Song Car-Tunes

Source: Wikipedia, the free encyclopedia.

Ko-Ko Song Car-Tunes, Song Car-Tunes, or (as some sources erroneously say) Sound Car-Tunes, is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the "Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The Song Car-Tunes also pioneered the application of sound film to animation.

History

47 Song Car-tunes were produced and released between 1924 and 1927.

Lee DeForest. The remaining 31 titles were released silent, designed to be played with live music in theaters.[2]

The Fleischer brothers partnered with DeForest, Edwin Miles Fadiman, and Dr.

Cleveland, Ohio. In September 1926, the U.S. division of DeForest Phonofilm and Red Seal Pictures Corporation filed for bankruptcy, and the Fleischers ended their use of the Phonofilm system, releasing their last sound Song Car-Tune, By the Light of the Silvery Moon (1927), just as the sound era was about to begin. In early 1929, the Fleischers signed a Paramount Pictures
contract. Former Fleischer partner, Alfred Weiss re-released some of the silent Song Car-Tunes between 1929 and 1932 with new soundtracks, new animation, and new main titles that exploited the reputation of the popular song films with the elimination of the names of Max and Dave Fleischer.

With the sound era established, the Fleischers revived the song film series as

Inkwell Studios
, the "Bouncing Ball" was retained. This new series ran a full seven minutes, with more animation than the early Song Car-Tunes, built around the theme of the featured song.

The first films in the new series used standards such as

The Sidewalks of New York (released on 5 February 1929) and Old Black Joe. The series continued with new productions of songs previously released in the earlier series, such as Daisy Bell, Good Bye, My Lady Love, Mother Pin a Rose On Me, Oh! How I Hate to Get Up in the Morning, and Come Take a Trip in My Airship, released by Paramount Pictures
for nine years.

Many of the Screen Songs featured popular stars of stage, radio, and records such as

big bands of the "Swing Era", such as Abe Lyman, Shep Fields, Gus Arnheim, Hal Kemp, Jack Denny, Vincent Lopez, Henry King, Jay Freeman, Jerry Baline, Bert Block, Frank Dailey, and Jimmy Dorsey
.

The "Screen Songs" concept was revised in a special edition of the

Sing Along With Mitch
with the cartoon Hobo's Holiday.

The concept of the "Bouncing Ball" has become such an established cultural icon, that it has been used in television commercials to sell all sorts of products from sleeping tablets to cat food. Just before retiring in 1968, Dave Fleischer used a form of the "Bouncing Ball" for the ending of Thoroughly Modern Millie where he shot cutout animation to "bounce" the head of Beatrice Lillie over the lyrics to the title song.[3]

List of Song Car-Tunes

Cinephone
were released independently by Alfred Weiss.

1924

  • Come Take a Trip in My Airship (1924) (silent; sound re-issue)
  • Goodbye My Lady Love (June 1924) (sound)[4]
  • Oh Mabel (May 1924) (sound)[5]

1925

1926

See also

References

Sources

  • Leonard Maltin, Of Mice and Magic: A History of the American Animated Film (1980, revised 1987)
  • Richard Fleischer, Out of the Inkwell: Max Fleischer and the Animation Revolution (2005)
  • Ray Pointer, Max Fleischer's Ko-Ko Song Car-tunes (with the Famous Bouncing Ball) DVD (2002)