Principal Edwards Magic Theatre
This article needs additional citations for verification. (February 2015) |
Principal Edwards Magic Theatre | |
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Origin | Exeter, England |
Genres | |
Years active | 1968–1971 (as P.E.Magic Theatre) 1972–1974 (as Principal Edwards) |
Labels | Dandelion Deram |
Past members | Principal Edwards Magic Theatre: Root Cartwright Belinda "Bindy" Bourquin David Jones Lyn Edwards Terry Budd Roger Swallow Jeremy Ensor Joe Read Martin Stellman Vivienne McAuliffe Eva Darlow Monica Nettles John McMahon Hill Gillian Hadley Les Adey Michael "Harry" Housman Chris Runciman Principal Edwards: Root Cartwright Belinda "Bindy" Bourquin David Jones Geoff Nicholls Richard Jones Nick Pallett |
Website | http://www.principaledwards.com/ |
Principal Edwards Magic Theatre was an English performance art collective in the United Kingdom made up of about 14 musicians, poets, dancers, and sound and lighting technicians. It existed between 1968 and 1971, after which core members formed a more conventional rock band under the shortened name Principal Edwards.
Formation
The collective was formed by students at the
Principal Edwards Magic Theatre, 1968–71
Their first public performance was at an event called "Dance of Words" organised by students (one of whom was Jeremy Ensor) in Portsmouth and hosted by John Peel in May 1968, which also featured Fairport Convention, Free, Tyrannosaurus Rex, Alexis Korner, Gary Farr, Pete Brown's Poetry Band with John McLaughlin on guitar, and poets Brian Patten and Michael Horowitz. They were signed by Korner's management team and, with Peel's active support, performed at similar events and gigs in London and elsewhere, sharing bills with Pink Floyd, The Fugs, Family, Free, King Crimson, Yes, Deep Purple, Elton John, Ten Years After and others. The group were the first to be signed to Peel's Dandelion Records; though the label's co-founder Clive Selwood later described them as "the most pretentious act I have ever come across", and Peel's radio producer John Walters described them as "incorporating all kinds of arty-farty nonsense"; and performed at the first Bath Festival of Blues in June 1969.[3]
They released their first
With their education conflicting with their musical activities, members left their studies at Exeter and moved together into a large farmhouse/commune
They won a residency at the
Principal Edwards, 1972–74
In early 1972, the core trio of Root Cartwright, Belinda Bourquin and David Jones, formed a new more rock-oriented band, with the abbreviated name of Principal Edwards.[2] They were joined by musicians Richard Jones (bass, previously of the Climax Blues Band), Nick Pallett (guitar, vocals), and Geoff Nicholls (drums).[2] Over the next three years they mounted three complete stage musicals, touring around the country; King of Changes; Stone Age Sam; and The Glass White Gangster. They were managed by Miles Copeland, and signed to Deram Records, who released their album Round One, again produced by Nick Mason, in 1974.[2] However, the album was not a commercial success. After recording some more material, not released at the time but issued by Cherry Red Records in 2008 as The Devon Tapes, the band broke up.[3]
Life after Principal Edwards
Since the 1970s, members' fortunes have varied greatly. Singer Martin Stellman directed Denzel Washington in For Queen and Country; David Jones ran a community centre; and Root Cartwright became a gardener and photographic artist. Bindy Bourquin and Richard Jones married and both went into teaching. Jones plays in two bands: The Climax Ceilidh Band and Meridian. Nick Pallet and Geoff Nicholls played Twang and Bongo on Animal Kwackers,[5] a British children's programme similar to The Banana Splits, which would also feature Tony Hannaford from G.T. Moore and the Reggae Guitars as Boots, with all three ending up in the EMI/Cobra-signed act Electrotunes in 1980.[6][7]
Lyn Edwards worked extensively in theatre, as well as children's television (
Chris Runciman is still on the road as a tour manager/production manager, and sound and lights engineer for, amongst others, Jackson Browne, Steve Earle, and James Taylor. In recent years he worked as a technical consultant to Sir George Martin in Montserrat, helping design and then managing the Montserrat Cultural Centre.
Les Adey was the lighting technician for Genesis.
Serious illness and breakdowns have befallen some of the other former members. Dancers John McMahon Hill, Vivienne McAuliffe and Les Adey are deceased.
Discography
As Principal Edwards Magic Theatre
- "Ballad (Of The Big Girl Now And A Mere Boy)" / "Lament For The Earth" (1969) Single, Dandelion Records
- Soundtrack (1969) LP, Dandelion Records
- The Asmoto Running Band (1971) LP, Dandelion Records - Produced by Nick Mason of Pink Floyd
- Round One Principal' (1974) LP, Dandelion Records - Produced by Nick Mason of Pink Floyd
- (The track "The Asmoto Running Band" also appeared on an untitled sampler). (1971) EP, Dandelion Records
- Soundtrack / The Asmoto Running Band (1994) See For Miles Records
- (The track "Autumn Lady Dancing Song" from The Asmoto Running Band is omitted from this CD).
- Soundtrack (2006)
- (The "Ballad..." / "Lament for the Earth" single featured as bonus tracks on this CD).
- The Asmoto Running Band (2006)
As Principal Edwards
- Round One (1974) LP, Deram
- "Captain Lifeboy" / "Nothing" (1973) single, Deram
- "Weekdaze" / "The Whizzmore Kid" (1973) single, Deram
Other song titles
- "The Kettering Song"
- "Enigmatic Insomniac Machine"
- "The Death of Don Quixote"
- "Freef(R')All"
- "Weirdsong of Breaking Through at Last"
References
- ^ a b c Principal Edwards Magic Theatre biography, Prog Rock Archives. Retrieved 28 August 2016
- ^ ISBN 0-85112-939-0.
- ^ a b c d e f Heatley, Michael (August 2016). "The Principal Pleasure". Record Collector. Diamond Publishing Ltd.
- ^ a b Biography at Allmusic. Retrieved 28 August 2016
- ^ "Animal Kwackers -A Very Strange Pop Music Primer for 1970s Kids". 4 November 2019.
- ^ https://worldradiohistory.com/UK/Music-Week/1979/Music-Week-1979-10-06.pdf [bare URL PDF]
- ^ Electrotunes - "If This Ain't Love" b/w "Bodywork", written by Tony Hannaford. Cobra/EMI Records 1980, catalogue number: COB 5