Zhuang customs and culture

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The Zhuang have a rich variety of customs and culture.

Festivals

"Sam Nyied Sam" celebrations: Zhuang pole dance

"Sam Nyied Sam" the 3rd day of the 3rd month of the Chinese lunar calendar is one of the main festivals of the Zhuang celebrated by singing, dancing, games, and special food. At this time traditionally young men and women sing antiphonal songs to each other.


Stories

Further information: Sawndip literature

The Zhuang peoples of Yunnan and Guangxi have a rich tradition of written and unwritten stories.[1] Zhuang folk stories often take the form of songs. There are various folk tales, myths, legends, and historical poems and chants. For over one thousand years they have used Sawndip to write a wide variety of literature, including folk songs, operas, poems, scriptures, letters, contracts, and court documents.[2]

Zhuang bronze drum
Zhuang stilt houses

There are many stories that are a thousand years old, or older. One, a fairy tale which has attracted much attention in recent years, is "The orphan girl and the rich girl." It is an early version of the story Cinderella (Zhuang "Dahgyax Dahbengz" Dah - indicates female, gyax means orphan and bengz means rich). It is found in Zhuang opera scripts. A 9th century Chinese translation of a Zhuang story entitled Ye Xian was written in the Miscellaneous Morsels from Youyang[3] and the Sawndip versions we now have are quite similar. Analysis suggests these versions took shape no later than the 10th century.[4] "The house-raising song" has been sung for over a thousand years.[5] This song has two parts. The first part describes the construction of a traditional stilt house, and the second part describes customs to ward off evil from the new home.[6] "The Origin of the Bronze Drum" tells of the origins of bronze drums that are like "stars" (such drums have a star in the middle of them), that they are as many as the stars of the sky and like stars can ward off evil spirits.[7]

The Zhuang have their own scriptures written in poetical form such as the Baeu Rodo about the creation of the world.[8][9]

As well as indigenous stories many stories from other peoples such as the Han Chinese have become part of the Zhuang literary tradition. Whilst the original Chinese opera of "The Legend of Wenlong" has been lost, the story has been preserved in Zhuang texts.[10]

  • "The cutting down the banana tree song" ("Kau Tam Gvoa")
  • "The song of the origin of bronze" ("Gvau Dong")
  • "The rice paddy-planting song"
  • "Village visitation songs"
  • "Wine banquet songs"
  • "The national partition song"
  • "Banlong and Banli"
  • Poems of the Poya Songbook
  • "The escape from marriage song"
  • "Yiluo and Diling"
  • "Buloakdvo"
  • "Tea origin songs"
  • Swqmo: records of Zhuang history, ethnic relations, astronomy, farming technology, literary arts, religious beliefs, customs and traditions, and so on.

Folk arts

Zhuang folk arts include music and dance:[1]

Music

  • Masa classical music: classical orchestras of Masa Village, Maguan County, Yunnan
  • Zhuang ceremonial music
  • Bawu: a type of Zhuang folk music dating back to ancient times
  • Mubala: ancient Zhuang wind instrument
  • Huqin: stringed instrument made from a water buffalo horn or horse bone; may be two-stringed or four-stringed
  • Svaeu'na toasting they dance and sing

Dances

There are many types of Zhuang dance.

  • bronze drum dance
  • straw man dance
  • water buffalo dance (longh yah vaiz)
  • paper horse dance
  • hand towel dance
  • sun (tang'vaenz) dance

Handicrafts

Traditional Zhuang folk handicrafts includes the following.[1]

  • bird totem hats
  • elephant trunk shoes reflecting Zhuang elephant worship
  • totem back carriers, consisting of fish, bird, and abstract symbolic designs
  • cloth monkey medicine bags
  • embroidered balls
  • spinning tops
  • Ai nyeauh: teeter-totter; the ai nyaeuh gvaen is a more complex variant
  • wood prints
  • paper
  • traditional waterwheels
  • traditional brocades and weavings
  • silver jewelry
  • straw mats
  • bamboo basket weaving
  • rattan
  • Paeng'vae: a type of linen made of grass leaves and hemp fibers, made by weaving the two 90 degrees with each other

Religion

Most Zhuang follow traditional

ancestor worship.[11] The Mo have their own sutra
and professional priests known as Bu Mo who traditionally use chicken bones for divination. In Mo, the creator is known as Bu Luotuo and the universe is tripartite, with all things composed from the three elements of heaven, earth, and water.

