The Space Museum

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This article is about the Doctor Who serial. For other uses, see Space Museum.

015 – The Space Museum
Doctor Who serial
Copies of Barbara, the Doctor, Vicki, and Ian stand upright, emotionless, inside glass boxes. The Doctor's shoulder can be seen overlooking them.
Barbara, the Doctor, Vicki, and Ian on display at the Space Museum. This first episode was praised by critics and its cliffhanger is considered among the show's best.[1][2][3]
Cast
Others
  • Richard Shaw – Lobos
  • Ivor Salter – Morok Commander
  • Salvin Stewart – Morok Messenger
  • Peter Diamond – Morok Technician, Morok
  • Lawrence Dean, Ken Norris, Salvin Stewart, Billy Cornelius – Moroks
  • Peter Sanders – Sita
  • Peter Craze – Dako
  • Jeremy Bulloch – Tor
  • Bill Starkey – Third Xeron
  • Michael Gordon, Edward Granville, Bill Starkey, David Wolliscroft – Xerons
  • Peter Hawkins – Dalek voice
  • Murphy Grumbar – Dalek Operator
Production
Directed by
Season 2
Running time4 episodes, 25 minutes each
First broadcast24 April 1965 (1965-04-24)
Last broadcast15 May 1965 (1965-05-15)
Chronology
← Preceded by
The Crusade 		Followed by →
The Chase
List of Doctor Who episodes (1963–1989)

The Space Museum is the seventh

BBC1 in four weekly parts from 24 April to 15 May 1965. In the serial, the First Doctor (William Hartnell) and his travelling companions Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien
) arrive in a Space Museum on the planet Xeros, where they seek to change their fate after seeing themselves turned into museum exhibits in the future. They also become entangled in a conflict between the militaristic Moroks who run the museum, and the servile indigenous Xerons who work for them.

Jones was not familiar with the show or science fiction when asked to develop the storyline. Story editor

incidental score.[a]
The Space Museum received mixed reviews, with praise directed at its opening episode and the performances of Hartnell and O'Brien, but criticism of the remaining episodes, the formulaic nature of the story, and the performances of the supporting cast. The story was later novelised and released on VHS and DVD.

Plot

The TARDIS arrives near a vast Space Museum on the planet Xeros, but has jumped a time-track. The First Doctor (William Hartnell), Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien) have a series of bizarre experiences as they venture outside and into the Museum; they see but cannot be seen by the militaristic Moroks who run the museum, and the servile indigenous Xerons who work for them. The museum contains fascinating exhibits, including a Dalek shell, and the four travellers discover that they and the TARDIS are on display. A few moments later, the time track slips back and the exhibit with themselves and the TARDIS vanish, but the travellers are still inside the Museum.

The head of the Moroks, Lobos (Richard Shaw), is a bored and desperate museum administrator and colony governor, who reflects sourly that the Morok Empire has become decadent and declined. The Moroks find the TARDIS and start tracking down the occupants who have become separated. The Doctor is the first to be found, but evades their interrogation tactics. Meanwhile, Vicki has made contact with the Xerons and, hearing of their enslavement, aids them in their plans to stage a revolution. They attack the Morok armoury and Vicki outwits its controlling computer. With their new weapons, the Xerons are able to begin a revolution, which slowly takes hold.

Ian has meanwhile freed the Doctor from Lobos, who had begun the process of freezing him and turning him into an exhibit. Ian and the Doctor are quickly recaptured by the Morok guards, and Barbara and Vicki are captured shortly thereafter. Help comes from the Xeron revolutionaries, who kill Lobos and the other Morok captors. The Xerons destroy the Museum. The Doctor, Ian, Barbara, and Vicki take a time/space visualiser as a souvenir and leave in the TARDIS. On the planet Skaro, their departure is noted by the Daleks.

