Alexander's Ragtime Band
"Alexander's Ragtime Band" | |
---|---|
![]() Cover of 1911 sheet music by artist John Frew[1] | |
Single by Arthur Collins & Byron G. Harlan | |
Language | English |
A-side | "Ocean Roll" by Eddie Morton[2] |
Released | March 18, 1911[3] (sheet music registration) |
Recorded | May 23, 1911[4] (phonograph recording) |
Studio | Victor Records |
Venue | Camden, New Jersey |
Genre | |
Length | 3:03[4] |
Label | Victor 16908[4] |
Songwriter(s) | Irving Berlin |
"Alexander's Ragtime Band" is a
Emma Carus, a famous contralto renowned for her high lung power, introduced Berlin's song to the public in Spring 1911.[10] Carus' brassy performance of "Alexander's Ragtime Band" at the American Music Hall in Chicago on April 18, 1911, electrified the audience,[10] and she toured other metropolises such as Detroit and New York City with acclaimed performances that featured the catchy tune.[10] Carus' tour showcased the song in the United States and contributed to its immense popularity.[11]
Amid the success of Carus' national tour, the comedic duo of Arthur Collins and Byron G. Harlan released a phonograph recording of the song on May 23, 1911, which became the best-selling record in the United States for ten consecutive weeks.[3] Soon after, Berlin's jaunty melody "sold a million copies of sheet music in 1911, then another million in 1912, and continued to sell for years afterwards," and it became "the number one song from October 1911 through January 1912."[11] Although not a traditional ragtime song,[6] Berlin's composition kickstarted a ragtime jubilee—a belated celebration of the music which African-Americans had originated a decade prior in the 1890s.[12] The positive international reception of "Alexander's Ragtime Band" led to a musical and dance revival known as "the ragtime craze".[13]
Nearly two decades later, singer
History
Composition and difficulties
In March 1911, the
A tireless
By the next day, Berlin completed four pages of notes for the
Undaunted by the lackluster response, Berlin submitted the song to
Fortunately for Berlin, vaudeville singer and baritone Emma Carus liked his humorous composition, and she introduced the song on April 18, 1911, at the American Music Hall in Chicago.[10] She next embarked on a tour of the Midwest in Spring 1911.[10] Consequently, music historians credit Carus for showcasing the song to the country and helping contribute to its immense popularity.[11] In gratitude, Berlin credited Carus on the cover of the sheet music.[11] The catchy song became indelibly linked with Carus in the public consciousness, although rival performers such as Al Jolson later co-opted the hit tune.[29]
Amid the success of Carus' national tour, the comedic duo of
Cultural sensation
"In a few days, 'Alexander's Ragtime Band' will be whistled on the streets and played in the cafés. It is the most meritorious addition to the list of popular songs introduced this season. The vivacious comedienne [Emma Carus] had her audience singing the choruses with her, and those who did not sing, whistled."
—The New York Sun, May 1911[10]
Although neither Irving Berlin's first commercial hit nor his first composition to attract international attention, "Alexander's Ragtime Band" nevertheless catapulted Berlin's career.
