Hero (2002 film)

Hero (Chinese: 英雄; pinyin: Yīngxióng) is a 2002 wuxia film directed, co-written, and produced by Zhang Yimou, and starring Jet Li, Tony Leung Chiu-wai, Maggie Cheung, Zhang Ziyi, Donnie Yen and Chen Daoming.^[3] The cinematography was by Christopher Doyle, and the musical score composed by Tan Dun. The film was nominated for an Academy Award for Best Foreign Language Film at the 75th Academy Awards.

The historical background of the film refers to the Warring States Period in ancient China, when China was divided into seven states. In 227–221 BC, the Qin state was about to unify the other six states, assassins from the six states were sent to assassinate the king of Qin. One of the most famous incidents was Jing Ke's attempted assassination of the King of Qin.^[4]

Hero was first released in China on 24 October 2002. At that time, it was the most expensive project^[5] and one of the highest-grossing motion pictures in China.^[6] Miramax acquired American market distribution rights, but delayed the release of the film for nearly two years. Quentin Tarantino eventually convinced Miramax to open the film in American theaters on 27 August 2004.^[7][8]

The film received positive reviews from critics. It became the first Chinese-language movie to top the American box office, where it stayed for two consecutive weeks, and went on to earn $53.7 million in the United States and $177 million worldwide.^[2]

Plot

During the Warring States period, Nameless, a Qin prefect, arrives at the Qin capital city to meet the king, who has survived multiple assassination attempts by Long Sky, Flying Snow, and Broken Sword. Implementing tight security, the king forbids visitors from approaching within 100 paces. Nameless asserts he has killed the assassins, displaying their weapons. Impressed, the king permits Nameless to approach within ten paces to share his story.

Nameless recounts killing Sky at a gaming house before meeting Flying Snow and Broken Sword at a calligraphy school in a city besieged by the Qin army. Seeking to learn Sword's skill, he commissions a calligraphy scroll with the character for "Sword" (劍). Nameless learns of Snow and Sword's strained relationship. Upon completing the scroll, Nameless reveals his identity and the truth about Snow and Sky's relationship. He challenges Snow to a duel.

Meanwhile, a heartbroken and furious Sword engages in a tryst with his pupil, Moon. Snow kills Sword in retaliation, and Moon when she seeks vengeance. The following day, Nameless slays an emotionally unstable Snow before the Qin army, seizing her sword.

As the story wraps up, the king doubts Nameless, alleging he orchestrated the duels with the assassins. During the previous attempt, the king saw Sword as honorable, doubting his betrayal of Snow. The king suggests the assassins sacrificed themselves to earn Nameless the king's trust, enabling him to get close and assassinate the king.

In the king's version of the story, Nameless approaches Snow and Sword after staging a battle with Sky. He claims to have mastered a technique to kill anyone within ten paces, including the king. To get close to the king, Nameless needs to present one of their weapons. Snow and Sword argue over who should sacrifice themselves, leading to a brief scuffle where Snow injures Sword. Snow faces Nameless before the Qin army, while Sword, still recovering, watches. Snow is defeated, and Moon later gives Nameless her master's sword, suggesting that the swords of Snow and Sword should remain united even in death.

Nameless admits possessing the special technique the king mentioned but insists the King underestimated Sword. He reveals the technique's dual nature: deadly yet capable of appearing fatal while avoiding vital organs. Nameless used it on Sky, then orchestrated a fake duel with Snow and Sword. Snow agrees, but Sword refuses. Snow accuses Sword of squandering their chance three years prior when he spared the king of Qin during their assault. In anger, she attacks Sword, wounding him with Nameless's aid. The following day, Nameless "kills" Snow before the Qin army.

Later, Sword reveals to Nameless his decision to spare the king, expressing his desire for a unified, peaceful China achievable only through the king's leadership. Sending Nameless to the Qin capital, Sword inscribes "Our Land" (天下) in the sand, urging reconsideration of assassination. Touched by Sword's understanding and the tale, the king overcomes his fear of Nameless. He relinquishes his sword, examines Sword's scroll, and grasps the concept that an ideal warrior should lack the desire to kill. Moved by this wisdom, Nameless abandons his mission, sparing the king.

