Amritavarshini
Carnatic music |
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Avarohanam | Ṡ N₃ P M₂ G₃ S |
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Amr̥tavarṣiṇi is a
Structure and Lakshana
Amr̥tavarṣiṇi is a rāgam that does not contain rishabham and dhaivatam. It is a symmetric pentatonic scale (audava-audava ragam
The notes used in this scale are shadjam, antara gandharam, prati madhyamam, panchamam and kakali nishādam)
Amr̥tavarṣiṇi is considered a janya rāgam of
Popular compositions
Amr̥tavarṣiṇi rāgam lends itself for extensive elaboration and exploration due to the symmetric and pentatonic scale. It has many compositions in both classical music and film music. Here are some popular kritis and film music composed in Amr̥tavarṣiṇi.
- Ennai Nee Maravate of Dandapani Desikar
- Sarasiruhanayane of Thyagaraja (usually said misattributed)
- Sarasijaasani of Muthuswami Dikshitar
- Vani Parama Kalyani By Vadiraja Tirtha
- Eesabeku Iddu By Purandara Dasa
- Aanandaamrutakarshini amritavarshini of Muthuswami Dikshitar (The most popular song sung today in Amritavarshini)
- Aadi Varuvai Guhane of Punitasri
- Siddhi Nayakena of M. Balamuralikrishna
- Sthirata Nahi Nahi Re of Sadashiva Brahmendra
- Aadinateppadiyo Nadanam, anonymous
- Sudhamayee Sudhanidi by Muthiah Bhagavatar
In addition to these, Anni Mantramuli Inde Avahinchenu of Annamacharya has been set to music in the Amr̥tavarṣiṇi.
Film Songs
Language: Tamil
Song | Movie | Composer | Singer(s) |
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Azhagiya Megangal | Ganga Gowri | M. S. Viswanathan | S. Janaki |
Sivagami Ada Vandhaal | Paattum Bharathamum | T. M. Soundararajan, P. Susheela | |
Thoongadha Vizhigal Rendu | Agni Natchathiram | Ilaiyaraaja | K.J. Yesudas, S. Janaki
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Kaathiruntha Malli Malli | Mallu Vetti Minor | P. Susheela | |
Mazhaikku Oru Devaney | Sri Raghavendrar | K. J. Yesudas | |
Ippothu Ena Thevai | Makkal Aatchi | Lekha | |
Vaanin Devi Varuga | Oruvar Vaazhum Aalayam | S. P. Balasubrahmanyam, S. Janaki | |
Kuthuvilakkaga | Cooliekkaran | T. Rajendar | |
Puthiya Kalai | Sasanam | Balabarathi | K.S. Chitra
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Mella Sirithai | Kalyana Samayal Saadham | Arrora | Chinmayi
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Naanthana Naanthana | Ninaithale | Vijay Antony | Sadhana Sargam, Rahul Nambiar |
Yennuyire | Annaatthe | D. Imman | K. S. Chithra (Female Version), Sid Sriram (Male Version) |
Anney Yaaranney | Udanpirappe | Shreya Ghoshal | |
Nee Nee | Anandhapurathu Veedu | Ramesh Krishna | Vineeth, Shweta Mohan, Rithika, Master Aryan |
Language: Malayalam
- Oru dalam matram from M G Radhakrishnan, sung by K.J. Yesudas
- Manam pon Manam from Raveendran, sung by K.J. Yesudas
- Aashadham padumbol from Mazha, composed by Raveendran, sung by K.J. Yesudas
- Neela lohita hitakarini from Kaveri, composed by Ilayaraja, sung by M. Balamuralikrishna
- Devi ni en pon veena nadam from Oru Mutham Mani Mutham, composed by Raveendran, sung by K.J. Yesudas
- Anupallavi of Vilikkatirunnalum virunninettum from Ishtamanu Pakshe, composed by G. Devarajan, sung by K.J. Yesudas
- Pallavi of Sharatkala megham from Dhruvasangamam, composed by Raveendran, sung by K.J. Yesudas
- Parts of charanam in Kasturi Gandhikal from Sethubandhanam, composed by G. Devarajan, sung by Ayiroor Sadasivan
- Pallavi of Aadi parashakti from Ponnapuram Kotta, composed by G. Devarajan, sung by P.B. Sreenivas and P. Leela
Language: Kannada
- Cheluveya andada mogake from Devara Gudi, composed by Rajan–Nagendra, sung by S. P. Balasubrahmanyam
- Naguve snehada haadu from Mugdha Manava, composed by Vijaya Bhaskar, sung by S.P. Balasubrahmanyam
- Chaitrada kusumanjali from Anandabhairavi, composed by Ramesh Naidu, sung by S.P. Balasubrahmanyam (anupallavi and charanam include other ragas too).
- Charanam of Devaru beseda premada hara from Muttina Hara, composed by Hamsalekha, sung by M. Balamuralikrishna
Language: Telugu
- Aanati neeyara hara from Swati Kiranam, composed by K.V. Mahadevan, sung by Vani Jayaram
- Jeevana vahini, a ragamalika from Gangotri, composed by M.M. Keeravani, sung by M.M. Keeravani, Ganga, Kalpana and Srivardhini
- Kurisenu Virijallule, from Gharshana (Old), composed by Ilaiyaraaja, sung by S.P. Balasubrahmanyam, Vani Jairam
Raga relationships
Graha bhēdham
Amritavarshini's notes when shifted using Graha bhedam, yields 1 popular pentatonic rāgam, Karnataka Shuddha Saveri. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Amr̥tavarṣiṇi.
Scale similarities
- Hamsadhvani is a rāgam which has chatushruti rishabham in place of the prati madhyamam. See table below for more details
- Gambhiranata is a rāgam which has shuddha madhyamam in place of the prati madhyamam. See table below for more details
Rāgam | Śruti Tonic |
C | D | E | F | G | A | B | C | |||||
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Amr̥tavarṣiṇi | C | S | G₃ | M₂ | P | N₃ | Ṡ | |||||||
Hamsadhvani | C | S | R₂ | G₃ | P | N₃ | Ṡ | |||||||
Gambhiranata | C | S | G₃ | M₁ | P | N₃ | Ṡ |