Ryūsei Kishida
Ryūsei Kishida | |
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Born | Tokyo, Japan | June 23, 1891
Died | December 20, 1929 | (aged 38)
Nationality | Japanese |
Known for | Painter |
Movement | Yōga |
Ryūsei Kishida (岸田 劉生, Kishida Ryūsei, June 23, 1891 – December 20, 1929) was a
Biography
Kishida was born in the Ginza district of Tokyo in 1891, the son of Kishida Ginkō, a noted journalist who once assisted James Curtis Hepburn compile his Japanese-English dictionary. Kishida left school in 1908 to study Western-style art under Kuroda Seiki at his Hakubakai studio. He began exhibiting his works at the government’s annual Bunten exhibition in 1910.
While his earliest works reflect the
From around 1917, Kishida relocated his residence to the seaside Kugenuma neighborhood of Fujisawa, Kanagawa, near the summer home of his friend Mushanokōji. He also began to incorporate the techniques of northern European Renaissance artists such as Albrecht Dürer and Van Eyck into realistic portraiture, but did not directly copy their styles. During this period, he painted his famous series of paintings of his daughter Reiko, which combine photographic realism with almost surreal decorative elements, which exhibit the tension between expressionism and technique. His famous Kiritōshi no shasei, also painted near this time realistically depicts a path through a hill. However, it is not[2] an actual path that Kishida viewed and painted, but is a “universal scene” which could be set anywhere in the world, at any point in time.[3]
In the early 1920s, Kishida suddenly expressed a new interest for
In 1929, sponsored by the
After his death, two of his paintings were designated
In December 2000, one of his portraits Reiko a shawl on her shoulders was sold for 360 million
Portrait of Reiko Sitting | |
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Hakone, Kanagawa |
Noted works
- A Road Cut Through a Hill (道路と土手と塀(切通之写生)), 1915, Tokyo National Museum of Modern Art, National Important Cultural Property [1]
- Portrait of Reiko, age 5 (麗子肖像(麗子五歳之像)), 1918, Tokyo National Museum of Modern Art [2]
- Reiko laughing (麗子微笑), 1921, Tokyo National Museum, National Important Cultural Property
Gallery
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A Road Cut Through a Hill (1915)
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Camellias (c. 1924)
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Woman with a Pumpkin (1914)
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The Ginza (1911)
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An Apple on Top of a Pot (1916)
References
- ^ Burghaus, International Futurism in Arts and Literature. Page 251
- ^ Actually, it is a real path, at Yoyogi (Tokyo). See Catalogue Kishida Ryusei 2001, page 51.
- ^ Kato, Shuichi, Japan:Spirit and Form. Page 248
- ^ "Artists of Shunyo-kai: Celebrating Its 100th Anniversary". Tokyo Station. Retrieved 2023-09-20.
- ^ Kita, The Last Tosa. page.57
- ^ Goodwin, The International Art markets. Page. 213
- Berghaus, Günter. International Futurism in Arts and Literature. Walter de Gruyter (2000) ISBN 3-11-015681-4
- Goodwin, James. The International Art Markets: The Essential Guide for Collectors and Investors. Kogan Page (2008). ISBN 0-7494-4835-0
- Kato, Shuichi, Japan:Spirit and Form. Tuttle Publishing (1994) ISBN 0-8048-1969-6
- Kita, Sandy. The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e. University of Hawaii Press, (1999) ISBN 0-8248-1826-1
- Kitazawa, Noriaki. Kishida Ryūsei to Taishō avangyarudo. Iwanami Shoten (1993) ISBN 4-00-003728-5
- Weisenfeld, Gennifer, MAVO: Japanese Artists and the Avant-Garde, 1905–1931. University of California Press (2001). ISBN 0-520-22338-1