Chłopomania

Source: Wikipedia, the free encyclopedia.
Painter and playwright Stanisław Wyspiański, self-portrait with peasant wife Teofilia Pytko, 1904

Chłopomania (Polish:

Galicia and right-bank Ukraine
.

Though originally used in jest,

Ukrainian culture. Chłopomania also contributed to formation of Hromadas
(communities of Ukrainian intelligentsia).

Etymology

The terms literally mean "peasant-mania", being

portmanteaus of Slavic chłop / xлоп, which stands for 'peasant', and Hellenic -mania
, in the senses of 'enthusiasm' or 'craze'.

History

The political situation of the region led many intellectuals (Poles and Ukrainians) to believe that the only alternative to

independence movement. The notion of social solidarity is formed and consolidated as a solution to overcome the impasse faced by Polish society, especially given the failure of the January 1863 insurrection."[3]

Chłopomania spread into

Catholic faith, converted to Orthodoxy, and refused to support the Polish national movement. However, the Polish ill-wishers were quick to draw the government's attention to the subversive flavor of the khlopomany's social views and their pro-Ukrainophile orientation. The authorities were more often than not inclined to pay heed to these accusations, being guided more by the instinct of social solidarity with Polish landowners than by the strategy of national confrontation with the Poles."[2]

According to Himka, the earliest chłopomani, active in the early 1860s, included

Pavlo Chubynsky
.

Scholars have noted links between chłopomania and currents emerging in regions neighboring Galicia, both inside and outside Austria-Hungary. Literary historian John Neubauer described it as part of late 19th century "populist strains" in the literature of

Chłopi novel, as well as seeing it manifested in the work of Young Poland authors such as Jan Kasprowicz.[8] According to Beauvois, the participation of various Poles in the Ukrainian branch of the movement was later echoed in the actions of Stanisław Stempowski, who, although a Pole, invested in improving the living standard of Ukrainian peasants in Podolia.[1] Miller also notes that the movement had echoes in areas of the Russian Empire other than Congress Poland and Ukraine, highlighting one parallel, "albeit of a much lesser dimension", in what later became Belarus.[2] The notion of chłopomania was specifically linked by Geambaşu with the Sămănătorist and Poporanist currents cultivated by ethnic Romanian intellectuals from the Kingdom of Romania and Transylvania.[3]

See also

References

  1. ^ , p. 141.
  2. ^ , pp. 76-77.
  3. ^ a b c Constantin Geambaşu (2007). "Stanisław Wyspiański în cadrul modernismului polon" [Stanisław Wyspiański in Polish modernism] (PDF). The University of Bucharest's "Romanoslavica" (in Romanian). XLII: 12 (353). Archived from the original (PDF file, direct download 1.70 MB) on August 24, 2009. Ulterior, curentul poporanist (chłopomania) capătătentăpolitic-ideologică. Frământaţi de ideea eliberării naţionale, intelectualii polonezi democraţi erau conştienţi de necesitatea atragerii şi a valorificării potenţialului ţărănesc în mişcarea de independenţăa ţării.
  4. ^
  5. ^ Stanisław Wyspiański Archived 2007-09-30 at the Wayback Machine, biography at the Adam Mickiewicz Institute; retrieved December 28, 2009
  6. ^ R. Starzewski, "Wesele by Stanisław Wyspiański" (original review) Archived 2011-05-18 at the Wayback Machine, at the Jagiellonian University; retrieved December 28, 2009
  7. ^ Wyspiański's Herbal Motives Exhibition Archived 2011-10-03 at the Wayback Machine, at the National Museum in Kraków; retrieved December 28, 2009
  8. ^

External links

Further reading

  • Berestenko O.V., Shamara S.O. The National Renaissance of the “Khlopomans” in the History of Polish and Ukrainian Self-Determinations (Social and Psychological Research).