Production

Conception and writing

Around early October 1964, outgoing story editor David Whitaker asked South African writer Glyn Jones to develop a story for Doctor Who; Whitaker had seen Jones's play Early One Morning (1963) and later encountered him at a dinner party. Jones had never seen Doctor Who, nor was he particularly familiar with science fiction. After Whitaker left the series and was replaced by Dennis Spooner, Jones was asked to develop a four-part serial of his story. By late 1964, the serial was titled The Space Museum;[4] the first episode was originally named "The Four Dimensions of Time", and by early 1965, the fourth episode was called "Zone Seven".[5] Spooner edited out much of the humour from the original script, which Jones was unhappy with; Spooner felt that the serial was more intellectual.[5]

incidental score, including pieces from Trevor Duncan, Erik Nordgren, and Eric Siday.[7][a] The sound effects provided by the BBC Radiophonic Workshop originated from previous recordings.[8] The Dalek prop used in the first two episodes was one of those constructed for the first Dalek serial, The Daleks (1963–1964),[9] while the one used at the end of the final episode had modified shoulder slats by Shawcraft Models.[10] Several other set elements were borrowed from previous serials, such as the lecterns from The Sensorites (1964).[11] The dummies in the third episode wore stock spacesuits from Quatermass II (1955).[10] The visuals of the ray guns firing was achieved using a photographic flash.[10]

Casting and characters

The script for the third episode was structured to omit the Doctor, as William Hartnell was scheduled to take a week's holiday.

moronic behaviour, and the name of their leader Lobos is derived from the word "lobotomy".[5] The Xeron actors wore fake eyebrows, with make-up covering their own eyebrows; the fake eyebrows often fell off.[9]

Filming

Early

double, as he had done in The Reign of Terror (1964).[9] Due to the complexity of the out-of-sequence recording, the first episode required a second editing session.[11] The final episode was recorded on 23 April 1965.[10]

Reception

Broadcast and ratings

EpisodeTitleRun timeOriginal air dateUK viewers
(millions)		Appreciation Index
1"The Space Museum"23:3824 April 1965 (1965-04-24)10.551
2"The Dimensions of Time"22:001 May 1965 (1965-05-01)9.253
3"The Search"23:338 May 1965 (1965-05-08)8.556
4"The Final Phase"22:1515 May 1965 (1965-05-15)8.549

The serial was broadcast on

UK Gold in December 1992; the latter occasionally ran it as a compilation later. The BFI National Archive holds a copy of the serial.[14]

Critical response

With a large grin, the Doctor emerges from the shell of a Dalek.
Radio Times described this scene of the Doctor in a Dalek casing as among the most memorable in an otherwise tedious story.[16]

An article in the

Times Educational Supplement in May 1965 described the serial as "enormously contrived", adding that the series "has run out of imagination".[15] An audience report prepared following the first episode's broadcast was generally positive, with praise directed at the exploration of unknown and extraordinary concepts—there was a general preference for futuristic stories instead of historical ones—though some viewers acknowledged that the show was becoming formulaic and found the episode slow.[15] A second audience report, prepared following the final episode, was more critical, with criticism directed at the undeveloped ideas and rapid resolution, and the general repetitiveness of the show; some felt that Hartnell was often unsure of his lines, and the supporting actors and small sets were criticised.[2]

Retrospective reviews were mixed. In The Television Companion (1998), David J. Howe and Stephen James Walker considered the first episode promising and the general concept fascinating, but felt that the story "falls as flat as a pancake"; they lauded the main cast, particularly Maureen O'Brien, but criticised the supporting cast, describing Richard Shaw's role as "one of the worst performances yet seen in the series".[3] In A Critical History of Doctor Who (1999), John Kenneth Muir praised the story's use of two prominent science fiction themes—changing the future, and discovering one's own death and attempting to alter it—comparing it favourably to The Twilight Zone, though he felt that it was diminished by the trope of planetary revolution as previously told in The Daleks and The Web Planet.[17] In 2009, Mark Braxton of Radio Times felt that the story "kicks off so well", but failed to take the opportunity to discuss ideas such as predestination; he praised Vicki's "vibrant" character, and described the scene of the Doctor in a Dalek casing as "one of the few elements that make this rather tedious traipse memorable".[16]

In 2010,

Total Sci-Fi Online's Jonathan Wilkins similarly enjoyed the first episode, but described the remaining three as "dull, bog-standard Who" that "plods rather than races towards a deeply unsatisfactory climax".[18] SFX's Nick Setchfield enjoyed the "lovely fourth-dimensional weirdness" of the first episode and the "refreshing" Moroks reminiscent of Douglas Adams's work, but ultimately criticised the serial for being a dull representation on the show's formulaic "rebels vs despots" storyline.[19] Writing for Doctor Who Magazine, Graham Kibble-White said that the first episode falsely set the audience up for "three more weeks of high-concept plotting", which ultimately became "dreary" except for some of Hartnell's charm.[20] Cliff Chapman of Den of Geek considered the first episode "slow and never really paid-off" and criticised the performances of the guest stars, but lauded the camera direction, effects work, and main cast.[21] DVD Talk's John Sinnott praised the mysterious storyline and comedic moments.[22] Charlie Jane Anders of io9 listed the first episode's cliffhanger as among the programme's best.[1] In 2021, Catriona Mills identified the Space Museum as an inverse of British museums: while the former displays conquests on a colonised planet, the latter displays colonial treasures in the heart of an empire.[23]

