Suzanne Lilar

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Suzanne Lilar
Suzanne Lilar in the 1980s
Suzanne Lilar in the 1980s
Born
Suzanne Verbist

(1901-05-21)21 May 1901
Died11 December 1992(1992-12-11) (aged 91)
Brussels, Belgium
NationalityBelgian
Occupation(s)essayist, novelist, playwright

essayist, novelist, and playwright writing in French. She was the wife of the Belgian Minister of Justice Albert Lilar and mother of the writer Françoise Mallet-Joris
and the art historian Marie Fredericq-Lilar.

She was a member of the Royal Academy of French Language and Literature from 1952 to 1992.

Life

Lilar's mother was a

art historian Marie Fredericq-Lilar (born 1934). After the death of her husband in 1976, she left Antwerp and relocated to Brussels
in 1977.

Education

Suzanne Lilar by Charles Leirens, signed, 1950's

In 1919 Lilar attended the

novels. Lilar's historico-cultural insight, her analysis of consciousness and emotion, her search for beauty and love
are at the same time current and timeless.

Literary career

Applying a strong intellect to her work through precise language, she was a thoroughly modern writer and

). In 1956 Lilar succeeds Gustave Van Zype as member of the Royal Academy of French Language and Literature. Her oeuvre has been translated in numerous languages.

Early work

Lilar began her literary career as a

theological drama set in a 14th-century convent, and Le Roi lépreux (1951), a neo-Pirandellian play about the Crusades
.

Critical essays

Her earliest

Androgyne or homosexuality in Ancient Greece, Lilar meditates on the role of the woman in conjugal love throughout the ages. Translated into Dutch in 1976, it includes an afterword by Marnix Gijsen. In the same vein she later wrote critical essays on Jean-Paul Sartre (À propos de Sartre et de l'amour, 1967) and Simone de Beauvoir
(Le Malentendu du Deuxième Sexe, 1969).

Autobiographical works, novels

Lilar wrote two

neoplatonic idealization of love filtered through personal experience. The Belgian director André Delvaux recreated this novel on film as Benvenuta
in 1983, transposed as an intense examination of a tortured but exalted relationship between a young Belgian woman and her Italian lover. Les Moments merveilleux and Journal en partie double, I & II were published as part of Cahiers Suzanne Lilar (1986).

Select bibliography

Literary awards

Select critical works

Interview

  • Une enfance gantoise – Une interview de Madame Suzanne Lilar In Le Rail, 1977(2): 23–27

References

External links

Media related to Suzanne Lilar at Wikimedia Commons