Ron Mann

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Ron Mann
Born
Ronald Mann

(1958-06-13) June 13, 1958 (age 65)
Toronto, Ontario, Canada
OccupationFilm director
Years active1970s–present

Ronald Mann (born June 13, 1958), credited professionally as Ron Mann, is a Canadian documentary film director.[1][2][3][4]

His work includes the films Imagine the Sound (1981); Comic Book Confidential (1988); Grass (1999) and Go Further (2003), both of which feature Woody Harrelson; In the Wake of the Flood (2010), which features author Margaret Atwood; and Altman (2014), about the life and career of film director Robert Altman.

Early life

Mann stated that the first film he watched was This Is Cinerama, a documentary. He considers A Hard Day's Night his favourite film and stated that it "really changed my life" as it made him choose to become a filmmaker rather than a musician.[5]

Career

1970s–1980s

Mann began making films at a young age, creating Super 8mm films in the 1970s.[1] Mann worked at Sam the Record Man for three years and saved money to produce his first 16mm film, Flak, in 1975. He was influenced by Robert Kramer's Ice, John Cassavetes's Shadows, Michelangelo Antonioni's Red Desert, and Norman Mailer's Maidstone.[6]

Mann began making short films while in high school and studied briefly at Vermont's Bennington College before receiving a B.A. in film from the University of Toronto. His 1973 student film, The Strip, documented the historic Yonge Street strip.[7][8]

Mann met Elia Kazan at the Cannes Film Festival and asked if he should go to film school. Kazan told him not to study film, but to make them instead.[6] Mann did not attend film school; instead, he learned filmmaking first-hand and using his own funds.[9] In an interview with Now, he described this process:

Every film was my last movie, I would go into debt, make another film to get myself out of debt. That's how I actually needed to keep going.[9]

Mann and David Fine started collaborating in 1978. One of their films, The Only Game in Town, won a Genie Award.[10]

Mann attempted to make a documentary about the new wave music concert Heat Wave, but licensing issues prevented him. After the success of The Only Game in Town he met Emile de Antonio, who agreed to become the film's executive producer. However, five days before filming started Mann was told that they did not have enough money. Mann decided to instead make a film about avant-garde jazz, Imagine the Sound.[10][9] The film, released in 1981, deals with the once-controversial genre of free jazz.[11][12][13] Critic and film historian Jonathan Rosenbaum has said that Imagine the Sound "may be the best documentary on free jazz that we have."[14]

Poetry in Motion (1982) was Mann's second feature film after Imagine the Sound. While watching John Giorno and William S. Burroughs at a rock club, Mann discovered Giorno's Dial-A-Poem recordings during a break in the performance. The director later decided to create an anthology of "post-Beat" poets for a film. His idea was based on the poem anthology publication The New American Poetry 1945–1960 by Donald Allen.[15]

Mann met Joe Medjuck while attending the University of Toronto and Medjuck hired him in 1984, for Listen to the City, his only fiction film. Mann received a three-picture contract with Ivan Reitman Productions.[6][9] Mann wrote a comedy for Bill Murray, Hoods in the Woods, and made a behind-the-scenes documentary for Legal Eagles.[16]

Mann has also made numerous short films, including Echoes Without Saying (1983), about the publishing and printing company

Coach House Press and its founder Stan Bevington, and Marcia Resnick's Bad Boys (1985), about the New York based photographer.[9]

Mann found success with his 1988 documentary

Academy of Canadian Cinema and Television.[20] Caryn James of The New York Times found the film deft and intelligent—it "takes off when it abandons the archives and focuses on the creators," but "it plays to the converted," and its attempt to relate comics to social context is "fleeting."[21]

1990s–2000s

Mann continued to make documentaries throughout the 1990s and 2000s. His 1999 film was

Genie Award for Best Documentary.[25]

In 2003, Mann co-founded a film distribution company called FilmsWeLike with Gary Topp.[26] FilmWeLike's curation has been described by Vice as a "veritable auteur smorgasbord."[27]

In 2009, he released a documentary on mushrooms and mushroom hunting called Know Your Mushrooms.[28]

2010s–present

In 2014, Mann directed the Robert Altman-based documentary Altman.[29] Peter Bradshaw of The Guardian praised the film.[30]

