John LeKay
John LeKay | |
---|---|
Born | 1 June 1961 |
Nationality | British |
Education | Isleworth Polytechnic University |
Known for | Installation art |
Notable work | Spiritus Callidus #2 (Crystal Skull) |
John LeKay (born 1 June 1961) is an English conceptual and installation artist and sculptor, who lives in New York City.[1] In 1993, he began to make skulls covered in crystal: he has accused Damien Hirst of copying this and other ideas.[2] He publishes the web site, heyokamagazine.
Life and work
John LeKay was born in London. He was educated at Isleworth Polytechnic, London in 1977. He moved to New York in 1991. Instead of higher art education, he travelled with a circus and worked at Pinewood Studios.[3]
1983–1986, he created an installation, Non Terrestrial Black Bird of Paradise, consisting of a taxidermied crow, chairs, chicken wire, glasses and photos: this was exhibited at the Bronx Museum.[4]
Inspired by the early work of
In 1990, he held his first solo exhibition, at the Paula Allen Gallery, New York. Exhibits included a
As a sculptor, John Lekay is interested in changing states, viewer participation and a strange, not always comfortable intimacy ... Anyone who thinks all this sounds a bit sophomoric would not be entirely wrong. Nonetheless, these works generate an atmosphere of quietude and heightened awareness, a sense of time passing and things changing, that can engross and bring the buzzing SoHo scene to a momentary halt.[5]
In the early 1990s, LeKay edited an underground magazine entitled Pig,[6] the name referring to a Nostradamus quatrain about men with pig snouts in flying machines and standing for "Politically Incorrect Geniuses".[7] The main contributors were artists, including Rachel Harrison, Dennis Oppenheim, Gretchen Faust, Sean Landers, Rikrit Tiravaneja, Fred Tomaselli and Sue Williams, as well as Young British Artists such as Marcus Harvey, Angus Fairhurst and Damien Hirst.[7]
1990–1994, he made "pour paintings" out of
In 1991, he exhibited in the group show The Interrupted Life at the New Museum of Contemporary Life, New York,
1991–1992, he exhibited at the Feature Gallery and Kenny Schacter Rove Gallery with "sex-pieces", consisting of copulating blow up
Critic Gretchen Faust wrote, "There is a quirky humor underlying the work that reverses without warning into a strange and cutting malevolence".[9] In December that year, in a group show, Fever, at Exit Art in New York, he exhibited a leg brace resting on a three-legged chair.[10]
In April 1993, with a reputation as a "participant in a half-dozen trendy group shows"
Andrew Perchuk in Artforum saw in the display, "psychological disablement, the inability to experience the spiritual amidst the noise of materialism, kitsch, television, and our own laziness. At the same time we feel the oppressive nature of much organized religion, which holds out the promise of spiritual solace to those willing to pay up."[12] He observed "a certain formal elegance", but also that "LeKay attempts to shock, revelling in his obvious poor taste," an example of the latter being Zipperdeedudazipperdeeday, 1991-92, which appropriated the voices of homeless black men.[12] George Melrod in Art in America wrote:
In LeKay's world, damage is omnipresent, every balance is precarious, and every stab at transcendence reeks of kitsch and desperation. For all its calculated melodrama, his work captures something akin to genuine anguish.[11]
LeKay described These Colors Don't Run, 1991-93' (an American flag topping a garbage can) as "a suicide machine" and that he worked "on the fine line where something can be really awful or really beautiful." Damien Hirst interviewed LeKay and the transcript appears in the catalogue for the show.[13] They were both represented by the Cohen Gallery.[14]
In 1993, inspired by
In 1994, he held an exhibition, Delires de L'Ange Neutre ("Delirium of the Neutral Angel"), at the
In 1996, LeKay exhibited with the Kenny Schachter at the third annual Gramercy International Contemporary Art Fair. Described as "tall and rather forbidding", he arrived with a large carton containing a head made from
In January 2005, LeKay started the heyoka magazine.com website, which campaigns against native American poverty and environmental pollution as well as featuring interviews with, amongst others,
Damien Hirst accusations
In 2007, when Damien Hirst exhibited For the Love of God, a platinum cast of a skull with the surface covered with diamonds, LeKay accused Hirst of copying his idea: "When I heard he was doing it, I felt like I was being punched in the gut. When I saw the image online, I felt that a part of me was in the piece. I was a bit shocked."[2] LeKay has stated that he was a friend of Damien Hirst between 1992 and 1994 and shared a mixed show with him.[2] LeKay also stated that Hirst had got other ideas for his work from a "marked-up duplicate copy" of a Carolina Biological Supply Company catalogue, which he had given him. One example was Hirst's work Mother and Child, Divided – a cow and calf cut in half and placed in formaldehyde: "You have no idea how much he got from this catalogue. The Cow Divided is on page 647 – it is a model of a cow divided down the centre, like his piece."[2] Lekay said, "I would like Damien to acknowledge that 'John really did inspire the skull and influenced my work a lot.'"[2]
Solo shows
- 1995 University at Buffalo Art Gallery, Buffalo, NY
- 1994 Kenny Schachter, New York
- 1993 Cohen Gallery, New York
- 1991 Randy Alexander Gallery, New York
- 1990 Paula Allen Gallery, New York
Group shows have included Modern Museum of Art, Lisbon, Cabinet Gallery, London and Metropol Gallery, Austria.[1]
Notes and references
- ^ a b c d "Biography" Archived 2007-09-14 at the Wayback Machine, johnlekay.com. Retrieved 10 December 2007.
