Gay pulp fiction

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Cover of 1968 gay pulp fiction novel Midtown Queen, by Julian Mark

Gay pulp fiction, or gay pulps, refers to printed works, primarily fiction, that include references to male

paperback books made of wood pulp paper; lesbian pulp fiction is similar work about women. Michael Bronski, the editor of an anthology of gay pulp writing, notes in his introduction, "Gay pulp is not an exact term, and it is used somewhat loosely to refer to a variety of books that had very different origins and markets".[1]
People often use the term to refer to the "classic" gay pulps that were produced before about 1970, but it may also be used to refer to the gay erotica or pornography in paperback book or digest magazine form produced since that date.

Beginning of gay pulps

Many early gay pulps were reissues of literary novels with gay themes, such as this 1958 Pyramid Books edition of Never the Same Again.

Gay pulps are part of the expansion of cheap paperback books that began in the 1930s and "reached its full force in the early 1950s."

lesbianism, and male homosexuality. Michael Bronski has noted that lesbian pulp fiction were far more numerous and popular than those that dealt with male homosexuality; he attributes this difference to the fact that while both lesbian and heterosexual women read the lesbian pulps, a major part of the market for these novels was heterosexual men. According to Bronski, "The trajectory of the gay male pulps is very different. There was no burgeoning market for gay male novels in the 1950s because they apparently had little crossover appeal for a substantial heterosexual readership."[1]

Still, some gay pulps were published by mainstream publishers throughout the 1950s and early 1960s. These were often reprints of literary novels that involved references to homosexuality, such as Charles Jackson's 1946 novel, The Fall of Valor, and Gore Vidal's 1948 novel, The City and the Pillar, which first appeared in paperback in 1950. Likewise, Blair Niles' 1931 novel Strange Brother appeared in paperback in 1952.

First original gay pulp paperback

The first paperback original to deal with homosexuality was 1952's Men into Beasts, a nonfiction work by

male rape in prison.[2] The cover of the book features a discreetly posed nude man, on his knees in a prison cell, being beaten by two prison guards. The text on the back of the book blames prison riots on "homosexual slavery—inmates being forced to practice abnormal acts with sex deviates who roamed the prisons at will."[2]

Beginnings of sexually explicit gay pulp

Beginning around 1964, the more than a decade of challenges to U.S.

Most of the new gay paperbacks were explicitly pornographic, writing designed to provoke sexual responses, rather than literary writing, and they came from small, gay presses, such as the Guild Press,

spy parodies called The Man from C.A.M.P., written by Victor J. Banis. Banis says once Kemp and Greenleaf proved how much of a market there was for this type of fiction, other publishers soon joined in.[3]

Among "the more provocative titles and noms de plume" published in this decade include: Summer in Sodom, by Edwin Fey; Gay Whore, by Jack Love; Hollywood Homo, by Michael Starr; The Short Happy Sex Life of Stud Sorell, by Orlando Paris; It's a Gay, Gay, Gay, Gay World, by Guy Faulk; Gay on the Range, by Dick Dale; Queer Belles, by Percy Queen; and Gay Pals, by Peter Grande.[4]

Sometimes, these past ephemera can become useful community history resources. As Susan Stryker and Michael Meeker note in a new preface to Lou Rand's The Gay Detective (1965),

narcotics underworld in their city, as well as referring to bygone LGBT venues.[5]

Major writers

Some of the titles issued by these presses in the late 1960s blurred the lines between literary gay fiction and pornography. While all of them include more explicit sexual content than literary novels or mainstream, non-sexual paperback fiction (Westerns, romances, etc.) of the time, some aspired to higher literary merit and include attempts at more careful characterizations, settings, and plots. Susan Stryker cites in this category Chris Davidson and

American South.[4] Victor J. Banis wrote a gay detective series, The Man from C.A.M.P., whose novels feature Jackie Holmes as a gay international superspy. This series turns the popular, conventional spy-genre novel on its head.[2]

See also

Footnotes

  1. ^ a b c Bronski, Michael, ed. Pulp Friction: Uncovering the Golden Age of Gay Male Pulps. (New York: St. Martin's Griffin, 2003), pages 2, 2, 4.
  2. ^ a b c d e f Stryker, Susan Queer Pulp: Perverted Passions from the Golden Age of the Paperback. (San Francisco: Chronicle Books, 2001), pages 104 & 107,107, 109, 107 & 117, 117, 114-115.
  3. ^ "Biography". Victor J. Banis. Archived from the original on October 17, 2007. Retrieved Jan 29, 2010.{{cite web}}: CS1 maint: unfit URL (link)
  4. ^ a b Howard, John. Men Like That: A Southern Queer History. The University of Chicago Press, 1999, page 197.
  5. ^ Lou Rand: The Gay Detective: San Francisco: Cleis Press: 2003: Susan Stryker and Michael Meeker: Preface: v-xvii

References

External links