Edmund de Waal
Edmund de Waal Windham-Campbell Literature Prize |
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Edmund Arthur Lowndes de Waal,
He lives and works in London.[6]
Early life
De Waal was born in
Education and early ceramic work
De Waal's interest in ceramics began aged five when he took an evening class at the Lincoln School of Art,[9] this early introduction to pottery influenced de Waal's later enthusiasm for pursuing an art practice based in ceramics.[10][11][12]
De Waal was educated at The King's School, Canterbury, where he was taught pottery by the potter Geoffrey Whiting (1919-1988), a student of Bernard Leach.[13] At 17, de Waal began a two-year apprenticeship with Whiting, deferring his entry into University of Cambridge.[11][14] During the apprenticeship de Waal made hundreds of earthenware and stoneware pots, such as casseroles and honey pots.[11] In 1983, de Waal took up his place at Trinity Hall, Cambridge, to read English. He was awarded a scholarship in 1983 and graduated with first class honours in 1986.[15]
Following graduation, de Waal began to follow the discipline of British studio pottery, to create inexpensive domestic pots with good earth-tone colours.[11] He moved to Herefordshire where he built a kiln and set up a pottery making functional stoneware pots in the Leach tradition, but the enterprise was not financially successful.[11][5] In 1988, de Waal moved to inner-city Sheffield and began experimenting with working in porcelain.[14][2][5]
In 1990 de Waal obtained a
Art and ceramics
On returning to Britain in 1993, de Waal settled in London[14] and began making his distinctive ceramics, porcelain with a celadon glaze. Focusing on essentially classical vessel shapes but with the inclusion of indentations or pinches and subtle variations in tone and texture in the style de Waal began while in Japan, these pots slowly gained the attention of the British craft industry leading to his first exhibition at Egg London in 1995.[17]
Throughout the late 1990s and early 2000s de Waal's ceramic practice became heavily influenced by modernism, the Bauhaus movement in particular. This led to de Waal's belief that the East and West may meet in the materiality of porcelain; for example, the ethos of China's Song dynasty may encounter the modernist ethos of the Bauhaus.[18]
In the years since 2000 de Waal has moved away from making and exhibiting single domestic use vessels to the production of groups of vessels and objects to be viewed in relation to openings and spaces, later moving into predominately wall-mounted and freestanding vitrines filled with varying multitudes of his porcelain vessels, and most recently the addition of different kinds of metals, metallic gilding, porcelain shards and sheets of porcelain with embossed handwriting.[19] In a 2017 interview conducted in preparation for de Waal's exhibition at Artipelag, Sweden, de Waal explained his artistic process and attraction to porcelain as a material:
when I need to make something I'm often mesmerised or haunted by an idea or by a piece of poetry. A line from poetry, a word sometimes, or a piece of music, or a space that I've been thinking about, a particular place that I want to kind of question by making something for it. So, there are all these different possibilities when I begin. I am grounded in history, the history and culture of the materials I use, this extraordinary two-thousand-year history of porcelain. I don't use this material lightly. It’s not a light material. It's got incredible resonance, incredible power.[20]
In 2013 BBC One broadcast an Imagine documentary following de Waal for a year as he prepared for his debut New York exhibition, Atemwende at Gagosian Gallery; titled and inspired by a poetry collection from the German émigré poet Paul Celan.[21][22]
De Waal discussed the influence of music and sound on his art practice in various interviews, including the BBC Radio 3 programme Private Passions,[23] BBC Desert Island Discs[24] and in a 2017 interview, de Waal mentioned, "I am obviously on some spectrum where for me objects do actually have very powerful sound. I do literally hear them when I put them out."[20] In addition, de Waal plays recorded music aloud in his studio while making and assembling his work, that this provides "a landscape for [him] to be in" when working.[25][20] De Waal has collaborated with musicians on various projects, including Psalm, in 2015 by the Scottish composer Martin Suckling with the Aurora Orchestra; and an atmospheric sound piece by Simon Fisher Turner as a part of the 2017 Schindler House exhibition.[26][27]
De Waal has exhibited major installations at Chatsworth, Kettle's Yard, Tate Britain, Fitzwilliam Museum, Southwark Cathedral, Kunsthistorisches Museum (including a commission for the Theseus Temple in the Volksgarten, Vienna), and the Victoria and Albert Museum.
