dust on wood entitled Santa Maria Magdalena
  20. ^ "The Portraits, National Portrait Gallery". portrait.gov.au.

Further reading

External links

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