Chaya Czernowin

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Chaya Czernowin

Chaya Czernowin (

Hebrew: חיה צ'רנובין, Hebrew pronunciation: [ˌχaja t͡ʃɛʁˈnobin]; born December 7, 1957) is an Israeli American composer,[1] and Walter Bigelow Rosen Professor of Music at Harvard University.[2][3]

She is the lead composer at the Schloß Solitude Sommerakademie,[4] a biannual international academy of composers and resident musicians at the landmark Schloß Solitude, in Stuttgart, Germany.[5] She is a 2011

Guggenheim Fellow.[6]

Education and early career

Czernowin was born in

UCSD, she studied with Brian Ferneyhough and Roger Reynolds
.

Czernowin spent several years after her formal studies on residencies and fellowships in Japan, Europe, and the United States.[8] She was awarded the Ernst von Siemens Music Composers' Prize in 2003.

From 1997 to 2006, she was professor of composition at

University of Music and Performing Arts, Vienna
.

Musical works

Early works

  • Dam Sheom Hachol

Operas

Source:[12]

Orchestra

  • Birds for string orchestra (1984), 11'
  • The hour glass bleeds still for string orchestra (1992, rev. 2002)
  • Amber for large orchestra (1993), 18'
  • Afatsim for mixed ensemble (1996), 10'
  • Shu Hai in an orchestral setting for orchestra, female voice, and live electronics (2001), 30'
  • Dam Sheon Hachol (the hourglass bleeds still) version for string orchestra (2002), 19'
  • Maim (strange water, stolen water), triptych for large orchestra, tubax recorded and a quintet of soloists (oboe, tubax, electric guitar, piano, viola) (2001/2002), 18';
    • I: maim zarim maim gnuvim (strange water stolen water) (2002);
    • II: The memory of water (2006);
    • III: mei mechaa (water of disent) (2005-2006)

Ensemble

  • Afatsim for mixed ensemble (1996). Appears twice (see orchestra)
  • Winter Songs I: Pending Light for live electronics and seven instruments (2002/2003), 12'
  • Winter Songs II: Stones for seven instruments and three percussionists (2003), 12'
  • Winter Songs III: Roots for live electronics, seven instruments and three percussionists (2003), 14'
  • Excavated Dialogues Fragments for a mixed ensemble of Eastern and Western instruments (2003), 8‘
  • Excavated Dialogues Fragments – Second version for a mixed ensemble of modern and Renaissance/Baroque instruments (2003, rev. 2005)
  • Anea Crystal for Two String Quartets and an Octet (2008)
  • Sheva for seven players, for tpt b trb 2 percussionists pno contra guitar and vcl (2008)

Concerto

  • While Liquid Amber for three amplified piccolos (solo) and large orchestra (2000), 18'

Chamber music

  • Ina for bass flute and pre-recorded flutes (1989), 12' – ED 9680
  • LeArye for violin and 15 pre-recorded violins and violas (1990), 14'
  • Dam Sheon Hachol (the hourglass bleeds still) for string sextet (1992), 18' – ED 9663
  • A map of a recurrent dream for sho, u, live and pre-recorded Tape (1994), 17'
  • Tris for percussion and pre recorded percussion (1993), 13'
  • Die Kreuzung for accordion, alt saxsophone and bass (1994), 10' – ED 9684
  • String Quartet (1995), 14'
  • Drift (Sahaf) for saxophone (baritone and sopranino) or clarinet (Eb clarinet and bass clarinet), E-guitar, piano and percussion (timpano, marimba, 2 plastic triangle liners, bamboo wind chime, ocean drum, ratchet, snare drum) (2008)

Vocal music

  • Manoalchadiya for bass flute and two female voices (1988), 13'
  • Shu Hai Mitamen Behatalat Kidon (Shu Hai Practices Javalin) for solo female voice and recorded nine voices with live electronics (1996/1997), 30' – ED 9672
  • Six Miniatures and a Simultaneous Song for mixed ensemble and a singer (1998), 13'
  • Pilgerfahrten for narrator, boy's choir, and instrumental ensemble (2005/2006, rev. 2007)

Recent works

  • Winter Songs, Maim Zarim, Main Gnuvim

Discography

Portrait CDs

Afatsim

Shu Hai Practices Javelin

Maim

Shifting Gravity

  • Released: 2011
  • Format: CD
  • Label:
    Wergo

References

  1. ^ "Chaya Czernowin – Profile". Schott Music. December 7, 1957. Retrieved August 12, 2013.
  2. ^ "Chaya Czernowin". Music.fas.harvard.edu. June 6, 2011. Archived from the original on July 22, 2013. Retrieved August 12, 2013.
  3. ^ "Czernowin, Chaya – Walter Bigelow Rosen Professor of Music | Harvard University – Office of Faculty Development & Diversity". Faculty.harvard.edu. March 9, 2010. Retrieved August 12, 2013.
  4. ^ "Akademie Schloss Solitude". Akademie-solitude.de. Retrieved August 12, 2013.
  5. ^ "Chaya Czernowin". Akademie Schloss Solitude (in German). 26 March 2020. Retrieved 10 July 2022.
  6. ^ "Chaya Czernowin – John Simon Guggenheim Memorial Foundation". Gf.org. Retrieved August 12, 2013.
  7. ^ "Biography". Chaya Czernowin. Retrieved March 24, 2017.
  8. ^ "Internationales Musikinstitut Darmstadt". Internationales Musikinstitut Darmstadt. Archived from the original on October 9, 2011.
  9. ^ Max Nyffeler. "Gespräch mit Chaya Czernowin über "Adama"". Beckmesser.de. Retrieved August 12, 2013.
  10. ^ Ross, Alex (8 May 2017). "CHAYA CZERNOWIN'S DARKLY MAJESTIC OPERA "INFINITE NOW"". The New Yorker. Retrieved May 8, 2017.
  11. ^ Cagney, Liam (December 9, 2019). "Czernowin's Heart Chamber stirs passions at Deutsche Oper Berlin". Bachtrack. Retrieved March 13, 2021.
  12. ^ "Czernowin, Chaya – BMLO Artikel (Gur, Golan, 9. Dezember 2011)". Bayerisches Musiker-Lexikon Online. Retrieved 6 April 2021.

Bibliography

External links