Harmonic major scale
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In
It can be considered a major scale with the sixth degree lowered, Ionian ♭6,[2] or the harmonic minor scale with the third degree raised. The intervals between the notes of a harmonic major scale follow the sequence below:
- whole, whole, half, whole, half, augmented second, half
The harmonic major scale may be used to construct the following chords, which also may be thought of as
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The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic. Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord, a minor major seventh chord, a dominant seventh chord, an augmented major seventh chord, and a diminished seventh chord. Harmonic minor contains the same types of seventh chords, but in a different order.
For example, a D-flat major scale consists of the
The harmonic major scale may also be considered a synthetic scale, primarily used for implying and relating to various altered chords, with major and minor qualities in each tetrachord.[4] Thus the musical effect of the harmonic major scale is a sound intermediate between harmonic minor and diatonic major, and partaking of both. The harmonic major scale may be used in any system of meantone tuning, such as 19 equal temperament or 31 equal temperament, as well as 12 equal temperament.
One interesting property of this scale is that for any diatonic scale, there is a
Like the familiar major, melodic minor, and harmonic minor scales, the harmonic major scale has the
The harmonic major scale is also one of the five proper seven-note scales of equal temperament. Like five of those other six scales, it is a complete circle of thirds; starting from the tonic the pattern is MmmmMMm, where M is a major third and m is a minor third.[citation needed]
Harmonic major is not commonly taught as a tonality, so chords borrowed from this diatonic tonality are not recognized as readily as those from the tonalities of major, harmonic minor, and melodic minor.[citation needed] Many popular songs have borrowed chords from the tonality of harmonic major but have not been recognized as doing so. Examples are 'After You've Gone', 'Blackbird', 'Sleep Walk', 'Dream A Little Dream Of Me'.[citation needed]
References
- ISBN 0-521-78220-1.
- ISBN 3-927190-68-3.
- ISBN 0-7692-2015-0.
- ISBN 0-88284-722-8.
- ^ Dmitri Tymoczko (2004). "Scale Networks and Debussy." Journal of Music Theory 48.2: 215-292.
Further reading
- Peter Burt, The Music of Toru Takemitsu, Cambridge University Press, 2001, ISBN 0-521-78220-1.
- Hewitt, Michael. 2013. Musical Scales of the World. The Note Tree. ISBN 978-0957547001.
- Nikolai Rimsky-Korsakov, Practical Manual of Harmony, Carl Fischer, LLC, 2005, ISBN 978-0-8258-5699-0
- Nicolas Slonimsky, Thesaurus of Scales and Melodic Patterns, Music Sales America; First Edition, 1947, ISBN 978-0-8256-1449-1
- Yamaguchi, Masaya. 2006. The Complete Thesaurus of Musical Scales, revised edition. New York: Masaya Music Services. ISBN 0-9676353-0-6.
- Bret Willmott, Mel Bay's Complete Book of Harmony Theory and Voicing, Mel Bay Publications, 1994, ISBN 1-56222-994-X
- "Dan Haerle: The Jazz Language" Studio P/R, Miami, Florida, USA 1980; "Jazz Improvisation und Pentatonic" advance music, Rottenberg/N 1987. Featuring "logical delibaration" for "harmonic major chord-scale system" cited in Haunschild (2000).
- "Harmonic Major : Part I — Arranging Blackbird" Canadian Musician Magazine, July/August 2015 issue, page 27, by Adam Coulombe.