Amritavarshini

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Amritavarshini
Avarohanam
 N₃ P M₂ G₃ S

Amr̥tavarṣiṇi is a

rāgam is derived from the Sanskrit words Amrita: meaning Nectar and Varshini: meaning one who causes a shower or rain, and hence the association with rain ), and that the Carnatic composer Muthuswami Dikshitar brought rain at Ettayapuram, Tamil Nadu, India by singing his composition, Aanandaamrutakarshini amrutavarshini.[1][2]

Structure and Lakshana

Amritavarshini scale with shadjam at C

Amr̥tavarṣiṇi is a rāgam that does not contain rishabham and dhaivatam. It is a symmetric pentatonic scale (audava-audava ragam

swaras in Carnatic music
for details on below notation and terms):

The notes used in this scale are shadjam, antara gandharam, prati madhyamam, panchamam and kakali nishādam)

Amr̥tavarṣiṇi is considered a janya rāgam of

Kalyani, Gamanashrama or Vishwambari, by dropping both rishabham and dhaivatam. There is another scale that has the same name but is less practiced in current performances. This scale is associated with the 39th melakarta Jhalavarali.[1][2]

Arohanam and Arohanam for Amritavarshini with tambura

Popular compositions

Amr̥tavarṣiṇi rāgam lends itself for extensive elaboration and exploration due to the symmetric and pentatonic scale. It has many compositions in both classical music and film music. Here are some popular kritis and film music composed in Amr̥tavarṣiṇi.

In addition to these, Anni Mantramuli Inde Avahinchenu of Annamacharya has been set to music in the Amr̥tavarṣiṇi.

Film Songs

Language: Tamil

Song Movie Composer Singer(s)
Azhagiya Megangal Ganga Gowri M. S. Viswanathan S. Janaki
Sivagami Ada Vandhaal Paattum Bharathamum T. M. Soundararajan, P. Susheela
Thoongadha Vizhigal Rendu Agni Natchathiram Ilaiyaraaja
K.J. Yesudas, S. Janaki
Kaathiruntha Malli Malli Mallu Vetti Minor P. Susheela
Mazhaikku Oru Devaney Sri Raghavendrar K. J. Yesudas
Ippothu Ena Thevai Makkal Aatchi Lekha
Vaanin Devi Varuga Oruvar Vaazhum Aalayam S. P. Balasubrahmanyam, S. Janaki
Kuthuvilakkaga Cooliekkaran T. Rajendar
Puthiya Kalai Sasanam Balabarathi
K.S. Chitra
Mella Sirithai Kalyana Samayal Saadham Arrora
Chinmayi
Naanthana Naanthana Ninaithale Vijay Antony Sadhana Sargam, Rahul Nambiar
Yennuyire Annaatthe D. Imman K. S. Chithra (Female Version), Sid Sriram (Male Version)
Anney Yaaranney Udanpirappe Shreya Ghoshal
Nee Nee Anandhapurathu Veedu Ramesh Krishna Vineeth, Shweta Mohan, Rithika, Master Aryan

Language: Malayalam

  • Oru dalam matram from
    M G Radhakrishnan
    , sung by K.J. Yesudas
  • Manam pon Manam from
    Raveendran
    , sung by K.J. Yesudas
  • Aashadham padumbol from Mazha, composed by Raveendran, sung by K.J. Yesudas
  • Neela lohita hitakarini from Kaveri, composed by Ilayaraja, sung by M. Balamuralikrishna
  • Devi ni en pon veena nadam from Oru Mutham Mani Mutham, composed by Raveendran, sung by K.J. Yesudas
  • Anupallavi of Vilikkatirunnalum virunninettum from Ishtamanu Pakshe, composed by G. Devarajan, sung by K.J. Yesudas
  • Pallavi of Sharatkala megham from Dhruvasangamam, composed by Raveendran, sung by K.J. Yesudas
  • Parts of charanam in Kasturi Gandhikal from Sethubandhanam, composed by G. Devarajan, sung by Ayiroor Sadasivan
  • Pallavi of Aadi parashakti from Ponnapuram Kotta, composed by G. Devarajan, sung by P.B. Sreenivas and P. Leela

Language: Kannada

Language: Telugu

Raga relationships

Graha bhēdham

Amritavarshini's notes when shifted using Graha bhedam, yields 1 popular pentatonic rāgam, Karnataka Shuddha Saveri. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Amr̥tavarṣiṇi.

Scale similarities

  • Hamsadhvani is a rāgam which has chatushruti rishabham in place of the prati madhyamam. See table below for more details
  • Gambhiranata is a rāgam which has shuddha madhyamam in place of the prati madhyamam. See table below for more details
Rāgam Śruti
Tonic
C D E F G A B C
Amr̥tavarṣiṇi C S G₃ M₂ P N₃
Hamsadhvani C S R₂ G₃ P N₃
Gambhiranata C S G₃ M₁ P N₃

See also

Notes

  1. ^ Alternate notations:
    • Hindustani: S G  P N 
    • Western: C E F G B C
  2. ^ Alternate notations:
    • Hindustani:  N P  G S
    • Western: C B G F E C

References

  1. ^ a b c Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  2. ^ a b c Rāganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras