The Execution of Emperor Maximilian

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The Execution of Emperor Maximilian (1868–69), oil on canvas, 252 × 305 cm. Kunsthalle Mannheim
National Gallery, London
The Execution of Emperor Maximilian (1867), oil on canvas, 195.9 × 259.7 cm. Museum of Fine Arts, Boston
The Execution of Emperor Maximilian (1867), oil on canvas, 48 × 58 cm. Ny Carlsberg Glyptotek, Copenhagen
Print of the execution of Maximilian in Santiago de Querétaro, Mexico

The Execution of Emperor Maximilian is a series of paintings by

lithograph of the same subject. All five works were brought together for an exhibition in London and Mannheim in 1992–1993 and at the Museum of Modern Art
in New York in 2006.

History

Maximilian was born in 1832, the second son of

House of Hapsburg and Princess Sophie of Bavaria. After a career in the Austrian Navy, he was encouraged by Napoleon III to become Emperor of Mexico following the French intervention in Mexico. Maximilian arrived in Mexico in May 1864. He faced significant opposition from forces loyal to the deposed president Benito Juárez
throughout his reign, and the Empire collapsed after Napoleon withdrew French troops in 1866.

Maximilian was captured on

Tomás Mejía
, on 19 June 1867.

Manet supported the Republican cause, particularly as represented by Léon Gambetta,[1] but was inspired to start work on a painting, heavily influenced by Goya's The Third of May 1808. The final work, painted in 1868–1869 is now held by the Kunsthalle Mannheim. The painting is signed by Manet in the lower left corner, bearing the date of Maximilian's execution in 1867, not when the work was completed 1868–1869.

Fragments of an earlier and larger painting from about 1867–1868 are held by the National Gallery in London. Parts of that work were probably cut off by Manet, but it was largely complete on his death. Other parts were sold separately after his death. The surviving pieces were reassembled by Edgar Degas and they were bought by the National Gallery in 1918, then separated again until 1979, and finally combined on one canvas in 1992.[2]

A third, unfinished, oil painting is held by the Museum of Fine Arts, Boston, donated from Mr. and Mrs. Frank Gair Macomber in 1930, who bought it from Ambroise Vollard in 1909. A much smaller work in oils, the study for the Mannheim painting is held by the Ny Carlsberg Glyptotek in Copenhagen.

Manet was refused permission to reproduce the lithograph in 1869,[by whom?] but an edition of 50 impressions was produced in 1884, after his death. Examples of the lithograph are held by the Metropolitan Museum of Art in New York and the Clark Art Institute in Williamstown, Massachusetts.

In the Boston version of the painting, the soldiers wear clothes and sombrero of Mexican Republicans. In the final version in Mannheim, "[t]he soldiers in the painting wear uniforms almost identical to French troops, and the man preparing for the

Berliner Secession
earlier that year.

  • Emperor Maximilian I of Mexico, c. 1865
    Emperor Maximilian I of Mexico, c. 1865
  • General Tomás Mejía, c. 1864
    General Tomás Mejía, c. 1864
  • General Miguel Miramón, c. 1860s
    General Miguel Miramón, c. 1860s
  • Goya's The Third of May 1808
    Goya's The Third of May 1808
  • Reconstruction of the execution of Maximilian (right in photograph) Miramón (center) and Mejía (left)
    Reconstruction of the execution of Maximilian (right in photograph) Miramón (center) and Mejía (left)

See also

References

  1. .
  2. ^ "The Execution of Maximilian – Edouard Manet". The National Gallery. The National Gallery. Retrieved 19 March 2023.
  3. ^ Shawcross, Edward, The Last Emperor of Mexico, New York: Basic Books, 2021, p. 282.
  4. ^ Tinterow, Gary and Lacambre, Geneviève (2003). Manet/Velázquez: The French Taste for Spanish Painting, p. 503. Metropolitan Museum of Art

Further reading

External links