Sanctuary of the Blessed Virgin of the Holy Rosary
| Sanctuary of the Blessed Virgin of the Holy Rosary Santuario della Beata Vergine del Santo Rosario (in Italian) | |
|---|---|
Minor basilica | |
| Location | |
| Location | Fontanellato,  Italy |
| Geographic coordinates | 44°53′00″N 10°11′00″E / 44.88333°N 10.18333°E |
| Architecture | |
| Style | Baroque |
| Groundbreaking | 1641 |
| Completed | 1660 |
| Website | |
| http://www.santuariofontanellato.it/ | |
The Sanctuary of the Blessed Virgin of the Holy Rosary is a
History
In 1512, Veronica da Correggio founded a Dominican monastery in Fontanellato. A brotherhood dedicated to Our Lady of the Rosary and a chapel were established in the monastery church in the second half of the sixteenth century.
In 1641, construction of a larger church began; it was inaugurated on 18 August 1660 with the coronation of the statue by the Bishop of Fidenza Alessandro Pallavicini. The front was completed in 1680. Construction of a new convent began in 1672.
In 1769,
In 1816, Marie Louise, Duchess of Parma, granted the convent to Dominican sisters of Colorno. The monastery was restored in 1822 and the church in 1858–1860. With the suppression of religious orders in 1866 the building of the convent passed to the municipality, from which it was given-back to Dominicans in 1879.
In August 1903,
The orphanage during the World War II was used as a prison and school for officials-soldiers. It was bombed by the Allies, reopened in 1948 and closed in 1982.
In 1965, an access road to the shrine opened; it includes a portico. In 1978 the monastery was equipped with an internal cloister.
The structure
The church has a form of
The facade of 1680 hosts four marble statues (Saint Dominic, Saint Joseph, Saint Rose of Lima and Saint Louis Bertrand). There are some ex-voto in the sacristy of sanctuary, in the gallery of the graces received.
Since 1699 in the sanctuary there are two pipe organ keyboards. They are used to perform concerts and solemn masses. The organists, as of ????[when?], are father Daniele Mazzoleni, Roberto Marchesi, and Leonardo Pontremoli.
References
External links