In 2012 he received his first outdoor public art commission, for the Alison Richard Building at the
Since 2016 de Waal has continued his interest in working with arts and cultural institutions in installing his work in relationship and dialogue with existing museum collections such as the Frick Collection, historical architectural spaces such as Schindler House and the Ateneo Veneto; and engagement with Jewish museums in both Venice and Vienna.[31][32] De Waal make his Royal Ballet debut in the 2017–18 Season designing Wayne McGregor’s new ballet, Yugen, at the Royal Opera House. Set to The Chichester Psalms, the production formed part of a programme celebrating the centenary of Leonard Bernstein's birth.[33][34][35]
De Waal is a patron of
Writing
In 1998 De Waal published a monograph on Bernard Leach with research collected while studying in Japan.[43] The book challenges the public understanding of Leach's as the great and original interlocutor for Japan and the East as the 20th century potter who translated the mystery of the East to audiences in the West. De Waal's research into Leach in Japan revealed that he predominantly associated himself with Western educated Japanese people, did not speak Japanese and studied only a narrow range of traditional Japanese ceramics. Due to Leach's status in the West as the "Father of British studio ceramics" and the influence of his Eastern techniques and philosophy, De Waal's views attracted criticism from some of Leach's followers.[44]
In 2010 de Waal's family memoir,
The Ephrussis. Travel in Time, an exhibition surrounding the story of the Ephrussi family told by de Waal in his family memoir The Hare with Amber Eyes, tracing their history from Odessa to Paris and Vienna; then to their migration as refugees as the Second World War forced them to seek asylum in the United Kingdom, the US and Mexico, and onto Japan and other countries, opened at the Jewish Museum Vienna in November 2019.[48][49]
De Waal's second book, The White Road, was published by
De Waal's third book, Letters to Camondo, was published by Chatto & Windus in May 2021.
Major exhibitions and installations
- 1995, Edmund de Waal. Egg, London.[17]
- 1999 Modern Home. High Cross House, Dartington Hall, Devon.[50]
- 2002 Porcelain Room. Geffrye Museum, London.[51]
- 2002 A Long Line West. Egg, London.[52]
- 2005 Arcanum: mapping 18th-Century European porcelain.
- 2005 A line around a shadow. Blackwell, Bowness-on-Windermere, Cumbria.[54]
- 2006 Vessel, perhaps. Millgate Museum, Newark-on-Trent, Nottinghamshire.[55]
- 2007 Edmund de Waal at Kettle's Yard, MIMA and elsewhere. Kettle's Yard, Cambridge, Middlesbrough Institute of Modern Art.[56]
- 2007 A Sounding Line. Chatsworth House, Derbyshire.[57]
- 2009 Signs & Wonders. Victoria and Albert Museum, London.[58]
- 2010 From Zero. Alan Cristea Gallery (now known as Cristea Roberts Gallery), London.[59]
- 2012 Edmund de Waal at Waddesdon. Waddesdon Manor, Buckinghamshire.[60]
