Ethel Mairet
Ethel Mairet | |
---|---|
Born | Ethel Mary Partridge 17 February 1872 Barnstaple, Devon, England |
Died | 18 November 1952 Ditchling, East Sussex, England | (aged 80)
Other names | Ethel Coomaraswamy |
Known for | Hand loom weaving designer |
Notable work | A Book on Vegetable Dyes |
Ethel Mary Partridge, Ethel Mary Mairet
Early life
Ethel Mary Partridge was born in Barnstaple, Devon, in 1872. Her parents were David (a pharmacist) and Mary Ann (born Hunt) Partridge. She was educated locally and in 1899 she qualified to teach the piano at the Royal Academy of Music.[2] She then took up work as a governess, first in London and later in Bonn, Germany.
Introduction to textiles
She met the art historian and philosopher Ananda Coomaraswamy.[4] The couple married on 19 June 1902 and travelled to Ceylon (now Sri Lanka), where he conducted a mineral survey. The couple recorded the arts and crafts of each village, and Mairet kept detailed journals, photographing each craft she observed.[5] They returned to England in 1907 and published their investigations into Ceylon crafts.[4]
Until 1910 they lived in
Weaving and dyeing
Aside from some rudimentary lessons in Ceylon and the British Isles, Ethel Mairet was self-taught as a weaver, spinner and dyer. Although she was well-known for weaving, she acknowledged that she was not a talented weaver.[5]
Mairet made her first experiments with weaving and dyeing in 1909 in Chipping Camden. She studied vegetable dyes in the Bodleian Library, Oxford and is said[according to whom?] to have travelled to the Lake District to learn weaving during this period. Her knowledge of dyes and mordants were likely compounded by her father (a chemist) and her husband Ananda Coomaraswamy (a botanist).[citation needed]
Over the winter of 1910 Mairet and Coomaraswamy travelled to India. She wrote to the Ashbees over this period, and kept a journal detailing her discoveries of rare textiles and decorative jewellery, noting the vegetable dyes used.[5]
In 1910 Coomaraswamy began having an affair and their marriage ended.
In 1916 she published A Book on Vegetable Dyes[5] printed by Hilary Pepler at the Hampshire House Press in Hammersmith, London.
Ditchling
In 1916 she visited Hilary Pepler in Ditchling, and decided to move there herself.
Gospels, Mairet's third and final building project, was completed in late 1920. During the 1930s and 1940s she trained people in weaving and dyeing at her Ditchling studio. Mairet's training is said to have influenced all the handweavers of that generation, including Hilary Bourne, Valentine KilBride, Elizabeth Peacock, Petra Gill and Peter Collingwood.[8][5]
The Swiss weaver Marianne Straub came to work with her and to learn more about hand loom weaving;[9] Mairet taught Straub about hand dyeing and spinning as well. Straub introduced a variety of double cloth weaves and developed a friendship with Mairet.[10] Mairet learnt in turn from Straub and this underwrote her belief that hand loom weaving could be used by industry. Straub and Mairet went on three European holidays during the mid 1930s. Straub frequently returned to Mairet and Gospels.[10] A surviving journal written by Mairet from a European journey with her husband in 1927 illustrates how her observations were dominated not by whom she met but what they were wearing.[11]
In 1921 Bernard Leach and Shoji Hamada visited Mairet at Gospels.[5]
Mairet was a member of both the
Legacy
Mairet died in
Mairet influenced a generation of weavers. The
She is the subject of a biography, A Weaver's Life: Ethel Mairet.[5]
The Ethel Mairet archive is held at the Crafts Study Centre. It includes documents and memorabilia from 1872–1952. Personal documents, travel journals 1910–1938. business and personal letters, books of account and photographs are included[14] and are still a subject of academic study.[11]
Published works
- Mairet, Ethel M. (1916). A Book on Vegetable Dyes. Douglas Pepler at the Hampshire House Workshops, Hammersmith, gutenberg.org.
- Ethel Mairet (1939). Hand-weaving To-day, Traditions and Changes: By Ethel Mairet,... Faber and Faber.
References
- S2CID 154970477.
- ^ Brighton University. Archived from the originalon 1 August 2015. Retrieved 18 October 2015.
- ^ "Norman Chapel House". British Listed Buildings. Retrieved 21 October 2015.
- ^ doi:10.1093/ref:odnb/39639. Retrieved 18 October 2015. (Subscription or UK public library membershiprequired.)
- ^ ISBN 978-0903798709.
- Cheltenham Art Gallery and Museum. Archived from the originalon 26 October 2015. Retrieved 19 October 2015.
- ^ Crooks, Edward James (1985). John Cage's Entanglement with the Ideas of Coomaraswamy (PDF) (PhD thesis). University of York. pp. 66–67. Archived (PDF) from the original on 4 March 2016. Retrieved 20 October 2015.
- ^ "Craft Study Centre". University Museum of Modern Crafts. Archived from the original on 13 May 2015. Retrieved 18 October 2015.
- ^ Faculty portraits. "Dr Marianne Straub". brighton.ac.uk. University of Brighton. Retrieved 19 October 2015.
- ^ ISBN 978-0-7190-5058-9.
- ^ S2CID 191981408.
- ^ "Ethel Mairet". University of Brighton Faculty of Arts. Retrieved 20 October 2015.
- Ditchling Museum of Art and Craft. Archived from the originalon 18 September 2015. Retrieved 19 October 2015.
- ^ "The Ethel Mairet Crafts Study Centre. Reference Number(s) GB 2941 2003.21/2003.23". Archives Hub. Retrieved 20 October 2015.
External links
- Works by Ethel Mairet at Project Gutenberg
- Works by Ethel Mairet at LibriVox (public domain audiobooks)