There are also a number of

Taoists, and Christians among the Zhuang.[12]

Language

Main article:
Zhuang language

The

mutually unintelligible languages of the Tai family, heavily influenced by nearby dialects of Chinese.[13] The Standard Zhuang language is based on a northern dialect but few people learn it, therefore Zhuang people from different dialect areas use one of a number of Chinese varieties to communicate with each other.[14] According to a 1980s survey, 42% of Zhuang people are monolingual in Zhuang, while 55% are bilingual in Zhuang and Chinese. Whilst according to some semi-official sources "In Guangxi, compulsory education is bilingual in Zhuang and Chinese, with a focus on early Zhuang literacy.[13]" in fact only small percentage of schools teach written Zhuang. Zhuang is traditionally written using logograms based on Chinese characters ("Sawndip"), and Standard Zhuang, which was written in Latin script, with a few added Cyrillic letters for tone, between 1957 and 1982, and is now officially written using only Latin letters, even though Sawndip are still more often used in less formal domains.[15]
Its Wikipedia is za.wikipedia.org.

Traditional medicine

Assorted Zhuang snacks, incl. colored sticky rice and Zhuang style zongzi.

Zhuang folk medicine has a history of over one thousand years. In Sawndip texts thousands of Zhuang medical terms have been identified and some terms have entered into Chinese medical dictionaries, and in Southern China some hospitals have Zhuang Medicine departments.[16]

  • Samcaet: the three-seven (Panax notoginseng), which has the Chinese nicknames "not to be exchanged for gold" and "the southern divine herb"
  • Laeujyaq: medicinal liquor

See also

References

  1. ^ a b c Johnson & Wang 2008
  2. ISBN 9787811084368
  3. ^ 广西民间故事(二) pages 7 8
  4. ^ 壮族文学发展史 （上册）by 周作秋 page 416
  5. ISBN 978-7-5495-1097-9
  6. ISBN 978-7-5495-1097-9
  7. ^ 广西民间故事(二) pages 129-133
  8. ISBN 978-974-480-051-0
    .
  9. ISBN 978-0-7007-1457-5
    .
  10. ^ 壮族长诗《唱文龙》源流及其变异 The origin and variations of the Zhuang long poem "Song of Wenlong by 罗汉田 Luo Hantian published in 《民族文学研究》 Ethnic Literature Research 1984 Volume 2 pages 123-133
  11. ^ Cen Xianan(2003). On research to Zhuang's Mo Religion Belief. "Economic and Social Development",no.12. p.23-26.(in Chinese)
  12. ^ Huang Guiqiu(2008). Zhuang 'beliefs and cultural characteristics of the Mo ceremony. Wenshan: "Wenshan College",no.4. p.35-38.in Guangxi.(in Chinese)
  13. ^ a b Li, Xulian; Huang, Quanxi (2004). "The Introduction and Development of the Zhuang Writing System". In Zhou, Minglang; Sun, Hongkai (eds.). Language Policy in the People's Republic of China: Theory and Practice Since 1949. Springer. p. 240.
  14. ^ Muysken, Pieter (2008). From Linguistic Areas to Areal Linguistics. John Benjamins Publishing. pp. 226, 247.
  15. ^ 《广西壮族人文字使用现状及文字社会声望调查研究》 "Research into survey of the scripts used by Zhuang in Guangxi" 唐未平 Tang Weiping http://www.doc88.com/p-644582398739.html
  16. ISBN 9787811084368
  • Johnson, Eric and Wang Mingfu. 2008. "Zhuang cultural and linguistic heritage". SIL International and the Nationalities Publishing House of Yunnan.
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