Commercial releases

The Space Museum
ISBN
0-426-20289-9

A novelisation of this serial, written by Glyn Jones, was published by

CD soundtrack of the serial in May 2009, with narration by Maureen O'Brien; the set also included an interview with O'Brien. It was later included in AudioGO's Doctor Who: The TV Episodes: Collection 6 in September 2013, alongside the original camera scripts. Selected stock music from the serial was included in Space Adventures, a cassette soundtrack compiled by Julian Knott and published by DWAS Reference Department in September 1987, limited to 300 copies; it was re-issued as a CD in October 1998 with some additional material from the story.[24]

The Space Museum was released on VHS in a three-videotape box set by BBC Worldwide in June 1999, alongside the first and third episodes of The Crusade; it also included postcards and a key ring. The serial was released on a DVD box set alongside the following serial, The Chase in March 2010. The DVD includes audio commentary with William Russell, Maureen O'Brien, Glyn Jones, and Peter Purves, as well as documentaries about the production, the cast's holidays, and Hartnell as told by his granddaughter.[24] The serial was released on Blu-ray on 5 December 2022, alongside the rest of the show's second season as part of The Collection.[25][26]

Notes

  1. ^
    Wolf Droysen, Desmond Leslie, and Frank Talley;[27] and the fourth episode uses Duncan, Siday, Talley, and Les Structures Sonores.[10]

References

  1. ^ a b Anders, Charlie Jane (31 August 2010). "Greatest Doctor Who cliffhangers of all time!". io9. Gawker Media. Archived from the original on 2 September 2010. Retrieved 4 December 2021.
  2. ^ a b Ainsworth 2016, p. 56–57.
  3. ^ a b Howe & Walker 1998, pp. 85–86.
  4. ^ Ainsworth 2016, p. 42.
  5. ^ a b c d Ainsworth 2016, p. 43.
  6. ^ Ainsworth 2016, p. 45.
  7. ^ a b c d Ainsworth 2016, p. 48.
  8. ^ a b Ainsworth 2016, p. 49.
  9. ^ a b c Ainsworth 2016, p. 50.
  10. ^ a b c d e Ainsworth 2016, p. 54.
  11. ^ a b c d Ainsworth 2016, p. 51.
  12. ^ Ainsworth 2016, pp. 46–48.
  13. ^ Ainsworth 2016, p. 46.
  14. ^ a b Ainsworth 2016, p. 57.
  15. ^ a b c Ainsworth 2016, p. 56.
  16. ^ a b Braxton, Mark (7 January 2009). "The Space Museum". Radio Times. BBC Magazines. Archived from the original on 23 February 2021. Retrieved 4 December 2021.
  17. ^ Muir 1999, pp. 107–108.
  18. Titan Magazines. Archived from the original
    on 23 December 2010. Retrieved 4 December 2021.
  19. ^ Setchfield, Nick (3 March 2010). "DVD Review Doctor Who: "The Space Museum"/"The Chase"". SFX. Future plc. Archived from the original on 17 March 2010. Retrieved 4 December 2021.
  20. ^ Kibble-White 2010.
  21. ^ Chapman, Cliff (24 February 2010). "Doctor Who: The Space Museum/The Chase DVD review". Den of Geek. Dennis Publishing. Archived from the original on 6 December 2021. Retrieved 9 January 2022.
  22. ^ Sinnott, John (6 July 2010). "Doctor Who: The Space Museum/The Chase". DVD Talk. Internet Brands. Archived from the original on 23 August 2010. Retrieved 4 December 2021.
  23. ^ Mills 2021, p. 170.
  24. ^ a b Ainsworth 2016, p. 58.
  25. ^ Jeffery, Morgan (16 August 2022). "Doctor Who's Maureen O'Brien reprises Vicki role after almost 60 years". Radio Times. Immediate Media Company. Archived from the original on 16 August 2022. Retrieved 11 September 2022.
  26. ^ "The Collection: Season 2". The TARDIS Library. Archived from the original on 14 November 2022. Retrieved 8 December 2022.
  27. ^ Ainsworth 2016, p. 52.

Bibliography

External links

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