Although not a traditional ragtime song,[6] Berlin's jaunty composition kickstarted a ragtime jubilee—a belated popular celebration of the musical style which African-American composers such as Scott Joplin had originated a decade earlier in the 1890s.[c] The positive international reception of "Alexander's Ragtime Band" in 1911 led to a musical and dance revival known as "the ragtime craze".[13]
At the time, ragtime music caught "its
In every
castanets, and Venice has forgotten her barcarolles. Ragtime has swept like a whirlwind over the earth.[40]
Writers such as
Hearing of such behavior, commentators diagnosed such individuals as "bitten by the ragtime bug" and behaving like "a dog with
Continued popularity
As the years passed, Berlin's "Alexander's Ragtime Band" had many recurrent manifestations as many artists covered it:
Reflecting decades later upon the song's unlikely success, Berlin confessed his amazement at its immediate global acclaim and continued popularity.[47] He ascribed its unexpected success to the farcical and silly lyrics which were "fundamentally right" and "started the heels and shoulders of all America and a good section of Europe to rocking."[47]
In 1937,
During press interviews promoting the film prior to its premiere, Berlin decried articles by the American press which painted ragtime as jazz's forerunner.[50] Berlin stated: "Ragtime really shouldn't be called 'the forerunner of jazz' or 'the father of jazz' because, as everyone will tell when they hear some of the old rags, ragtime and jazz are the same."[50]
Released on August 5, 1938, Alexander's Ragtime Band starring
Alleged plagiarism
![](http://upload.wikimedia.org/wikipedia/commons/c/ca/Scott_Joplin_19072.jpg)
There are allegations that Berlin purloined the melody for "Alexander's Ragtime Band" (in particular, the four notes of "oh, ma honey") from drafts of "Mayflower Rag" and "A Real Slow Drag" by prolific composer Scott Joplin.[55] Berlin and Joplin were acquaintances in New York, and Berlin had opportunities to hear Joplin's scores prior to publication.[56] At the time, "one of Berlin's functions at the Ted Snyder Music Company was to be on the lookout for publishable music by other composers."[56]
Allegedly, Berlin "heard Joplin's music in one of the offices, played by a staff musician (since Berlin could not read music) or by Joplin himself."[56] According to one account:
Joplin took some music to Irving Berlin, and Berlin kept it for some time. Joplin went back and Berlin said he couldn't use [the song]. When "Alexander's Ragtime Band" came out, Joplin said, "That's my tune."[45]
Joplin's
There were also rumors heard throughout Tin Pan Alley to the effect that Alexander's Ragtime Band had actually been written by a black man, and even a quarter-century later [composer]
W.C. Handy told an audience that "Irving Berlin got all his ideas and most of his music from the late Scott Joplin." Berlin was aware of the rumors and addressed the issue in a magazine interview in 1916.[58]
For the next half-century, Berlin was incensed by the allegation that a "'black boy' [sic] had written 'Alexander's Ragtime Band'."[59] Responding to his detractors, Berlin stated: "If a negro could write 'Alexander,' why couldn't I? ... If they could produce the negro and he had another hit like 'Alexander' in his system, I would choke it out of him and give him twenty thousands dollars in the bargain."[60] In 1914, Berlin referenced the allegation in the lyrics of his composition "He's A Rag Picker."[59] The song features a verse in which a "black character" named Mose claims authorship of "Alexander's Ragtime Band."[59]
Lyrical implications
![](http://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/38px-Wikisource-logo.svg.png)
Although the 1911 sheet music cover drawn by artist John Frew depicts the band's musicians as either
For example, an often-omitted and risqué second verse identifies the race of Alexander's clarinet player:[62]
Sheet music
-
Page 1
-
Page 2
-
Page 3
-
Page 4
-
Page 5
Recorded versions
Bessie Smith and Her Blue Boys recorded Alexander's Ragtime Band on Columbia Records in 1927.
Release | Performer | Vocalist | Recording date | Album | Label | Source |
---|---|---|---|---|---|---|
1911 | Collins & Harlan | Arthur Collins & Byron G. Harlan | May 23, 1911 | The Oceana Roll/Alexander’s Ragtime Band (Single) | [64] | |
1935 | The Boswell Sisters | The Boswell Sisters | 1935 | (Single) | ||
1936 | Benny Goodman & His Orchestra | instrumental | October 7, 1936 | (Single) | [65] | |
1937 | Louis Armstrong & His Orchestra | Louis Armstrong | 1937 | (Single) | ||
1938 | Connie Boswell with Victor Young & His Orchestra |
Bing Crosby & Connie Boswell | January 26, 1938 | (Single) | ||
1948 | The Andrews Sisters with Vic Schoen & His Orchestra | The Andrews Sisters | May 1948 | Irving Berlin Songs | Decca | |
1958 | Ella Fitzgerald | Ella Fitzgerald | March 19, 1958 | Ella Fitzgerald Sings the Irving Berlin Song Book | Verve | |
1959 | Ray Charles | Ray Charles | June 23, 1959 | The Genius of Ray Charles | Atlantic | |
1962 | King Curtis | instrumental | February 15, 1962 | Doing the Dixie Twist | Tru-Sound | |
1967 | Julie London | Julie London | 1967 | With Body & Soul | Liberty | |
1973 | Smacka Fitzgibbon | Smacka Fitzgibbon | August 1973 | Smacka's Party Album |
See also
- Ragtime
- Scott Joplin
- List of pre-1920 jazz standards
- When Alexander Takes His Ragtime Band to France
- List of best-selling sheet music
References
Notes
- ^ Hamm 2012, p. 38: "'Alexander's Ragtime Band' was not Irving Berlin's first commercial hit; a dozen or more of his songs had chalked up substantial sheet music sales before it was published early in 1911. It was not his first song to attract international attention."
