14:9 aspect ratio

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14:9
)

The red outline frames an approximately 16:9 picture. The yellow outline, not including the black bars at top and bottom, shows the same picture cropped to 14:9, while the whole yellow box frames a 4:3 picture.

14:9 (1.5:1) is a compromise

16:9 TV, conceived following audience tests conducted by the BBC. It has been used by most UK,[3] Irish, French, Spanish, Colombian and Australian terrestrial analogue networks, and in the US on Warner Bros. Discovery' HD simulcast channels with programming and advertising originally compiled in 4:3. Note that 14:9 is not a shooting format; 14:9 material is almost always derived from either a 16:9 or 4:3 shot,[1][2] and no televisions have ever been made in 14:9.[citation needed
]

Usage

With native 16:9 material

14:9 letterbox as broadcast in 4:3: the sides of the image are cropped to 14:9 and narrow black bars are added to the top and bottom.

A common usage is for material shot in 16:9 format. During production, the important action is kept within the centre of the picture, known as the 14:9

letterbox format that would result from broadcasting the full 16:9 picture in analogue, while still seeing more of the picture than would be visible if cropped into 4:3. When the same material is broadcast in 16:9 (such as for digital television), the full 16:9 frame is left intact, but widescreen signaling
auxiliary signals tell the receiver that the picture is suitable for cropping to 14:9 if necessary (for example, when the receiver is connected to a 4:3 display).

The major benefit in shooting 16:9 with protection for 14:9 (rather than 4:3) is improving the usable screen area for titles, logos and scrolling text. The visible enhancement is significant due to the restrictive requirements of

Shoot And Protect" method (from the BBC's "Widescreen Book") is employed.[4]
As the name suggests, footage is shot in 16:9 but important visual information is protected inside the 14:9 or 4:3 safe areas.

With native 4:3 material

14:9 pillarbox as broadcast in 16:9: the top and bottom of the image are cropped to 14:9, and black bars are added to either side.

Another use is for material shot on a 4:3 format. When broadcast in 16:9, the top and bottom of the original frame are cropped to 14:9, and black bars (called

CBBC & CBeebies
) to broadcast older children's programming shot in 4:3 on a larger proportion of a 16:9 screen.

Adoption by TV channels

Viacom International Media Networks Europe uses 14:9 for its music videos that are in 4:3. Nearly all of VIMN Europe's music channels around Europe (with the exception of

MTV Adria, where all of the 4:3 music videos were stretched horizontally to 16:9). From 2020 on MTV Latin America
4:3 music videos will be broadcast in 14:9 aspect ratio.

JimJam also uses 14:9 for reruns of classic children's programming as well.

Philippines

CNN Philippines was the first Philippine TV channel to air in 14:9 until March 2017, when it was later transitioned to 16:9.

UK

In the UK, most channels broadcast in 16:9. On

Nick HD UK, was already shown in 16:9 before this, with 4:3 programming shown in the pillarbox
effect.

US

The primary use of 14:9 in the US was for full screen channels in the 2000s to show content that had been produced in 16:9. One major show to receive this treatment was Star Trek: Enterprise.

The use of 14:9 to adapt full screen content for widescreen channels, by contrast, is much less common in the US, where pillarboxing and stretching are more commonly used (stretching is primarily used by Turner's Flexview). Only the HD simulcast channels of Warner Bros. Discovery used 14:9 for its previous episodes of their productions. Weigel Broadcasting uses 14:9 extensively as a compromise format on older shows without widescreen versions airing on their networks, including Catchy Comedy, Heroes & Icons, MeTV, Movies!, and Start TV. Some television networks use it on a more selective basis, with AMC and Sundance TV using it when showing episodes of M*A*S*H. The first disc of MythBusters: Big Blast Collection uses this ratio, as does the Mega Movie Myths disc.

Argentina

It is also used on the

TV Pública, in order to adjust their old programs and 4:3 SD studio cameras to 16:9 format.[citation needed
]

Portugal

The public broadcaster RTP used the 14:9 format to convert 16:9 broadcasts to the 4:3 format it still used until 2013 (for the majority of the programs broadcast). However, since 8 June 2012, they began to broadcast 16:9 material in its original aspect ratio, with the correct flag, thus ending the broadcasts featuring the 14:9 format and since January 2013, the majority of broadcasts are in 16:9 (since late 2017 downscaled from the native HD feed). Private broadcaster TVI started using the 14:9 format in August 2012 to broadcast 16:9 material instead of using 4:3 Pan & Scan, as they refused to broadcast in 16:9. However, on 3 October 2015, it began to broadcast in full widescreen.

Turkey

From 2005 to 2011, TRT broadcast (except TRT HD) Eurovision Song Contest by cropping to 14:9. Many channels of TRT were broadcasting 4:3 at the time; narrow black bars are added to the top and bottom.

Mathematics

The aspect ratio of 14:9 (1.555...) is the arithmetic mean (average) of 16:9 and 4:3 (12:9), . More practically, it is approximately the geometric mean[5] (the precise geometric mean is ), and in this sense is mathematically a compromise between these two aspect ratios: two equal area pictures (at 16:9 and 4:3) will intersect in a box with aspect ratio the geometric mean, as demonstrated in the image at top (14:9 is just slightly wider than the intersection). In this way 14:9 balances the needs of both 16:9 and 4:3, cropping or distorting both about equally. Similar considerations were used in

SMPTE
, which balanced 2.35:1 and 4:3.

See also

References

  1. ^ a b c d BT.1379 - Framing of wide-screen 16:9 and standard 4:3 aspect ratio productions to achieve a common production format during a transition period to wide-screen 16:9 production and broadcasting (PDF). ITU Radiocommunication Assembly. 1998.
  2. ^ a b R93-1998 - Compromise Scanned Area Dimensions for Television from 35 mm Wide-Screen Films (PDF). EBU. 1998.
  3. ^ "BBC - Commissioning - A Guide to Picture Size". Archived from the original on 26 August 2010. Retrieved 30 March 2023.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  4. ^ Gardiner, Paul (2000). Evolution of Widescreen Broadcasting in the UK (PDF). Independent Television Commission.
  5. ^ US 5956091, "Method of showing 16:9 pictures on 4:3 displays", issued 21 September 1999 
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