- 2012 a local history. Alison Richard Building, University of Cambridge.[61]
- 2012 a thousand hours. Alan Cristea Gallery (now known as Cristea Roberts Gallery), London.[62]
- 2013 On White: Porcelain stories from the Fitzwilliam Museum. Fitzwilliam Museum, Cambridge.[63]
- 2013 Atemwende. Gagosian Gallery, New York.[64]
- 2014 atmosphere. Turner Contemporary, Margate.[65]
- 2014 another hour. Southwark Cathedral, London.[66]
- 2014 Lichtzwang. Theseus Temple, Vienna.[67]
- 2015 wavespeech. A joint exhibition with David Ward. Pier Arts Centre, Orkney.[68]
- 2015 white: A Project by Edmund de Waal. Royal Academy of Arts, London.[69]
- 2016 ten thousand things. Gagosian Gallery, Beverley Hills.[70]
- 2016 Irrkunst. Galerie Max Hetzler, Berlin.[71]
- 2016 Kneaded Knowledge with Ai Weiwei. Kunsthaus Graz, Graz.[72]
- 2016 During the Night. Kunsthistorisches Museum, Vienna.[73]
- 2017 Lettres de Londres. Espace Muraille, Geneva.[74]
- 2017 Morandi / Edmund de Waal. Artipelag, Stockholm.[75]
- 2018 white island. Museu d’Art Contemporani d’Eivissa, Ibiza.[76]
- 2018 – one way or other – Schindler House, Los Angeles.[77]
- 2018 the poems of our climate, Gagosian Gallery, San Francisco.[78]
- 2019 breath. Ivory Press, Madrid.[79]
- 2019 psalm. Museo Ebraico di Venezia and Ateneo Veneto, Venice.[80]
- 2019 Elective Affinities. The Frick Collection, New York.[81]
- 2019 a sort of speech. Galerie Max Hetzler, Berlin.[82]
- 2019 im Goldhaus. Porzellansammlung, Staatliche Kunstsammlungen, Dresden.[83]
- 2019 Library of Exile. Japanisches Palais, Staatliche Kunstsammlungen, Dresden.[84]
- 2020 Library of Exile. The British Museum, London.[85]
- 2020 some winter pots. Gagosian Gallery, London.[86]
- 2020 tacet. New Art Centre, Salisbury.[87]
- 2020 cold mountain clay. Gagosian Gallery, Hong Kong.[88]
- 2021 This Living Hand: Edmund de Waal presents Henry Moore. Henry Moore Studios & Gardens, Perry Green.[89]
- 2021-2022 Hare With Amber Eyes. Jewish Museum (Manhattan), New York [90]
- 2022-2023 de Waal +. Gagosian Book Shop, Burlington Arcade, London. [91]
- 2023 this must be the place. Gagosian Gallery, New York [92]
Awards and honours
- 1991–1993 Daiwa Anglo-Japanese Foundation Scholarship.[93]
- 1996 Fellow of Royal Society of Arts.
- 1999–2001 The Leverhulme Trust Special Research Fellowship.[94]
- 2003 Silver Medal, World Ceramic Exposition, Korea.[7]
- 2009 Honorary Fellow, Trinity Hall, University of Cambridge.
- 2011 Honorary degree from the University for the Creative Arts.[95]
- 2011 Costa Book Awards, winner (Biography), The Hare with Amber Eyes.[3]
- 2011 Royal Society of Literature Ondaatje Prize, winner, The Hare with Amber Eyes.
- 2011 Order of the British Empire (OBE) for Service to the Arts.
- 2011 to present, Trustee of the Victoria and Albert Museum, London.
- 2012 Senior Fellowship Royal College of Art, London.
- 2013 Honorary Doctorate of Letters University of Sheffield.[96]
- 2013 Honorary Doctorate University of the Arts, London.
- 2014 Honorary Doctorate Canterbury Christ Church University.
