Warp-weighted loom

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Three heddle-rods for weaving twill

The warp-weighted loom is a simple and ancient form of

warp yarns hang freely from a bar, which is supported by upright poles which can be placed at a convenient slant against a wall. Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut.[1]

Evidence of the warp-weighted loom appears in the

Miletos, a Greek city in Anatolia.[2]

The warp tension needed on a loom is roughly proportional to yarn diameter, and loom weights must be positioned in an even, level row, with all the threads hanging nearly straight down, for smooth weaving. This means that the shape of a loom weight limits a loom to certain

thread counts, and the mass of the loom weight is related to the yarn used. This means that loom weights can be used to calculate the density and other properties of the fabric made on them.[3]

History

The warp-weighted loom may have originated in the

Sami of Norway and Finland in the 1950s.[8] Today, the warp-weighted loom is used as a hobby and in historic preservation societies.[9]

  • Loom weight discovered in Bersabe, Galilee
    Loom weight discovered in Bersabe, Galilee
  • Ancient Roman loom replica
    Ancient Roman loom replica
  • Saxon loomweights
    Saxon loomweights
  • Icelandic warp-weighted loom
    Icelandic warp-weighted loom

Use

Elements of a warp-weighted loom

A warp-weighted loom has two upright posts (C); they support a horizontal beam (D), which is cylindrical so that the finished cloth can be rolled around it, allowing the loom to be used to weave a piece of cloth taller than the loom, and preserving an ergonomic working height. The warp threads (F, and A and B) hang from the beam and rest against the shed rod (E). The heddle-bar (G) is tied to some of the warp threads (A, but not B), using loops of string called leashes (H). So when the heddle rod is pulled out and placed in the forked sticks protruding from the posts (not lettered, no technical term given in citation), the shed (1) is replaced by the counter-shed (2). By passing the weft through the shed and the counter-shed, alternately, cloth is woven.[10]

The warp-weighted loom is used in a near-vertical position, and the fabric is woven from the top of the loom toward the ground. This allows the weaver to walk back-and-forth while working, so that wider cloth can be woven than is practical on a ground loom. On Ancient Greek

vase paintings, two weavers, most often women, are shown working side-by-side on the warp-weighted loom.[9] This is unusual because most other looms require a resting position of standing or sitting. According to Artemidorus, if one dreams of a warp-weighted loom it means an upcoming journey. If one dreams of any other type of loom, one should expect rest.[11]

Additionally, extra warp thread can be wound around the weights. When a weaver has reached the bottom of the available warp, the completed section can be rolled around the top beam, and additional lengths of warp threads can be unwound from the weights to continue. This frees the weaver from vertical size constraints.[10]

Gallery

  • The weaver with her arm behind her back is passing (not throwing) the shuttle through the shed; the weaver reaching upwards is battening the previous weft yarn, beating it against the fell (cloth already woven). Greek urn, ca. 550–530 BCE.
    The weaver with her arm behind her back is passing (not throwing) the shuttle through the shed; the weaver reaching upwards is battening the previous weft yarn, beating it against the fell (cloth already woven). Greek urn, ca. 550–530 BCE.
  • Reconstruction of a Roman loom. Warps have been chainstitched together; weights are resting on a low bench.
    Reconstruction of a Roman loom. Warps have been chainstitched together; weights are resting on a low bench.
  • Reconstruction of a vertical neolithic loom with genuine loom weights and string heddles, on display at the National Museum of Textile Industry in Sliven, Bulgaria
    Reconstruction of a vertical neolithic loom with genuine loom weights and string heddles, on display at the National Museum of Textile Industry in Sliven, Bulgaria
  • Reconstruction of a vertical neolithic loom with shed bar without string heddles, on display at Piatra Neamț Museum
    Reconstruction of a vertical neolithic loom with shed bar without string heddles, on display at Piatra Neamț Museum
  • Warp weighted loom with string heddles in the Central Textile Museum in Łódź, Poland
    Warp weighted loom with string heddles in the Central Textile Museum in Łódź, Poland
  • Loom with four heddle-rods. Mechanism for stopping the beam from rotating during weaving is also clearly shown. Reconstruction of a Gaulish loom.
    Loom with four heddle-rods. Mechanism for stopping the beam from rotating during weaving is also clearly shown. Reconstruction of a Gaulish loom.
  • Three heddle-rods.
    Three heddle-rods.

Notes

  1. ^ Burnham 1980, p. 177
  2. ^ Gleba, Margarita and Joanne Culter. Textile Production in Bronze Age Miletos: First Observations. in Aegaeum 33 Annales liégeoises et PASPiennes d’archéologie égéenne: Kosmos - Jewellery, Adornment and Textiles in the Aegean Bronze Age, Peeters Leuven - Liège 2012, p. 113-120.
  3. .
  4. ^ Barber 1991, pp. 93–96
  5. ^ Crowfoot 1937, p. 36
  6. ^ Crowfoot 1937, p. 40
  7. ^ Crowfoot 1937, p. 38
  8. ^ Hoffmann 1974, pp. 1–2
  9. ^ a b Carroll 1983, p. 98
  10. ^ a b Article describing the experimental reconstruction of the 6th-7th century Anglo-Saxon warp-weighted loom from Pakenham, Suffolk
  11. ^ Crowfoot 1937, p. 47

References

  • Petty, Christina (2014). Warp Weighted Looms: Then and Now Anglo-Saxon and Viking Archaeological Evidence and Modern Practitioners. University of Manchester.
  • Barber, E. J. W. (1991). Prehistoric Textiles. Princeton University Press. .
  • Carroll, Diane Lee (January 1983). "Warping the Greek Loom: A second Method". American Journal of Archaeology. 87 (1): 96–99.

External links