Svetislav Stefanovic

Svetislav Stefanović (

He was a physician by profession, and the founder of the Department of Pathology. He was a writer and a poet, critic, translator, essayist, and playwright. A modernist and avant-gardist,^[4][5] Stefanović's essays and critiques, defended Petković Dis's poetry, and in the interwar period, he defended modernist poetry. He was a friend of most of the contemporary poets of his time, Laza Kostić, Vladislav Petković Dis, Todor Manojlović, Jovan Dučić, Miloš Crnjanski, Milan Rakić, Stanislav Vinaver.^[6]

Stefanović was on the list of death row inmates under number 66 in the "Statement of the Military Court of the First Corps of the

Svetislav Stefanović was shot before a firing squad on charges of being an enemy of the people and a war criminal in November 1944[8] by Tito's Partizans who usurped the reins of the Royal Yugoslav government then in exile in London.^[1] The procedure for political rehabilitation was initiated in 2008 on the basis of a request sent by Tamara Grujić to the District Court in Belgrade. Stefanovć's writings is now beginning to be recognized for its sociological and philosophical vlaue.^[9]

Svetislav Stefanović was married to Milana Bota. His son is writer Pavle Stefanović (1902–1985)^[10]

Poetry

• The Song of the Dead
• The Great Joy
• The Impotence of Death
• Destruction
• The Triumph of Venus
• Darkness
• The Dream of Duke Mandušić
• Spring^[11]
• Studije o narodnoj poeziji(Studies in National Poetry)^[12]

Literary critics "from Skerlić's circle" denied him poetic talent.^[13] Gojko Tešić writes that his "critical engagement in defending the concept of modern Serbian poetry" is much more important than Stefanović's poetry. He defended Vladislav Petković Dis poetry in the program article "Honor and Freedom to Creators!" essays in "Bosanska vila" (1912–1913), "Više slobode stiha", "Stih ili pesma?" are significant, and in the interwar period he defended modernist poetry, especially in the essay "Alarm of Criticism and the Youngest Modern" ("Thought", 1921) and in a controversy with Marko Car ("Thought and Politics").

Stefanović was known as a critic of his contemporaries. He thought that too much energy was spent on the war with the old art, instead of releasing the new one. He criticized the artificial construction and lack of intuition and spontaneity in avant-garde poetry. He believed in rebellion, a renewal mission, but also in the return of barbarism and primitivism to literature, believing that they represented a refreshment for the arts. However, in the 1930s, Svetislav Stefanović abandoned the conception he advocated, renounced modernism, became conservative, and switched to the literary right.

Translations

Stefanović also translated literary works from German, Italian, French, Hungarian, Hebrew and English.^[2] He translated several Walt Whitman poems.^[14] and Edgar Allan Poe^[15] Also, Stefanović translated William Shakespeare's Othello,^[16] Hamlet,^[17] and Twelfth Night^[18] works by Dante Gabriel Rossetti,^[19] W. B. Yeats, Oscar Wilde,^[20] and others.

Literature

• Gojko Tešić: "Anthology of Serbian Avant-garde Poetry 1902–1934", Svetovi, Novi Sad, 1994.
• Gojko Tešić: "Serbian avant-garde in a polemical context", Novi Sad, Svetovi, 1991.
• Stanislav Vinaver: Sun and shadows. Songs of Mr. Svetislava Stefanovića , Štampa, XI / 180, 2. VII 1912.
• Milivoj Nenin: "Svetislav Stefanović – forerunner

References