Mixcoatl

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Mixcoatl
God of hunting, war and storms
Personification of the
Chimalma (Codex Chimalpopoca)[2]

Centzon Mimixcoa (Codex Ramirez)[3]

Mixcoatl (

Camaxtli, Mixcoatl was worshipped as the central deity of Huejotzingo and Tlaxcala.[5]

Representation

Mixcoatl is represented with a black mask over his eyes and distinctive red and white pin stripes painted on his body. These features are shared with

Tlahuizcalpantecuhtli
, the Lord of the Dawn, god of the morning star, as well as Itzpapalotl, goddess of infant mortality who was sometimes said to be his mother. Unlike Tlahuizcalpanteuctli, Mixcoatl can usually be distinguished by his hunting gear, which included a bow and arrows, and a net or basket for carrying dead game.

Mythology

Mixcoatl was one of four children of

Cihuacoatl, a fertility goddess and the patroness of midwives. Sometimes Mixcoatl was worshipped as the "Red" aspect of the god Tezcatlipoca
, the "Smoking Mirror," who was the god of sorcerers, rulers, and warriors. In one story, Tezcatlipoca transformed himself into Mixcoatl and invented the fire drill by revolving the heavens around their axes, bringing fire to humanity. Along with this cosmic fire drill, Mixcoatl was the first to strike fire with flint. These events made Mixcoatl a god of the Milky Way, along with war, and the hunt.

Mixcoatl was the father of 400 sons, collectively known as the

Centzonmimixcoa, whom, together with his 3 brothers (all different from the ones named above) and their sister, he slew by ambush. Mixcoatl was also thought of as being the father of another important deity, Quetzalcoatl
, the feathered serpent.

Quetzalcoatl's father Mixcoatl was murdered; Quetzalcoatl was informed by Cozcaquauhtli that "the uncles who had killed his father were Apanecatl, Zolton, and Cuilton."[6]

Castle of Teayo, Veracruz
"

Xipetotec, Camaxtle, Mixcoatl or Red Tezcatlipoca

Originally the name of the first son of the creative couple

Xipetotec, 'Our Lord Flayed'. His body is dyed yellow on one side and lined on the other, his face is carved, superficially divided into two parts by a narrow strip that runs from the forehead to the jawbone. His head wears a kind of hood of different colors with tassels that hang down his back. The Tlaxcala myth that refers to Camaxtle, a god identified as Xipe-Totec himself[7]

Camaxtle begins a war against the Shires and defeats them. The war lasts until 1 acatl, when Camaxtle is defeated, after this failure he meets one of the women created by Yayauhqui-Tezcatlipoca, called Chimalma, and with her he conceives five children, one of whom is

Ce Acatl Topiltzin Quetzalcoatl, who governs Tula (Another myth says that it is Yayauhqui-Tezcatlipoca, the enemy who in his invocation of Mixcoatl impregnates Chimalma)[7]

It is difficult to discern if Camaxtle is the same Tlatlauhqui Tezcatlipoca-Xipetotec or Yayauhqui-

Tonacatecuhtli made their children the lords of the heavens and the stars, and the path that Tezcatlipoca and Quetzalcoatl traveled was marked by the Milky Way. And this great nebula was also called Mixcoatl or Iztac-Mixcoatl, 'white cloud snake'[4]

Ilancueye
is nothing more than the personification of the Earth.

Centzon Mimixcoa

In Ce Tecpatl, after the Creation of the Fifth Sun in Teotihuacan, Camaxtle, one of the four gods, ascended to the Eighth Heaven and created four men and one woman to feed the Sun; But barely formed, they fell into the water, they returned to the sky and there was no war, frustrated by this attempt, Camaxtle struck a cane on a rock, and at the blow 400 Chichimecs Mimixcoa[8] sprouted that populated the earth before the Aztecs. Camaxtle was able to do penance on the rock, drawing blood with maguey spikes, tongue and ears, and prayed to the gods that the four men and one woman created in the eighth heaven would come down to kill the barbarians to feed to the Sun.[9]

The four men and one woman created in the Eighth Heaven are the five Mimixcoa who would later sacrifice the 400 Mimixcoa, called

Otomies.[9]

In Ce Tecpatl, the

Mimixcoa were born, their mother Iztac-Chalchiuhtlicue[10] went into a cave (Chicomoztoc or Tlalocan) and gave birth to five other Mimixcoa called Cuauhtlicoauh; Mixcoatl; Cuitlachcihuatl; Tlotepe; and Apantecuhtli. After spending four days in the water, the five Mimixcoa were suckled by Mecitli, who by the text identifies with the Earth Goddess (Tlaltecuhtli or Coatlicue). And immediately the Sun ordered the 400 Mimixcoa; The Sun Tonatiuh gives them arrows and says: "Here it is with what they will serve me to drink, with what they will feed, and a shield. And the precious arrows cast in quetzal t-shirt feathers; in heron rowing feathers; in t-shirt feathers of zacuam; in tlauhquechol t-shirt feathers; and in xiuhtototl t-shirt feathers; and also she, the Earth (Tlaltecuhtli or Coatlicue), who is your mother", but the Centzon Mimixcoa did not do their duty, instead they get drunk on tzihuactli wine - a small maguey and have sex with women. And immediately, the Sun also orders the five who were born last, immediately gives them the maguey arrow and gives them the divine shield. The five Mimixcoa climb a mesquite tree where the 400 discover them, they exclaim: "Who are these who are such as us?", then the five hide in specific places: Cuauhtlicoauh takes shelter in a tree; Mixcoatl on the ground; Tlotepe in the mount; Apantecuhtli in the water; and Cuitlachcihuatl in a court of the Tlachtli ball court. Finally, the Centzon Mimixcoa are defeated by his five younger brothers, who served the Sun Tonatiuh, gave him a drink.[9]

Anciently in the North there was a place of origins called

Ritual associations

), was dedicated to Mixcoatl. The celebration for this month consisted of hunting and feasting in the countryside. The hunters would take the form of Mixcoatl by dressing like him, kindling a new fire to roast the hunted game. Along with these practices, a man and woman would be sacrificed to Mixcoatl at his temple.

Modern associations and references

In modern scientific nomenclature, the names Mixcoatl–Camaxtli have been assigned to:

See also

Notes

  1. ^ .
  2. ^ .
  3. .
  4. ^ .
  5. ^ Miller and Taube (1993, p.115).
  6. ^ Manuscript of 1558, section VIII, in:- Miguel León-Portilla & Earl Shorris : In the Language of Kings. Norton & Co., 2001. p. 62
  7. ^ .
  8. ^ Historia de los Mexicanos por sus pinturas (The History of the Mexicans as Told by Their Paintings; 1941; 216)
  9. ^ .
  10. ^ Leyenda de los Soles (Legend of the Suns; 1945; 122)
  11. .
  12. ^ The Mexica Calendar and the Cronography, Rafael Tena. INAH-Conaculta. p104
  13. ^ .

References