When Snow discovers that Sword persuaded Nameless to abandon the assassination, she angrily confronts Sword. Sword, refusing to defend himself, hopes Snow will grasp his love for her. However, Snow unintentionally kills Sword. Consumed by grief, Snow commits suicide.

Despite the king's reluctance, he orders Nameless's execution to uphold the law and set an example for national unity. Nameless is honored with a hero's funeral.

Cast

• Jet Li as Nameless (simplified Chinese: 无名; traditional Chinese: 無名; pinyin: Wúmíng)
  A Qin prefect of a small province, orphaned at an early age. Forged into a master swordsman over years of training, Nameless possesses the singular technique "Death at Ten Paces" (十步一殺 Shíbù yīshā) allowing him to strike precisely within that distance. He is the primary conspirator to assassinate the king, but ultimately decides that China's unification and peace are more important than vengeance. Hero also saw Jet Li's first appearance in a film produced by mainland China, after his debut in Shaolin Temple.
• Tony Leung as Broken Sword (simplified Chinese: 残剑; traditional Chinese: 殘劍; pinyin
  : Cánjiàn)
  Broken Sword and Flying Snow are the only assassins to ever infiltrate the king's palace, killing hundreds of his personal guard and very nearly the king himself before halting at the last moment. Of all the assassins, Broken Sword is the only one whom Nameless considers his equal in swordsmanship.
• Maggie Cheung as Flying Snow (simplified Chinese: 飞雪; traditional Chinese: 飛雪; pinyin: Fēixuě)
  A skilled assassin, Flying Snow is Broken Sword's lover and his equal as a swordsman (or close to). She vowed revenge upon the King for killing her father in battle. When Broken Sword convinces Nameless to abandon the assassination attempt on the king, Flying Snow kills him and later herself.
• the King of Qin (Chinese: 秦王; pinyin
  : Qín Wáng)
  An ambitious leader who desires to become the first Emperor of China. Following an assassination attempt, he withdraws into his palace, which he empties of all but his most trusted advisors, and always wears his battle armor.
• Donnie Yen as Long Sky (simplified Chinese: 长空; traditional Chinese: 長空; pinyin: Chángkōng)
  An accomplished spearman, Sky is the first to be "defeated" by Nameless, who takes Sky's broken spear as proof of his defeat to the king.
• Zhang Ziyi as Moon (Chinese: 如月; pinyin: Rúyuè)
  Broken Sword's loyal apprentice, skilled in using twin swords.

Production

Director Zhang Yimou collaborated with Australian cinematographer Christopher Doyle to help realize his plan to divide the film visually into five sections, each dominated by a particular color. Zhang had initially wanted to use different cinematographers and shooting styles, but that proved impractical.^[9]

Doyle compared their story to Rashomon, as it has an unreliable narrator and stories within stories. The film tells different version of the story of how an anonymous hero in ancient China overcomes three rivals. The stories are dominated by the colors red, blue, and white. Red represents desire, possessiveness and jealousy. Blue represents reason and friendship. White represents the balance of reason and desire, the ultimate truth.^[10] The overall framing story is darker with shades of black, and flashbacks are shown in vibrant greens. The colors were chosen for their aesthetic reasons, not symbolic ones, and the colors orange and pink were not considered as options; Doyle was dismissive of universal theories of color, such as those put forward by Italian cinematographer Vittorio Storaro.^[11]

The lake sequences were filmed in the Jiuzhaigou national park in northern Sichuan, China. The desert sequences were shot near the border with Kazakhstan.^[11]

Music

The film was scored by

Hero was first released in China on 24 October 2002. Miramax owned the American-market distribution rights, but delayed the release of the film a total of six times. Import DVDs of the film were sold online and Miramax demanded that the sites cease selling the DVD.^[14]

The movie was finally released in American theaters on 27 August 2004 after intervention by

In the United Kingdom, it was 2013's sixth most-watched foreign-language film on television, with 150,100 viewers on Channel 4.^[17]

Translation of "Tianxia"

