Paul Green (playwright)

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For other people with the same name, see Paul Green (disambiguation).
Paul Green
University of North Carolina, Chapel Hill (BA)
Cornell University (MA)
PeriodExpressionist
Notable awardsPulitzer Prize for Drama (1927)
SpouseElizabeth Lay

Paul Eliot Green (March 17, 1894 – May 4, 1981) was an American playwright whose work includes historical dramas of life in North Carolina during the first decades of the twentieth century. He received the Pulitzer Prize for Drama for his 1927 play, In Abraham's Bosom, which was included in Burns Mantle's The Best Plays of 1926-1927.

His play

historical outdoor dramas
being produced; his work is still the longest-running.

Biography

Born in Buies Creek, in Harnett County, near Lillington, North Carolina, Green was educated at Buies Creek Academy. (It developed as what is now known as Campbell University). He went on to study at the University of North Carolina at Chapel Hill, where he joined the Dialectic and Philanthropic Societies and the Carolina Playmakers. Green also studied at Cornell University.

Green first attracted attention with his 1925 one-act play The No 'Count Boy, which was produced by the

Lumbee people during and after the Civil War.[1][2]

Green's The

Group Theatre for its inaugural production. Often compared to Anton Chekhov's The Cherry Orchard in its contrast of aristocratic decay and parvenu energy, The House of Connelly was praised by critic Joseph Wood Krutch as Green's finest play to date.[citation needed
]

Expressionism

But Green had begun to shift from the realistic style of his early work. In 1928–29 he traveled to Europe on a Guggenheim Fellowship and was impressed by the non-realistic productions that he saw there. He began to experiment with expressionism and the Epic theatre of Bertolt Brecht and Erwin Piscator. In the 1930s Green largely abandoned the New York theatre, whose commercialism he found distasteful. His experiments in non-realistic drama, Tread the Green Grass (1932) and Shroud My Body Down (1934), both premiered in Chapel Hill. They were never professionally produced in New York.

During the summer of 1936, Green,

Group Theatre at Pine Brook Country Club. Green returned to the Group Theatre to write his pacifist musical play, Johnny Johnson, with a score by Kurt Weill. In it, Green experimented with genre, writing the first act as a comedy, the second as a tragedy, and the third as a satire. During this time he had an affair with Lotte Lenya, which would be her first American love affair.[3][4]

The production encountered problems of style early on: set designer Donald Oenslager designed the first act in poetic realism, the second in expressionism, and the final act in an extremely distorted style, director Lee Strasberg wanted to stage it realistically, and others in the company wanted it to be staged expressionistically throughout. Reviews ranged from the enthusiastic to the dismissive. The play closed after 68 performances.

Outdoor drama

Green created a new dramatic form that he called

The Lost Colony (1937), with music by Lamar Stringfield. Based on the Lost Colony of Roanoke and produced during the Great Depression, it is still produced during the summers in an outdoor theater at Fort Raleigh National Historic Site near Manteo, North Carolina
. The Lost Colony is the oldest outdoor historical drama in the United States and is one of three still being performed. It has become a community institution.

Among Green's other outdoor symphonic dramas are Faith of Our Fathers, Wilderness Road,

The Stephen Foster Story, which continues to be played each summer in Bardstown, Kentucky
.

Paul Green Cabin at the North Carolina Botanical Garden

The cabin

In 1936, Green noticed a small log cabin standing in a rural area of North Carolina―he bought it, had it taken apart, moved, and put back together at his home in Chapel Hill, North Carolina. He then used the cabin as a writing retreat. After his death, the cabin was moved to the North Carolina Botanical Garden where it is preserved as an exhibit open to the public.[5]

Other artistic endeavors

Green also wrote screenplays: The Cabin in the Cotton (1932) and State Fair (1933). He also wrote extensively on the subject of his beloved North Carolina. He helped Richard Wright adapt his novel Native Son for the stage in 1940.

Gravestone of Paul Green and Elizabeth Lay Green at the Old Chapel Hill Cemetery

Green founded the

North Carolina Symphony Orchestra and the Institute for Outdoor Drama. He served UNESCO traveling around the world to lecture on human rights and drama. Green served as a professor
of drama at UNC until his death in 1981.

See also

References

  • Kenny, Vincent S. (1971). Paul Green. New York: Twayne.
    ISBN 0-89197-880-1
    .
  • Lazenby, Walter S. (1970). Paul Green. Austin, TX: Steck-Vaughan.
    ISBN 0-8114-3890-2
    .

Notes

  1. ^ Green, Paul. The Lord’s Will, and Other Carolina Plays, New York: Henry Holt and Co., 1925.
  2. Roper, John Herbert
    Paul Green, Playwright of the Real South, Athens: University of Georgia Press, 2003. p. 83.
  3. ^ Speak Low (when you speak of love): The Letters of Kurt Weill and Lotte Lenya
  4. ^ A Southern Life: Letters of Paul Green, 1916–1981, p. 258
  5. ^ [1] "Paul Green Cabin". North Carolina Botanical Garden Foundation website

External links

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