- ^ Freudian subtext: 'For lawdy sake [the female character sang], don't dare to go, / My pet, I love you yet, / And then besides, I love your clarinet."
- New York Age, Scott Joplin asserted that there had been "ragtime music in America ever since the Negro race has been here, but the white people took no notice of it until about twenty years ago [in the 1890s]."[12]
Citations
- ^ a b Hamm 2012, pp. 47–48.
- ^ Ruhlmann 2005, p. 24.
- ^ a b c Ruhlmann 2005, p. 23.
- ^ a b c Library of Congress.
- ^ a b Furia & Patterson 2016, p. 73; Furia 1992, p. 49.
- ^ a b c Furia 1992, p. 49; Corliss 2001.
- ^ a b Kaplan 2020, pp. 40–41; Giddins 1998, p. 41.
- ^ a b Kaplan 2020, pp. 40–41.
- ^ a b Streissguth 2011, p. 30; Fuld 2000, p. 91; Freedland 1988, p. 65.
- ^ a b c d e f Jablonski 2012, p. 34.
- ^ a b c d e f Furia & Patterson 2016, p. 73.
- ^ a b Joplin interview 1913.
- ^ a b Golden 2007, p. 56; Furia 1992, p. 49.
- ^ Furia & Patterson 2016, p. 73; Corliss 2001.
- ^ a b Boswell Sisters 1934.
- ^ Nugent 1938, p. 7.
- ^ Bergreen 1990, p. 67; Hamm 2012, p. 43; Corliss 2001.
- ^ a b c d e f g h i j Corliss 2001.
- ^ a b c Jablonski 2012, p. 31.
- ^ Jablonski 2012, p. 29.
- ^ Hamm 2012, p. 49.
- ^ Jablonski 2012, p. 32; Ruhlmann 2005, p. 23.
- ^ Hamm 2012, p. 48; Fuld 2000, p. 91.
- ^ Giddins 1998, p. 41; Jablonski 2012, p. 33.
- ^ a b c Jablonski 2012, p. 33.
- ^ a b Furia 1992, p. 49.
- ^ a b Jablonski 2012, p. 33; Hamm 2012, p. 51.
- ^ Jablonski 2012, p. 33; Hamm 2012, p. 49.
- ^ Bergreen 1990, p. 67.
- ^ Jablonski 2012, p. 33; Hamm 2012, p. 48.
- ^ Jablonski 2012, pp. 33–34.
- ^ Bergreen 1990, p. 68.
- ^ Giddins 1998, p. 31; Golden 2007, p. 54.
- ^ Giddins 1998, p. 31.
- ^ Jablonski 2012, p. 36.
- ^ Golden 2007, p. 54.
- ^ Golden 2007, p. 51.
- ^ Golden 2007, p. 51; Furia 1992, p. 49.
- ^ Golden 2007, pp. 51–54; Furia 1992, p. 50; Jablonski 2012, p. 31.
- ^ Golden 2007, p. 56.
- ^ a b Whitcomb 1988, pp. 183–184.
- ^ Whitcomb 1988, pp. 183–184; Jablonski 2012, p. 35.
- ^ Golden 2007, pp. 52–53.
- ^ Golden 2007, p. 52.
- ^ a b c d Hamm 2012, p. 43.
- ^ Lantz 2004.
- ^ a b Bergreen 1990, p. 69.
- ^ Nugent 1938, p. 7; Dieckhaus 1946.
- ^ The New York Times 1938, p. 126; Nugent 1938, p. 7; Dieckhaus 1946.
- ^ a b The New York Times 1938, p. 126.
- ^ Nugent 1938, p. 7; The New York Times 1944, p. 37; The New York Times 1938, p. 126.
- ^ a b c The New York Times 1944, p. 37.
- ^ The New York Times 1944, p. 37; Dieckhaus 1946.
- ^ Dieckhaus 1946.
- ^ Berlin 2016, p. 253; Hamm 2012, pp. 43–44; Ruhling & Levine 2017.
- ^ a b c Hamm 2012, p. 44.
