Gyaling
 Monks playing gyalings at Spituk monastery, near Leh, Ladakh, India | |
| Classification | Double reed |
|---|---|
| Related instruments | |
The gyaling (
Design
The gyaling is oboe-like in appearance with a long hardwood body and copper brass bell. The instrument is generally covered with ornate embellishments of colored glass. The double reed, which is made from a single stem of marsh grass, is placed upon a small metal channel that protrudes out of the top.[2] There are eight (8) fingerholes on a standard gyaling.[citation needed]
To play a gyaling requires a technique called circular breathing, in which the instrument is played continuously, even while the musician breathes. The reed is placed fully in the player’s mouth but does not touch it; the lips are pressed against the flat metal channel below the reed. Airflow affects the gyaling's tuning. Gyaling technique varies depending on the lineage and ritual.[3]
Usage in ritual
A typical
(vertical cymbals), and most importantly, chanting. Together, the music creates a state of mind to invite or summon deities.Often, the style of performance is similar to that of a
Gallery
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Gyaling at the National Museum of World Cultures and the World Museum. -
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Boudha, Kathmandu, Nepal -
Playing gyaling at Lingshed Monastery
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See also
References
- ^ Kunga Sonam Dronma. "The Vajrakilaya Puja of the Khon Lineage". www.hhthesakyatrizin.org. Archived from the original on 18 January 2011. Retrieved 27 September 2011.
- ^ "Shawms (Rgya Gling) on Exhibit at the National Music Museum". orgs.usd.edu. 9 October 2010. Archived from the original on 15 September 2011. Retrieved 27 September 2011.
- ^ "Dakini Music - gyaling". www.chagdud.org. Archived from the original on 5 August 2007. Retrieved 27 September 2011.
External links
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