- ^ a b c d e f g Alberge, Dalya. "My old friend Damien stole my skull idea", The Times, 27 June 2007. Retrieved 10 December 2007.
- ^ a b Mitchell, Charles Dee "Accommodating Monsters" Archived 2007-09-14 at the Wayback Machine, University at Buffalo Art Gallery/Research Center in Art + Culture, 27 July 1995. Retrieved from johnlekay.com 10 December 2007 (bottom half of the page: click thumbnails).
- ^ a b c d e McKenzie, Elizabeth, and Le Kay, John. "Continued. Interview with Elizabeth McKenzie” Archived 2007-09-16 at the Wayback Machine, johnlekay.com. Retrieved 10 December 2007.
- ^ New York Times, 8 June 1990. Retrieved 10 December 2007.
- ^ a b Dannett, Adrian. "John LeKay – Cohen" Archived 2011-07-13 at the Wayback Machine, Flash Art, November/ December 1993. Retrieved from johnlekay.com, 10 December 2007
- ^ a b c d e McKenzie, Elizabeth, and Le Kay, John. "Interview with Elizabeth McKenzie” Archived 2007-09-14 at the Wayback Machine, johnlekay.com. Retrieved 10 December 2007.
- ^ "The interrupted life" Archived 2007-10-05 at the Wayback Machine, New Museum of Contemporary Art. Retrieved 10 December 2007.
- ^ a b Faust, Gretchen. “Gretchen Faust” Archived 2008-05-01 at the Wayback Machine, ‘’Arts magazine’’, January 1992. Retrieved from johnlekay.com, 10 December 2007.
- ^ Kimmelman, Michael. "Review/Art; Promising Start at a New Location", The New York Times, 18 December 1992. Retrieved 10 December 2007.
- ^ a b c d Melrod, George. "John LeKay at Cohen - New York, New York - Review of Exhibitions" Archived 2007-12-22 at the Wayback Machine, Art in America, November 1993. Retrieved from findarticles.com, 10 December 2007. Also reprinted on johnlekay.com Archived 2007-09-16 at the Wayback Machine.
- ^ a b Perchuk, Andrew. "John Lekay - exhibit at the Cohen Gallery, New York, New York - Reviews" Archived 2007-12-22 at the Wayback Machine, "Artforum", June 1993. Retrieved from findarticles.com, 10 December 2007.
- ^ Hirst, Damien and LeKay, John "Separation of Church and State" Archived 2008-05-06 at the Wayback Machine, Cohen Gallery catalogue, April 1993. Retrieved from johnlekay.com, 10 December 2007.
- ^ "Guide to galleries museums artists – New York State – Directory" Archived 2007-12-21 at the Wayback Machine, Art in America, August 1994. Retrieved from findarticles.com, 14 December 2007.
- ^ Buffalo News, 11 August 1995. Retrieved from johnlekay.com, 10 December 2007.
- ^ Ritchie, Mathew. "John LeKay at Kenny Schachter Gallery New York" Archived 2008-05-06 at the Wayback Machine, Flash Art, January 1995. Retrieved from johnlekay.com, 10 December 2007.
- The Miami Herald, 15 October 1995. Retrieved from johnlekay.com, 14 December 2007.
- ^ Pall, Ellen. "The do-it-yourself dealers", The New York Times, 1 September 1996. Retrieved 14 December 2007.
External links
- John LeKay official site (not working as at 27/11/2013)
- heyokamagazine.com (not working as at 27/11/2013)