Native Sense - The New Duets

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Native Sense - The New Duets
Ron Moss
Chick Corea chronology
Remembering Bud Powell
(1997)
Native Sense - The New Duets
(1997)
Live at the Blue Note
(1998)
Gary Burton chronology
Departure
(1997)
Native Sense - The New Duets
(1997)
Ástor Piazzolla Reunion
(1998)

Native Sense - The New Duets is an album by vibraphonist Gary Burton and the pianist Chick Corea, released in 1997 on the Concord label. The album is the fourth studio recording by the duo following Crystal Silence (1972), Duet (1978) and Lyric Suite for Sextet (1982). The album peaked number 25 in the Billboard Top Jazz Albums chart.[1]

Reception

The AllMusic review by Richard S. Ginell stated: "This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries".[2]

Professional ratings
Review scores
SourceRating
The Penguin Guide to Jazz Recordings
[3]

Track listing

All compositions by Chick Corea except where noted.

  1. Native Sense" – 6:29
  2. "Love Castle" – 7:25
  3. "Duende" – 8:03
  4. "No Mystery" – 9:05
  5. "Armando's Rhumba" – 3:43
  6. "Bagatelle #6" (Béla Bartók)1:14
  7. "Post Script " – 5:44
  8. "Bagatelle #2" (Béla Bartók)2:46
  9. "Tango '92" – 4:58
  10. "Rhumbata" – 9:34
  11. "Four in One" (Thelonious Monk)5:10

Personnel

Other credits
  • Gildas Boclé – photography
  • Evelyn Brechtlein – production coordination
  • Jordan d'Alessio – assistant engineer
  • Bernie Kirsh – engineer, Mixing
  • Darren Mora – assistant engineer
  • Ron Moss – executive producer
  • Robert Read – assistant engineer
  • Alan Yoshida – mastering

Chart performance

Year Chart Position
1997 Billboard Top Jazz Albums 25[1]

References

  1. ^ a b "Native Sense: The New Duets - Chick Corea | Awards | AllMusic". allmusic.com. Retrieved 25 April 2014. Top Jazz Albums
  2. ^ a b Ginell, Richard S. "Native Sense: The New Duets - Chick Corea | Songs, Reviews, Credits, Awards | AllMusic". allmusic.com. Retrieved 25 April 2014. This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries.
  3. .