The Electrifying Mojo

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The Electrifying Mojo (born Charles Johnson in Little Rock, Arkansas) is an American radio personality. He is a disc jockey based in Detroit, Michigan whose on-air journey of musical and social development shaped a generation of music-lovers in Detroit and throughout southeastern Michigan and Canada and was of importance to the development of Detroit techno.[1][2]

He is recognized for having introduced many artists into the Detroit radio market, including

Freeze Frame.[5][6]

History

Mojo's seminal radio show ran from 1977 through the mid-1980s, and while broadcast on stations marketed toward the

rock.[7] He also wrote music, sometimes under the name "C. J. Surge".[8]

Johnson's first radio job was at

billboards
throughout Detroit touted the "Landing of the Mothership" at 10:00 every night.

Mojo moved to WHYT (96.3) in 1985 and then WTWR-FM in Toledo, Ohio after a management turnover at WHYT in 1987, until 1990, when he accepted an offer to return to the Detroit airwaves at WMXD. At this time, Mojo began doing remote broadcasts, driving around Detroit, talking to people in the city, while his Production assistant Wendell Burke kept the music going at the studio.

In the mid-nineties, Mojo went back to WGPR. Musically, this included shows focused on single themes, such as symphonic music by black composers, a survey of the jazz and symphonic music of Duke Ellington, and one alternating the music of Billie Holiday with spoken excerpts from her autobiography. He, as before, frequently played recordings in their entirety.

In an unusual arrangement, Mojo was purchasing his air-time from WGPR and then finding his own sponsors for the show. His two primary sponsors at this time were a deli and an insurance agency.

He also dedicated airtime to reading excerpts from his 500-plus page book, The Mental Machine (

ISBN 0-9639811-1-0
), a work of poetry and prose about community and societal ills.

The late 1990s brought Mojo to

WDTR
around 2004.

Influence

Mojo's habit was to play entire recordings without interruption. Mojo would often play hours of Prince's music, not only his hits, but deep album cuts and b-sides. When Prince was about to release a new album, Mojo would often play the album in its entirety, and this practice continued into the 1990s.

The trio of artists widely cited as the founders of

Detroit Techno, Juan Atkins, Kevin Saunderson, and Derrick May have all made mention of Mojo's influence on their musical development,[10] as have second generation Techno artists like Richie Hawtin (Plastikman), Jeff Mills (The fm98 Wizard) and Carl Craig [citation needed
].

Other Detroit radio personalities imitated concepts from his shows during his absence from the Detroit airwaves in the mid-1990s, like with

The Wizard of Oz, church bells and a Civil defense siren: "We're not in Kansas anymore...it's among the hour to come amongst you and amaze you with absolute incredible out of this world type sounds, look out here we go." Mojo also made calls to the Lisa Lisa show encouraging, as well as thanking her for continuing his "format" in a way that he could be proud of [citation needed
].

See also

References

  1. ^ "Techno : history". 3345.com.au. Archived from the original on 2005-07-09. Retrieved 2008-06-09.
  2. ^ Arnold, Jacob (October 17, 1999). "A Brief History of Techno". Gridface, underground music reviews. Retrieved 2008-06-09.
  3. ^ http://music.aol.com/artist/the-electrifying-mojo/biography/1154963[permanent dead link]
  4. ^ "Prince in Print".
  5. ^ Steward, Nkrumah. "The Electrifying Mojo". Archived from the original on 2008-05-08. Retrieved 2008-06-09.
  6. ^ "FAQ". Hyperreal Music Archive. Retrieved 2008-06-09.
  7. ^ "Midnight Funk Association". MidnightFunkAssociation.com. Retrieved 2013-02-01.
  8. ^ "The Electrifying Mojo and the Midnight Funk Association". Cousin's Vinyl. Archived from the original on 2012-07-07. Retrieved 2008-06-09.
  9. ^ "YouTube video description" (video). youtube.com.
  10. ^ The Electrifying Mojo & Juan Atkins, Derrick May, Kevin Saunderson WHYT 96.3 (1984)., retrieved 23 November 2022

External links

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