- 2014 Honorary Doctorate, University of Nottingham.[97]
- 2015 Windham–Campbell Literature Prize for Non-Fiction.[98]
- 2016 Honorary Doctorate, University of York.[99]
- 2017 London Craft Week Medal.[100]
- 2019 Harman/Eisner Artist in Residence at the Aspen Institute Arts Program.[101]
- 2021 Fellow of the Royal Society of Literature.[102]
De Waal was appointed
Bibliography
Books
- Letters to Camondo London: Chatto & Windus. 2021. ISBN 9781784744311
- The White Road. London / New York: Chatto & Windus / Farrar, Straus & Giroux. 2015. ISBN 978-0-701187705
- Edmund de Waal. London: Phaidon Press. 2014. ISBN 978-0-714867038
- The Pot Book. with ISBN 978-0-714847993
- The Hare with Amber Eyes: a hidden inheritance. London / New York: Chatto & Windus / Farrar, Straus & Giroux. 2010. ISBN 978-0099539551
- Rethinking Bernard Leach: Studio Pottery and Contemporary Ceramics, with Kenji Kaneko. Kyoto: Shibunkaku Publishing. 2007.ISBN 9784784213597
- 20th Century Ceramics. London: Thames and Hudson. 2003. ISBN 978-0-500203712
- Design Sourcebook: Ceramics. London: New Holland Publishers. 1999. ISBN 9781780091334
- Bernard Leach. London: Tate Publishing. 1998.ISBN 978-1-849760430
Catalogues
- elective affinities. New York, USA. The Frick Collection. 2019. ISBN 9780912114774
- breath. Madrid, Spain. Ivorypress. 2019.[107]
- wavespeech. Bath, UK: Wunderkammer Press. 2018. ISBN 978-0-9935511-1-6
- Edmund de Waal / Morandi. Stockholm, Sweden: Artipelag. 2017. ISBN 978-91-980428-9-4
- Kneaded Knowledge. Cologne, Austria: Universalmuseum Joanneum, Graz. 2016. ISBN 978-3-96098-031-5
- During the Night. Vienna, Austria: Kunsthistorisches Museum. 2016. ISBN 978-3-99020-122-0
- Irrkunst. Berlin, Germany: Galerie Max Hetzler. 2016. ISBN 978-3-935567-88-6
- ten thousand things. Beverly Hills, CA: Gagosian Gallery. 2016.
- atmosphere. Margate, UK: Turner Contemporary. 2014. ISBN 978-1938748011
- Atemwende. New York: Gagosian Gallery. 2013. ISBN 978-1935263852
- a thousand hours. London: Alan Cristea Gallery. 2012.
- Edmund de Waal at Waddesdon Manor. Buckinghamshire: Waddesdon. 2012.
- From Zero. London: Alan Cristea Gallery. 2010.
- Signs & Wonders. London: Victoria & Albert Museum. 2009.
- Edmund de Waal at Kettle's Yard, MIMA and elsewhere. Cambridge / Middlesbrough Institute of Modern Art, Middlesbrough: Kettle’s Yard. 2007.
- Arcanum: mapping 18th-century European porcelain. Cardiff: National Museums and Galleries of Wales. 2005.
- Edmund de Waal: A line around a shadow. Bowness-on-Windemere: Blackwell House: The Arts & Crafts House. 2005.
- A Secret History of Clay: From Gauguin to Gormley. Liverpool: Tate. 2004.
- Modern Home. Dartington Hall, Devon: High Cross House. 1999.[106]
Television appearances
- What Do Artists Do All Day?
- "Make Pots or Die" Imagine (TV series)
References
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- ^ "'My Name is Leon' by Kit de Waal: Tears, snot, laughter and race riots". The Irish Times.
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- ^ "Why craft is central - Crafts Council". craftscouncil.org.uk. Retrieved 11 September 2019.
- ^ a b c d e "Transcript of the John Tusa interview with Edmund de Waal". BBC Radio 3. bbc.co.uk. 25 July 2005. Archived from the original on 6 January 2009. Retrieved 4 August 2017. Link for recording (available only in UK?).
- ^ "Edmund de Waal's Million Little Pieces". Departures. Retrieved 18 September 2019.
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- ^ a b c Paul Laity (12 February 2011). "Edmund de Waal: A life in arts". The Guardian. Retrieved 20 September 2014.
- ^ a b "Curriculum Vitae for THINK TANK". Archived from the original on 31 March 2012. Retrieved 20 September 2014.
- ^ de Waal, The Hare with Amber Eyes (2011), p. 3.