His latest film is Carmine Street Guitars (2018). The film depicts Carmine Street Guitars, a long-running guitar store in New York City.[31] It premiered at the 75th Venice International Film Festival,[32] and had its Canadian premiere at the 2018 Toronto International Film Festival.[33] It went into general theatrical release in April 2019.[34]

Impact

Mann has served as mentor to and worked with many filmmakers from the Toronto New Wave of the 1980s, including Atom Egoyan, Bruce McDonald, Jeremy Podeswa, and Peter Mettler.[4][35][9]

Filmography

References

  1. ^ a b "2009 Focus On Ron Mann – Hot Docs". www.hotdocs.ca. Retrieved 2021-05-26.
  2. ^ "Ron Mann". MUBI (in European Spanish). Retrieved 2021-05-26.
  3. ^ "Ron Mann | IFFR". iffr.com. Retrieved 2021-05-26.
  4. ^ a b Wilner, Norman (2021-04-26). "40 at 40: Doc filmmaker Ron Mann recalls the start of Toronto's New Wave". NOW Magazine. Retrieved 2021-05-26.
  5. ^ Beard & White 2002, p. 223.
  6. ^ a b c Beard & White 2002, p. 224.
  7. ^ "Ron Mann | dafilms.com". dafilms.com. Retrieved 2021-05-26.
  8. ^ Torontoist (2009-09-17). "Toronto on Film, the Book". Torontoist. Retrieved 2021-05-26.
  9. ^ a b c d e f "Canadian Film Encyclopedia – Ron Mann". cfe.tiff.net. Retrieved 2021-05-26.
  10. ^ a b Beard & White 2002, p. 225.
  11. ^ "Documentary Screening: Imagine The Sound (1981) – Gardiner Museum". www.gardinermuseum.on.ca. Retrieved 2021-05-26.
  12. ^ "IMAGINE THE SOUND". Austin Film Society. Retrieved 2021-05-26.
  13. ^ "IMAGINE THE SOUND | The Clinton Street Theater". cstpdx.com. Retrieved 2021-05-26.
  14. ^ Imagine the Sound (1981) – Film Affinity, retrieved 2021-05-26
  15. .
  16. ^ Beard & White 2002, p. 231.
  17. ^ stein, bob (2011-01-07), Comic Book Confidential by Ron Mann, retrieved 2021-05-26
  18. ^ 'Comic Book Confidential' - The Washington Post
  19. ^ "Comic Book Confidential Trailer (1989)". Trailer Addict. 2010-05-13. Retrieved 2021-05-26.
  20. Academy of Canadian Cinema and Television
    , 1989.
  21. ^ James, Caryn (June 14, 1989). "Review/Film; Comic Books as Sociology and Popular Art". The New York Times.
  22. ^ "DVD Savant Review: Grass". www.dvdtalk.com. Retrieved 2021-05-26.
  23. ^ Spectacle (2016-03-04), GRASS (Dir. Ron Mann, 1999), retrieved 2021-06-05
  24. ^ "It's a Maelstrom at the Genie awards". Retrieved 2021-05-26.
  25. ^ "ACCT – Canadian Awards History Search". Archived from the original on 2007-09-27. Retrieved 2007-08-07.
  26. ^ "Films We Like | Canadian Audiovisual Company". RDVCanada.ca. Retrieved 2021-05-26.
  27. ^ "Seen a Great, Weird-Ass Movie Lately? You Should Thank This Guy". www.vice.com. Retrieved 2021-05-26.
  28. ^ "Know Your Mushrooms: Fungus film on the button" Toronto: The Star
  29. ^ Genzlinger, Neil (August 1, 2014). "An Auteur, in His Own Words". The New York Times.
  30. ^ Bradshaw, Peter (2 April 2015). "Altman review – apt appraisal of an American auteur". the Guardian.
  31. ^ "'Carmine Street Guitars' Review: Ballad of an Unsung NYC Musical Hero". Rolling Stone, April 24, 2019.
  32. ScreenDaily
    , September 3, 2018.
  33. ^ "TIFF 2018: Canadian 'cultural historian' Ron Mann vs. the times". The Globe and Mail, September 6, 2018.
  34. ^ "Carmine Street Guitars lets its love of music lovers shine". Toronto Star, April 4, 2019.
  35. ^ Wilner, Norman (2017-04-05). "Canada's new wave of cinema". NOW Magazine. Retrieved 2021-06-13.

Works cited

External links