- ^ Ruhling & Levine 2017.
- ^ Berlin 2016, p. 253.
- ^ a b c Hamm 2012, p. 47.
- ^ Berlin 2016, p. 254; Hamm 2012, p. 43.
- ^ Furia 1992, p. 49; Hamm 2012, p. 47; Herder 1998, p. 6.
- ^ Kaplan 2020, p. 41; Herder 1998, p. 6.
- ^ Herder 1998, p. 6.
- ^ Alexander's Ragtime Band by Collins and Harlan, Secondhandsongs.com.
- ^ Alexander's Ragtime Band by Benny Goodman and His Orchestra, Secondhandsongs.com.
Works cited
- "Alexander's Ragtime Band (2011) by Collins and Harlan". Library of Congress. Washington, D.C. Retrieved April 8, 2020.
- Berlin, Edward A. (2016) [1994]. King of Ragtime: Scott Joplin and His Era. Oxford, United Kingdom: ISBN 978-0-19-974032-1– via Google Books.
- ISBN 978-0-7867-5252-2– via Internet Archive.
- Corliss, Richard (December 24, 2001). "That Old Christmas Feeling: Irving America". Time. New York. Retrieved April 3, 2020.
- Freedland, Michael (1988). A Salute to Irving Berlin. Singapore: ISBN 978-1-55736-084-7– via Google Books.
- Fuld, James J. (2000). The Book of World-famous Music: Classical, Popular, and Folk (Fifth ed.). New York: ISBN 0-486-41475-2– via Google Books.
- ISBN 978-0-19-939188-2– via Google Books.
- ISBN 978-0-19-802288-6– via Google Books.
- ISBN 978-0-19-513241-0– via Google Books.
- ISBN 978-0-8131-2459-9– via Internet Archive.
- ISBN 978-0-19-538374-4– via Google Books.
- Herder, Ronald, ed. (1998). "Alexander's Ragtime Band". 500 Best-Loved Song Lyrics. Mineola, New York: ISBN 0-486-29725-X– via Google Books.
- ISBN 978-0-19-538374-4– via Google Books.
- ISBN 978-0-300-18048-0– via Google Books.
- Lantz, Walter (2004). "The Walter Lantz Cartune Encyclopedia: 1930". The Walter Lantz Cartune Encyclopedia. Archived from the original on May 14, 2011. Retrieved April 24, 2011.
- Nugent, Frank S. (August 6, 1938). "The Roxy Plays Host to 'Alexander's Ragtime Band,' a Twentieth Century Tribute to Irving Berlin". The New York Times. New York. p. 7. Retrieved April 8, 2020.
- "Plagiarism Suit Upheld: Federal Court Rules on the Film 'Alexander's Ragtime Band'". The New York Times. New York. March 5, 1944. p. 37. Retrieved April 8, 2020.
- Ruhling, Nancy A.; Levine, Alexandra S. (May 23, 2017). "Remembering Scott Joplin". The New York Times. New York. Retrieved April 8, 2020.
- Ruhlmann, William (2005) [2004]. "The 1910s". Breaking Records: 100 Years of Hits. New York & London: ISBN 0-415-94305-1– via Google Books.
- Streissguth, Tom (2011). Say It with Music: A Story about Irving Berlin. Minneapolis, Minnesota: ISBN 978-0-87614-810-5– via Google Books.
- "That Ragtime Jubilee". The New York Times. New York. July 31, 1938. p. 126. Retrieved April 8, 2020.
- "Theatrical Comment: Use of Vulgar Words a Detriment to Ragtime". New York Age. New York. April 3, 1913. p. 6.
- 78-rpm record). New York: Brunswick Records. Retrieved April 8, 2020 – via Internet Archive.
- "Twentieth Century-Fox Film Corp. v. Dieckhaus". St. Louis, Missouri: United States Court of Appeals for the Eighth Circuit. March 25, 1946. Retrieved April 8, 2020 – via CaseText.com.
- ISBN 978-0-7126-1664-5– via Internet Archive.
External links
![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- "Alexander's Ragtime Band" (Centennial Tribute)
- "Alexander's Ragtime Band" Sheet Music (David M. Rubenstein Manuscript Library)
- "Alexander's Ragtime Band" by Billy Murray (Cylinder Preservation and Digitization Project)