There has been some criticism of the film for its American-release translation of one of the central ideas in the film: Tiānxià (天下) which literally means "Under heaven", and is a phrase to mean "the World". For its release in Belgium, two years before the U.S. release, the subtitled translation was "all under heaven". The version shown in American cinemas was localized as the two-word phrase "our land" instead, which seems to denote just the nation of China rather than the whole world. Whether Zhang Yimou intended the film to also have meaning with regard to the world and world unity was at that time difficult to say. Zhang Yimou was asked about the change at a screening in Massachusetts and said it was a problem of translation: "If you ask me if 'Our land' is a good translation, I can't tell you. All translations are handicapped. Every word has different meanings in different cultures."^[18] In Cause: The Birth of Hero—a documentary on the making of Hero—Zhang mentions that he hopes the film will have some contemporary relevance, and that, in the aftermath of the September 11 attacks the themes of universal brotherhood and "peace under heaven" may indeed be interpreted more globally, and taken to refer to peace in "the world."^[19][20] The phrase was later changed in television-release versions of the film.

Reception

Box office

The film opened in China in October 2002. It grossed CN¥100 million within a week, and CN¥243 million in three months.

On Rotten Tomatoes, the film has an approval rating of 94% based on 210 reviews, with an average rating of 8.20/10. The website's critics consensus reads: "With death-defying action sequences and epic historic sweep, Hero offers everything a martial arts fan could ask for."^[26] On Metacritic, the film has a weighted average score of 85 out of 100 based on 42 critics, indicating "universal acclaim".^[27] Audiences surveyed by CinemaScore gave the film a grade "A−" on scale of A to F.^[28]

Roger Ebert called it "beautiful and beguiling, a martial arts extravaganza defining the styles and lives of its fighters within Chinese tradition." He said the film "demonstrates how the martial arts genre transcends action and violence and moves into poetry, ballet and philosophy."^[5] Richard Corliss of Time described the film as being like "Rashomon with a Mandarin accent" and compared the film to House of Flying Daggers, but said "Hero is the masterpiece", adding that "it employs unparalleled visual splendor to show why men must make war to secure the peace and how warriors may find their true destiny as lovers."^[29] Michael Wilmington of the Chicago Tribune called it "swooningly beautiful, furious and thrilling" and "an action movie for the ages."^[30] Charles Taylor of Salon took an especially positive stance, deeming it "one of the most ravishing spectacles the movies have given us".^[31] Manohla Dargis of The New York Times wrote: "Filled with meticulous set pieces, including a showdown between Snow and Moon set among swirls of golden-yellow leaves, Hero is easy on the eyes, but it's too segmented to gather much momentum and too art-directed to convey much urgency." Dargis was impressed by the beauty of the actors and their compelling performances, "whose passions erupt as fiercely as any of the film's fights though often to more devastating effect." She concludes: "less than the sum of its attractive parts, it's nonetheless generally pleasurable."^[20] Derek Elley of Variety called it: "A dazzlingly lensed, highly stylized meditation on heroism."^[9]

Nevertheless, there were several film critics who felt the film had advocated autocracy and reacted with discomfort. J. Hoberman of The Village Voice deemed it to have a "cartoon ideology" and justification for ruthless leadership comparable to Triumph of the Will.^[32] Stephen Hunter of The Washington Post wrote an otherwise positive review, but concluded: "The movie, spectacular as it is, in the end confronts what must be called the tyrant's creed, and declares itself in agreement with the tyrant."^[33][34][9] The "Sixth Generation" movement director Jia Zhangke described the focus of the film as "authority of power" that "for 'harmony in the world,' we should give up individual fights and efforts", and made him uncomfortable.^[35]

The film also has been interpreted as a nuanced investigation into the relationship between culture on one hand, and political or military power on the other. In this approach, the film comments not only on China and its position in the world, but also on the ongoing erasures of languages and cultures under globalization.^[36]

Zhang Yimou himself maintained that he had absolutely no political points to make.^[37]

Accolades

In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films.^[38] Hero was listed at 77th place on this list.^[39]

See also

• House of Flying Daggers
• Jet Li filmography
• List of martial arts films

References

External links

Wikiquote has quotations related to Hero (film).

• Hero at
  IMDb
• Hero at AllMovie
• Hero at LoveHKFilm.com