Candida (play)
Candida | |
---|---|
Written by | George Bernard Shaw |
Date premiered | 30 March 1894 |
Place premiered | Theatre Royal, South Shields |
Original language | English |
Subject | The wife of a clergyman must choose between her husband and a man who idealises her |
Genre | comedy |
Setting | north-east London |
Candida, a
Shaw attempted but failed to have a London production of the play put on in the 1890s, but there were two small provincial productions. However, in late 1903 actor Arnold Daly had such a great success with the play that Shaw would write by 1904 that New York was seeing "an outbreak of Candidamania". The Royal Court Theatre in London performed the play in six matinees in 1904. The same theatre staged several other of Shaw's plays from 1904 to 1907, including further revivals of Candida.
Characters
In order of appearance
- Miss Proserpine Garnett—Morell's secretary
- The Reverend James Mavor Morell—a clergyman and Candida's husband
- The Reverend Alexander (Lexy) Mill
- Mr Burgess
- Candida
- Eugene Marchbanks
Plot
The play is set in the northeast suburbs of London in the month of October. It tells the story of Candida, the wife of a famous clergyman, the Reverend James Mavor Morell. Morell is a Christian Socialist, popular in the Church of England, but Candida is responsible for much of his success. Candida returns home briefly from a trip to London with Eugene Marchbanks, a young poet who wants to rescue her from what he presumes to be her dull family life.
Marchbanks is in love with Candida and believes she deserves something more than just complacency from her husband. He considers her divine, and his love eternal. In his view, it is quite improper and humiliating for Candida to have to attend to petty household chores. Morell believes Candida needs his care and protection, but the truth is quite the contrary. Ultimately, Candida must choose between the two gentlemen. She reasserts her preference for the "weaker of the two" who, after a momentary uncertainty, turns out to be her husband Morell.
Early productions and Candidamania
The play was first performed at the Theatre Royal,
The play was so popular in 1904 that the phenomenon was referred to as "Candidamania". In the words of A new complaint has become widespread. It may be described as 'Candidamania.' It is a contagious disease, frequently caught in street cars, elevated trains, department stores, restaurants, and other places where people talk about what they did the night before. 'Have you seen Candida?' is the question of the hour. Thousands are dragging their friends to see Mr. Shaw's play."[2] Shaw himself adopted the term, as have later writers.[3] Shaw felt that the play was misinterpreted by some of its public. He wrote his short 1904 comedy How He Lied to Her Husband, in part as a kind of reply to Candida. The play depicts a farcical version of the same situation. Shaw's friend Archibald Henderson described it as "the reductio ad absurdum of the Candidamaniacs".[4]
Criticism and interpretation
In Bernard Shaw and the Aesthetes, Elsie Bonita Adams has given this assessment of Marchbanks, comparing him to two real-life artists:
Though Marchbanks has many of the external characteristics and some of the attitudes of the
aesthete-artist such as Sholto Douglas or Adrian Herbert, he does not pay mere lip-service to art, his sensitivity is no pose, and he tries to rid himself of illusions.[5]
Shaw himself describes Eugene's story-arc as a realization that Candida is not at all what he wants from life, that the kind of domestic love she could provide "is essentially the creature of limitations which are far transcended in his own nature".[6] When Eugene departs into the night, it is not "the night of despair and darkness but the free air and holy starlight which is so much more natural an atmosphere to him than this stuffy fireside warmth of mothers and sisters and wives and so on".[6] Eugene, according to Shaw, "is really a god going back to his heaven, proud, unspeakably contemptuous of the 'happiness' he envied in the days of his blindness, clearly seeing that he has higher business on hand than Candida".[7] For her part, Candida is "very immoral" and completely misreads Eugene's transformation over the course of the play.[7]
Andy Propst of Time Out listed Candida as the 25th greatest play of all time, arguing that it "bristles with Shavian wit and pointed political and social debate, ultimately shimmering as a shrewd consideration of love and marriage in Victorian England – or really any period."[8]
Later productions
Katharine Cornell played the lead role on Broadway in five different productions, the last four of which were for her own production company. She was the actress most closely associated with this role. Shaw stated that she had created "an ideal British Candida in my imagination" as she essentially re-envisioned the role of Candida, making her the central character in the play. Previously, Candida herself was not conceived by directors or actresses as important as the issues and themes that Shaw was trying to convey. The first time Cornell played the role in 1924, she was so acclaimed that Actors' Theatre, which controlled the production rights to the play in the United States, forbade any other actress from playing the role while Cornell was still alive. In her final production of 1946, a young Marlon Brando played the role of Marchbanks.[9]
A
A Court Theatre Company production starring JoBeth Williams and Tom Amandes was recorded by the L.A. Theatre Works.[12]
In 2003 the Canadian Broadcasting Corporation broadcast a production of the play. An Oxford Stage Company production of Candida toured the UK in 2004, with Andrew Havill as Morell, Serena Evans as Candida, and Richard Glaves as Marchbanks.
In February 2009
It was revived at the Theatre Royal, Bath in July 2013 with Charity Wakefield as Candida, Jamie Parker as Morell, Frank Dillane as Marchbanks and David Troughton as Mr Burgess, Candida's father.
In March/April 2015 at the Gatehouse Theatre in London, Judi Bowker played Candida with Harry Meacher as Morell, Sebastian Cornelius Marchbanks and Roger Sansom as Burgess.
Musical adaptation
In 2009,
An original cast recording from PS Classics was released on 30 August. The West Coast Premiere of the musical adaptation opened in June 2013 at The San Jose Repertory Theater directed by Michael Halberstam.
References
- ^ Violet M. Broad & C. Lewis Broad, Dictionary to the Plays and Novels of Bernard Shaw, A. & C. Black, London, 1929, p.216.
- ^ The Sun, New York, 12 March 1904.
- ^ Charles Harlen Shattuck, Shakespeare on the American Stage: From Booth and Barrett to Sothern and Marlowe, Associated University Presses, 1976, p.28.
- ^ Archibald Henderson, George Bernard Shaw: Man of the Century, Appleton-Century-Crofts, New York, 1956, p.565.
- ISBN 0-8142-0155-5), p. 107at books.google.com, retrieved 25 January 2008
- ^ a b Shaw, letter to William Archer, c. 21 April 1898. Printed in Eight Modern Plays, ed. Anthony Caputi. Norton Critical Ed. New York: Norton, 1991. pp. 489–490.
- ^ a b Shaw, letter to James Huneker, 6 April 1904. Printed in Eight Modern Plays, ed. Anthony Caputi. Norton Critical Ed. New York: Norton, 1991. pp. 490–491.
- ^ Propst, Andy (11 March 2020). "50 Best Plays of All Time: Comedies, Tragedies and Dramas Ranked". Time Out New York. Retrieved 8 June 2020.
- ^ Tad Mosel, Leading Lady: The World and Theatre of Katharine Cornell, Little, Brown & Co., 1978
- ^ "The Age – Google News Archive Search". google.com.
- ^ "The Sydney Morning Herald – Google News Archive Search". google.com.
- . Retrieved 6 February 2024.
- ^ Isherwood, Charles (8 May 2011). "Three Hearts Butt Heads in One Marriage". The New York Times.
External links
- Candida at Project Gutenberg
- Candida at the Internet Broadway Database
- Candida public domain audiobook at LibriVox