Saint Madeleine and Saint Catherine (Witz)
| Saint Madeleine and Saint Catherine | |
|---|---|
| Saint Catherine and Saint Madeleine | |
 | |
| Artist | Konrad Witz |
| Year | circa 1440 |
| Medium | oil painting on panel (fir) |
| Movement | Gothic art Catholic art |
| Subject | Catherine of Alexandria and Mary Magdalene |
| Dimensions | 161 cm × 130 cm (63 in × 51 in)[1] |
| Location | Musée de l'Œuvre Notre-Dame, Strasbourg |
| Accession | 1893 |
Saint Madeleine and Saint Catherine, also known as Saint Catherine and Saint Madeleine,
The painting represents both saints with their attributes (Madeleine's vessel of ointment, and Catherine's wheel and book, here a girdle book). In spite of the sumptuosity of their costumes and jewels, and the preciosity of their golden halos, Witz depicts them with the realistic faces of young peasant women and in a stiff attitude that reminds of play acting.[2][1] Both saints are sitting in a cloister that is thought to have belonged to Basel Cathedral, and Witz opens his tentative perspective towards a street scene, again depicted with noticeable realism.[3][1]
The painting may have belonged to an unfinished altarpiece (probably a triptych) but it could also have been autonomous from the start.[3][1] While the drapery displays the influence of contemporary Netherlandish painting, the spatial perspective appears to be Witz's own, pioneering experiment.[2][4]
References
- ^ ISBN 9782351251058.
- ^ a b c Müller, Hans-Joachim (6 March 2011). "Wunder des Faltenwurfs". Die Welt. Retrieved 25 July 2020.
- ^ ISBN 2-86656-223-2.
- ^ Thomas, Christian (24 March 2011). "Der Pionier der 3-D-Kunst". Frankfurter Rundschau. Retrieved 25 July 2020.
External links
- Sainte Madeleine et sainte Catherine Archived 2023-01-01 at the Wayback Machine, presentation on the museum's website
- Jean Wirth: Remarques sur le tableau de Konrad Witz conservé à Strasbourg, Journal of Swiss archeology and art history issue 44 (1987).
- Laurent Wolf: Konrad Witz, la gloire de l'artisan, Le Temps, 27 July 2014