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- ^ a b c Edmund de Waal – interview for Artipelag, archived from the original on 12 December 2021, retrieved 18 September 2019
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- ^ "The Porcelain Room – Making". Edmund de Waal. Retrieved 15 September 2019.
- ^ "about". egg trading. Retrieved 18 September 2019.
- ^ de Waal, E. (1 January 2005). "Arcanum: mapping 18th century porcelain". westminsterresearch.westminster.ac.uk. Retrieved 15 September 2019.
- ^ "A line around a shadow – Making". Edmund de Waal. Retrieved 15 September 2019.
- ^ "Vessel, perhaps – Making". Edmund de Waal. Retrieved 15 September 2019.
- ^ "Edmund de Waal at Kettle's Yard, mima and elsewhere – Making". Edmund de Waal. Retrieved 15 September 2019.
- ^ "A Sounding Line". chatsworth.org. Retrieved 15 September 2019.
- ^ "Signs & Wonders | Waal, Edmund de | V&A Search the Collections". V and A Collections. 15 September 2019. Retrieved 15 September 2019.
- ^ "Edmund de Waal | From Zero". Cristea Roberts Gallery. Retrieved 15 September 2019.
- ^ "Edmund de Waal at Waddesdon". Waddesdon Manor. Retrieved 15 September 2019.
- ^ "Potted histories". University of Cambridge. 23 January 2013. Retrieved 15 September 2019.
- ^ "Edmund de Waal | a thousand hours". Cristea Roberts Gallery. Retrieved 15 September 2019.
- ^ "Edmund de Waal - On White: Porcelain Stories from the Fitzwilliam | The Fitzwilliam Museum". fitzmuseum.cam.ac.uk. Retrieved 15 September 2019.
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- ^ "Edmund de Waal's Atmosphere - Crafts Council". craftscouncil.org.uk. Retrieved 15 September 2019.
- ^ "Another Hour by Edmund de Waal - Exhibition at Southwark Cathedral in London". ArtRabbit. Retrieved 15 September 2019.
- ^ "Edmund de Waal Lichtzwang". khm.at. Retrieved 15 September 2019.
- ^ "wavespeech - Edmund de Waal & David Ward". Pier Arts Centre. Retrieved 15 September 2019.
- ^ "white | Exhibition | Royal Academy of Arts". royalacademy.org.uk. Retrieved 15 September 2019.
- ^ "Edmund de Waal: ten thousand things, Beverly Hills, January 14–February 18, 2016". Gagosian. 12 April 2018. Retrieved 15 September 2019.
- ^ "Exhibition: Edmund de Waal". Galerie Max Hetzler. Retrieved 15 September 2019.
- ^ "Kneaded Knowledge - Exhibition | Kunsthaus Graz". museum-joanneum.at. Retrieved 15 September 2019.
- ^ "Edmund de Waal meets Albrecht Dürer During the Night". khm.at. Retrieved 15 September 2019.
- ^ "Edmund de Waal - Lettres de Londres". espacemuraille.com. Retrieved 15 September 2019.
- ^ "Edmund de Waal Giorgio Morandi". Artipelag. 23 January 2017. Retrieved 15 September 2019.
- ^ ""white island", de l'artista Edmund de Waal". eivissa.es. Retrieved 15 September 2019.
- ^ "Edmund de Waal: –one way or other– | MAK Center for Art and Architecture, Los Angeles". makcenter.org. Retrieved 15 September 2019.
- ^ "Edmund de Waal: the poems of our climate, San Francisco, September 20–December 8, 2018". Gagosian. 28 July 2018. Retrieved 15 September 2019.
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- ^ "Exhibition: UPCOMING: EDMUND DE WAAL". Galerie Max Hetzler. Retrieved 18 September 2019.
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- ^ "Edmund de Waal: cold mountain clay, Hong Kong, November 20, 2020–January 9, 2021". Gagosian. 29 October 2020. Retrieved 22 August 2021.
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