Beth Henley

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Beth Henley
BornElizabeth Becker Henley
(1952-05-08) May 8, 1952 (age 71)
Jackson, Mississippi
EducationSouthern Methodist University (BFA)
Notable awardsPulitzer Prize for Drama (1981)

Elizabeth Becker Henley (born May 8, 1952) is an American

Tony Award. Her screenplay for Crimes of the Heart was nominated for an Academy Award for Best Adapted Screenplay
.

Biography

Henley was born in 1952 in

University of Illinois (Urbana) and the Dallas Minority Repertory Theater.[1]

In 1976 Henley moved to Los Angeles and began work on her play Crimes of the Heart.[1]

For many years, Henley dated actor, writer and director Stephen Tobolowsky, whom she met while they were students at Southern Methodist University. Their relationship ended in 1988.[3]

Playwright and screenwriter

Tony Award, and her screenplay for the film version of Crimes of the Heart was nominated for an Oscar as Best Adapted Screenplay.[5] Henley has stated that growing up with three sisters was a major inspiration for her play Crimes of the Heart.[7]

Henley's first six plays are set in the Deep South: two in Louisiana and four in Mississippi, where she grew up.[8]

Henley adapted her 1984 play The Miss Firecracker Contest into a 1989 film starring Holly Hunter entitled Miss Firecracker. Henley's play Ridiculous Fraud was produced at the McCarter Theatre, Princeton, New Jersey in 2006. Her play Family Week was produced at MCC Theater, New York City in 2010, directed by Jonathan Demme.

Criticism

The themes in her plays often consider the importance of love, the contrast between family love and romantic love,[9] how family and society define and confine her female characters,[8] and the alienation and suffering of the human condition. Characters in her plays may seek happiness but are betrayed by modern civilization.[10] Henley's work suggests the influence of Freud's psychoanalytic theory. Her Southern sense of the grotesque and absurd experienced in daily existence have caused her to be compared to other Southern writers such as Eudora Welty and Flannery O'Connor, or to be considered part of the Southern Gothic tradition.[10]

Her plays written in the 1980s have been characterized as naturalistic portrayals of the relationship between the inner self and the world,[11] and her characters often are outsiders and nonconformists unable to share their feelings and experiences.[1] Her plays of the 1990s, including Abundance, the first play not set in the South, are considered more experimental than her earlier work.[12] Henley applies new techniques and styles in these plays.[13] Her play Revelers employs some older and traditional theatre techniques.[1]

Bibliography

Filmography

References

  1. ^
    ISBN 1-57003-639-X
    .
  2. ISBN 1-57003-639-X
    . page 8.
  3. ISBN 978-1-4516-3315-3
  4. ISBN 1-57003-639-X
    . page 1.
  5. ^
    ISBN 0-8386-3996-8
    .
  6. ISBN 0-8386-3996-8
    . p. 27
  7. ISBN 0-8386-3996-8
    . p. 23
  8. ^ a b Karen L. Laughlin. Perry, Carolyn (ed.). "The History of Southern Women's Literature". Southern Literary Studies. Baton Rouge: Louisiana State University Press: 588–593.
  9. ISBN 1-57003-639-X
    .
  10. ^
    doi:10.1111/j.1540-5931.2006.00283.x
    .
  11. ISBN 1-57003-639-X
    . page 10.
  12. ISBN 1-57003-639-X
    . page 53.
  13. ^ Hucheon, Linda. "The Politics of Parody", The Politics of Postmodernism, New York: Routledge, 1989. pp. 93–117
  14. ^ "The Sweet Smell of Decay Pervades a Whodunit". The New York Times. 8 November 2013. Retrieved 16 July 2016.

Sources

Further reading

External links

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