Séance on a Wet Afternoon
| Séance on a Wet Afternoon | |
|---|---|
.jpg) Theatrical poster | |
| Directed by | Bryan Forbes |
| Screenplay by | Bryan Forbes |
| Based on | Séance on a Wet Afternoon 1961 novel by Mark McShane |
| Produced by | Richard Attenborough Bryan Forbes |
| Starring |
|
| Cinematography | Rank Organisation (UK) Artixo Productions (US) |
Release dates | 20 June 1964 (UK) 5 November 1964 (US) |
Running time | 115 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £139,000[1] |
| Box office | £195,688 (by 1971)[1] |
Séance on a Wet Afternoon is a 1964 British
Plot
Myra Savage (Stanley) is a medium who holds séances in her home. Her husband Billy (Attenborough), unable to work because of asthma and cowed by Myra's domineering personality, assists in her séances. Myra's life and psychic work are dominated by her relationship with the spirit of her son Arthur, who died at birth.
At Myra's insistence, Billy kidnaps Amanda (Donner), the young daughter of a wealthy couple, Mr and Mrs Clayton (Eden and Newman), confining her in a room in the Savage home, whilst Myra impersonates a nurse to deceive the girl into believing she is hospitalised. Myra insists she is "borrowing" the girl to demonstrate her psychic abilities to the police in helping them find her. Although they ask for a £25,000 ransom, they plan to return the money with the girl after Myra has become famous for helping find her. Myra visits the Claytons, stating that she is a professional medium and claiming that she had a dream involving their daughter; Clayton is dismissive but his wife believes that Myra may know something. Mrs Clayton then comes to one of Myra's seances.
After Billy hides Amanda, anticipating (correctly) the police coming to the house to investigate, he collects the ransom money, burying it in their garden before taking Amanda back to their house, but she has a high temperature and Billy wants to get a doctor, which Myra violently disagrees with. Myra's plan goes awry as her unsteady mental health begins to fray.[2][3] Believing that her dead son Arthur wants Amanda to be with him, she tells Billy to kill her; he wants to refuse, realising that his wife is completely unhinged, but he seems to lack the will power to resist her. He takes Amanda into the woods and places her under a tree; it is not clear if she is dead or just sedated.
When the police ask Myra to conduct a séance to help them find the missing girl – as she had hoped they would – she breaks down during the séance and reveals, as if in a psychic trance, what she and Billy have done. As the trance continues, she senses that the girl was not killed. Billy tells the police where he hid the ransom money and reveals that he left Amanda unconscious where she would be found by scouts who were camping nearby, which the police already know, confirming that she is all right.
Cast
- Kim Stanley as Myra Savage
- Richard Attenborough as Billy Savage
- Nanette Newman as Mrs. Clayton
- Mark Eden as Charles Clayton
- Patrick Magee as Superintendent Walsh
- Gerald Sim as Detective Sergeant Beedle
- Judith Donner as Amanda Clayton
- Margaret Lacey as Woman at first Séance
- Marie Burke as Woman at first Séance
- Maria Kazan as Woman at first Séance
- Margaret McGrath as Woman at Second Séance
- Lionel Gamlin as Man at Seances
- Godfrey James as Mrs. Clayton's Chauffeur
- Ronald Hines as Policeman outside Clayton's
- Hajni Biro as Maid at Clayton's
- Diana Lambert as Mr Clayton's Secretary
- Frank Singuineau as Bus Conductor
- Stanley Morgan as Man in Trilby
Production
Casting
According to Jon Krampner's biography Female Brando: The Legend of Kim Stanley, Forbes and Attenborough initially had encountered difficulty in casting the role of Myra. Deborah Kerr and Simone Signoret originally were approached for the part, but both actresses turned down the role.
Forbes and Attenborough then contacted Kim Stanley, an American theatre and television actress whose previous film work was limited to starring in the 1958 feature The Goddess and providing the uncredited opening and closing narration for the 1962 adaptation of To Kill a Mockingbird. Attenborough later was quoted as stating that Stanley was the best choice, noting that the "complexity of dramatic impression vital to the credibility of Myra was hard to find. Also an intellectual ability to follow and understand the character. I didn’t believe Simone (Signoret) could convey, as Kim did, the otherworldliness which this woman inhabited in her private fantasies."[4]
Shooting
The film was shot at Pinewood Studios and at various locations around London including Trafalgar Square, Wimbledon, several London Underground stations and the derelict Staines Greyhound Stadium.[5] The film's sets were designed by the art director Ray Simm.[6]
Release
Reception
Critical reaction in the British and American media was overwhelmingly strong. London's Daily Express called the film "superbly atmospheric", and The Sunday Telegraph dubbed it "compassionate, intelligent and absorbing." The New York Herald Tribune called Séance on a Wet Afternoon "the perfect psychological suspense thriller and a flawless film to boot", and The New York Times stated "it isn’t often you see a melodrama that sends you forth with a lump in your throat, as well as a set of muscles weary from being tense for nigh two hours."[7]
The film was a commercial failure, and its losses - along with those of Life for Ruth - caused the demise of the Allied Film Makers company.[8]
Awards and nominations
| Award | Category | Nominee(s) | Result |
|---|---|---|---|
| Academy Awards[9] | Best Actress | Kim Stanley | Nominated |
| British Academy Film Awards[10] | Best Foreign Actress | Nominated | |
| Best British Actor | Richard Attenborough (also for Guns at Batasi) | Won | |
| Best British Screenplay | Bryan Forbes | Nominated | |
| Best British Cinematography – Black and White | Gerry Turpin | Nominated | |
| Edgar Allan Poe Awards | Best Foreign Film | Bryan Forbes | Won |
| Laurel Awards | Top Female Dramatic Performance | Kim Stanley | Nominated |
| National Board of Review Awards | Top Ten Films | 10th Place | |
| Best Actress | Kim Stanley | Won | |
| New York Film Critics Circle Awards | Best Actress | Won | |
| San Sebastián International Film Festival | Best Actor | Richard Attenborough | Won[a] |
| Writers' Guild of Great Britain Awards[11] | Best British Dramatic Screenplay | Bryan Forbes | Won |
Remakes
Séance on a Wet Afternoon was remade in 2000 as the Japanese horror film
References
- ^ a b Alexander Walker, Hollywood, England, Stein and Day, 1974 p247
- ^ Review Archived 7 June 2011 at the Wayback Machine, Time Out, London
- ^ QNetwork review by James Kendrick
- ISBN 0-8230-8847-2.
- ^ "Location #2: Run down stadium". The Movie District. Retrieved 5 January 2021.
- ^ "Seance on a Wet Afternoon (1964)". BFI. Archived from the original on 4 May 2016.
- ISBN 0-8230-8847-2.
- ^ Wells, Burton & O'Sullivan p.207
- ^ "The 37th Academy Awards (1965) Nominees and Winners". oscars.org. Retrieved 24 August 2011.
- ^ Film Nominations 1964 from BAFTA's website
- ^ "Writers' Guild Awards 1964". Writers' Guild of Great Britain. Retrieved 17 July 2021.
- ^ Home page for the opera Séance on a Wet Afternoon
- ^ Tied with Maurice Biraud for The Adventures of Salavin.
Bibliography
- Paul Wells, Alan Burton & Tim O'Sullivan. Liberal Directions: Basil Dearden and Postwar British Film Culture. Flicks Books, 1997.
External links
- Séance on a Wet Afternoon at IMDb
- Séance on a Wet Afternoon at AllMovie
- Séance on a Wet Afternoon at the BFI's Screenonline
