Philippe Verdelot
Philippe Verdelot (1480 to 1485–1530 to 1540)
Life
Verdelot was born in Les Loges,
Verdelot is known to have been maestro di cappella at the Baptisterium San Giovanni in Florence from 1523 to 1525; and he seems also to have been employed at the Cathedral there, from 1523 until 1527. In 1526 he collaborated with Niccolò Machiavelli on a production of Machiavelli's famous cynical comedy
In addition to siding with the Florentine Republic, Verdelot was most likely a supporter of martyred reformer Girolamo Savonarola. This is shown by several of his works: his setting of In te domine speravi, based on the psalm which was the subject of that man's last writing before he was burned at the stake; and the use of the tune most closely associated with the monk, Ecce quam bonum, the song which unified his followers during his final conflict, and which appears in the inner voices in Verdelot's motet Letamini in domino. [4]
Verdelot may have been killed in the siege of Florence (1529–1530) or in the simultaneous plague that ravaged the city, since there is no definite evidence that he was alive after 1530.[5] That he was there during the siege has been considered likely on the evidence of one of his motets, composed around that time, Congregati sunt inimici nostri. In this work, texts from Ecclesiasticus are woven together with the Antiphon for Peace, "Da pacem Domine", which is used as a cantus firmus.[5]
Some scholars infer that Verdelot was alive until about 1540, based on some ambiguous references to contemporary events in his works published during the 1530s. Several books of
Music and influence
Verdelot, along with
Verdelot's style balances
Verdelot's madrigals were hugely popular, as can be inferred from their frequency of reprinting and their wide dissemination throughout Europe in the 16th century. He also composed motets and masses.
Works
Verdelot's complete works were published by The American Institute of Musicology (edited by Anne-Marie Bragard).[6]
Madrigaux
- Benché ’l misero cor
- Con lagrime e sospir
- Divini occhi sereni
- Donna leggiadra et bella
- I vostr'acuti dardi
- Italia mia bench'il parlar
- Madonna il tuo bel viso
- Madonna per voi ardo
- Per altri monti
- Perche piu acerba
- Seule demeure et despourveue
Motets
- Beata es Virgo Maria
- Congregati sunt inimici nostri
- Si bona suscepimus
Messes
- Missa Philomna
- Missa La Gloria del Dixit Dominus
Hymnes
- Hymno della Natività di Christo
- Hymno della Resurrectione di Christo
- Hymno dell'archangelo Rafaelo
- Hymno dei confessori
- Hymno del corpo di Christo
- Hymno di San Niccolo
- Hymno della Epiphania
- Hymno della Ascensione
- Hymno della Virgine
Magnificat
- Magnificat sexti toni
References and further reading
- ISBN 0-393-09530-4
- Patrick Macey, Bonfire Songs: Savonarola's Musical Legacy. Oxford, Clarendon Press. 1998. ISBN 0-19-816669-9
- The Concise Edition of Baker's Biographical Dictionary of Musicians, 8th ed. Revised by Nicolas Slonimsky. New York, Schirmer Books, 1993. ISBN 0-02-872416-X
- H. Colin Slim/Stefano La Via: "Philippe Verdelot", Grove Music Online, ed. L. Macy (Accessed July 28, 2006), (subscription access)
- ISBN 0-520-23493-6
Notes
- ^ Donald Lee Hersh (1963). Verdelot and the Early Madrigal: Text. D.L. Hersh. p. 587.
- ISBN 978-0-442-27004-9.
- ^ McClary, 38–56.
- ^ Macey, 23.
- ^ a b Gangwere, p. 250.
- ^ Philippe Verdelot
External links
- Free scores by Philippe Verdelot in the Choral Public Domain Library (ChoralWiki)
- Free scores by Philippe Verdelot at the International Music Score Library Project (IMSLP)