Chaya Czernowin
Chaya Czernowin (
Hebrew: חיה צ'רנובין, Hebrew pronunciation: [ˌχaja t͡ʃɛʁˈnobin]; born December 7, 1957) is an Israeli American composer,[1] and Walter Bigelow Rosen Professor of Music at Harvard University.[2][3]
She is the lead composer at the Schloß Solitude Sommerakademie,[4] a biannual international academy of composers and resident musicians at the landmark Schloß Solitude, in Stuttgart, Germany.[5] She is a 2011
Guggenheim Fellow.[6]
Education and early career
Czernowin was born in
UCSD, she studied with Brian Ferneyhough and Roger Reynolds
.
Czernowin spent several years after her formal studies on residencies and fellowships in Japan, Europe, and the United States.[8] She was awarded the Ernst von Siemens Music Composers' Prize in 2003.
From 1997 to 2006, she was professor of composition at
University of Music and Performing Arts, Vienna
.
Musical works
Early works
- Dam Sheom Hachol
Operas
- "opera without words," PNIMA...ins innere. (2000), premiered at the Munich Biennale
- A companion to
- "Infinite Now" (2017), opera in six acts, premiered at the Vlaamse Opera in Ghent[10]
- Heart Chamber, 2019, premiered at the Deutsche Oper Berlin.[11]
Source:[12]
Orchestra
- Birds for string orchestra (1984), 11'
- The hour glass bleeds still for string orchestra (1992, rev. 2002)
- Amber for large orchestra (1993), 18'
- Afatsim for mixed ensemble (1996), 10'
- Shu Hai in an orchestral setting for orchestra, female voice, and live electronics (2001), 30'
- Dam Sheon Hachol (the hourglass bleeds still) version for string orchestra (2002), 19'
- Maim (strange water, stolen water), triptych for large orchestra, tubax recorded and a quintet of soloists (oboe, tubax, electric guitar, piano, viola) (2001/2002), 18';
- I: maim zarim maim gnuvim (strange water stolen water) (2002);
- II: The memory of water (2006);
- III: mei mechaa (water of disent) (2005-2006)
Ensemble
- Afatsim for mixed ensemble (1996). Appears twice (see orchestra)
- Winter Songs I: Pending Light for live electronics and seven instruments (2002/2003), 12'
- Winter Songs II: Stones for seven instruments and three percussionists (2003), 12'
- Winter Songs III: Roots for live electronics, seven instruments and three percussionists (2003), 14'
- Excavated Dialogues Fragments for a mixed ensemble of Eastern and Western instruments (2003), 8‘
- Excavated Dialogues Fragments – Second version for a mixed ensemble of modern and Renaissance/Baroque instruments (2003, rev. 2005)
- Anea Crystal for Two String Quartets and an Octet (2008)
- Sheva for seven players, for tpt b trb 2 percussionists pno contra guitar and vcl (2008)
Concerto
- While Liquid Amber for three amplified piccolos (solo) and large orchestra (2000), 18'
Chamber music
- Ina for bass flute and pre-recorded flutes (1989), 12' – ED 9680
- LeArye for violin and 15 pre-recorded violins and violas (1990), 14'
- Dam Sheon Hachol (the hourglass bleeds still) for string sextet (1992), 18' – ED 9663
- A map of a recurrent dream for sho, u, live and pre-recorded Tape (1994), 17'
- Tris for percussion and pre recorded percussion (1993), 13'
- Die Kreuzung for accordion, alt saxsophone and bass (1994), 10' – ED 9684
- String Quartet (1995), 14'
- Drift (Sahaf) for saxophone (baritone and sopranino) or clarinet (Eb clarinet and bass clarinet), E-guitar, piano and percussion (timpano, marimba, 2 plastic triangle liners, bamboo wind chime, ocean drum, ratchet, snare drum) (2008)
Vocal music
- Manoalchadiya for bass flute and two female voices (1988), 13'
- Shu Hai Mitamen Behatalat Kidon (Shu Hai Practices Javalin) for solo female voice and recorded nine voices with live electronics (1996/1997), 30' – ED 9672
- Six Miniatures and a Simultaneous Song for mixed ensemble and a singer (1998), 13'
- Pilgerfahrten for narrator, boy's choir, and instrumental ensemble (2005/2006, rev. 2007)
Recent works
- Winter Songs, Maim Zarim, Main Gnuvim
Discography
Portrait CDs
Afatsim
- Released: 1999
- Format: CD
- Label: Mode Records
Shu Hai Practices Javelin
- Released: 2002
- Format: CD
- Label: Mode Records
- Released: 2010
- Format: CD
- Label: Mode Records
- Released: 2011
- Format: CD
- Label: Wergo
References
- ^ "Chaya Czernowin – Profile". Schott Music. December 7, 1957. Retrieved August 12, 2013.
- ^ "Chaya Czernowin". Music.fas.harvard.edu. June 6, 2011. Archived from the original on July 22, 2013. Retrieved August 12, 2013.
- ^ "Czernowin, Chaya – Walter Bigelow Rosen Professor of Music | Harvard University – Office of Faculty Development & Diversity". Faculty.harvard.edu. March 9, 2010. Retrieved August 12, 2013.
- ^ "Akademie Schloss Solitude". Akademie-solitude.de. Retrieved August 12, 2013.
- ^ "Chaya Czernowin". Akademie Schloss Solitude (in German). 26 March 2020. Retrieved 10 July 2022.
- ^ "Chaya Czernowin – John Simon Guggenheim Memorial Foundation". Gf.org. Retrieved August 12, 2013.
- ^ "Biography". Chaya Czernowin. Retrieved March 24, 2017.
- ^ "Internationales Musikinstitut Darmstadt". Internationales Musikinstitut Darmstadt. Archived from the original on October 9, 2011.
- ^ Max Nyffeler. "Gespräch mit Chaya Czernowin über "Adama"". Beckmesser.de. Retrieved August 12, 2013.
- ^ Ross, Alex (8 May 2017). "CHAYA CZERNOWIN'S DARKLY MAJESTIC OPERA "INFINITE NOW"". The New Yorker. Retrieved May 8, 2017.
- ^ Cagney, Liam (December 9, 2019). "Czernowin's Heart Chamber stirs passions at Deutsche Oper Berlin". Bachtrack. Retrieved March 13, 2021.
- ^ "Czernowin, Chaya – BMLO Artikel (Gur, Golan, 9. Dezember 2011)". Bayerisches Musiker-Lexikon Online. Retrieved 6 April 2021.
Bibliography
- Gur, Golan. Czernowin, Chaya. In: Bayerisches Musiker-Lexikon Online..
- Seter, Ronit: Czernowin, Chaya. In: The New Grove Dictionary of Music and Musicians. vol. 6, 2nd. ed. Stanley Sadie, London 2001, pp. 823f. Also available through Grove Music Online
External links
- Art of the States: Chaya Czernowin two works by the composer
- "Separate Universes Coexisting: Chaya Czernowin’s Musical Artistry," article in The Forward newspaper published October 20, 2010.
- Either/Or: Chaya Czernowin – Die Kreuzung on YouTube(Crossroads)
- Official website
- In the Mediterranean Mode: Israeli Women Composers - Dr Ronit Seter discusses Israeli women composers (Shulamit Ran, Betty Olivero and Chaya Czernowin). Lecture at the Library of Congress, Washington DC, recorded June 3, 2012. Full transcript also available
- Bibliography on Chaya Czernowin, in Ronit Seter, "Israeli Art Music", on Oxford Bibliographies (accessed 23 March, 2024)