Goregrind

Source: Wikipedia, the free encyclopedia.

Goregrind is a fusion genre of

pitch shifted
vocals and abrasive musicianship rooted in grindcore.

History

Despite the early impact of albums such as

pitch shifters, medical imagery and several visceral associations when it originally conceived the band, a deviation[clarification needed] from the frequently political or left-wing lyrics commonly used in the hardcore punk
and grindcore scenes.

Characteristics

According to Matthew Harvey,

Gore-Grind (sic) music is characterized by its preoccupation with pitch-shifted or extremely low vocals, use of gore and forensic pathology as its exclusive subject matter, and often very fast tempos. Gore-Grind bands also have the refreshing tendency not to take themselves or their lyrics too seriously. This is evidenced by ... the often intricate and disgusting yet undeniably cartoonish splatter drawings that adorn many Gore-Grind album sleeves.[2]

horror-movie feel and are not expected to be taken seriously.[2] Cyjan, former drummer for Polish goregrind band Dead Infection, commented, "Musically, there's no real difference between grindcore and goregrind, but lyrically, whereas the first is socially and politically concerned, goregrind, as the name implies, deals with everything related to blood, pathological aspects or accidents with fatal results."[3]

Offshoot genres

Pornogrind

Pornogrind (also known as porngrind or pornogore) is a microgenre, which is similar and related to goregrind, that deals with sexual and pornographic themes, hence the name.[7][8] Notable bands include Gut and Cock and Ball Torture.[2][5][9]

See also

References

  1. ^ "An Homage to D-Beats in Goregrind: A History of What is Easily the Sickest Musick Imaginable". New Noise Magazine. 2 February 2021. Retrieved 21 April 2024.
  2. ^ . Retrieved 28 November 2007.
  3. ^ a b Badin, Olivier (2009). "Goregrind". Terrorizer, 181, p.41.
  4. ^ Widener, Matthew. Carcass Clones. Archived from the original on 16 January 2008. Retrieved 27 February 2009. {{cite book}}: |work= ignored (help)
  5. ^
    Zero Tolerance
    #004, p. 46.
  6. ^ Stosuy, Brandon (6 August 2008). "Show No Mercy". Pitchfork. Archived from the original on 28 August 2008. Retrieved 14 October 2008.
  7. ^ Anderson, Vicki. "Running the musical gauntlet". The Press. Retrieved 16 June 2009.
  8. ^ Hess, Amanda. "Brick and Mordor: A record store heavy on the metal spins its last gloom and doom". Washington City Paper. Retrieved 16 June 2009.
  9. ^ Mincemoyer, John. "Gore International" (2002). Terrorizer #98, pp. 19-20.