The Wolverine (soundtrack)

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The Wolverine: Original Motion Picture Soundtrack
Sony Classical
Producer
X-Men soundtrack chronology
X-Men: First Class
(2011)
The Wolverine
(2013)
X-Men: Days of Future Past
(2014)
Marco Beltrami chronology
World War Z
(2013)
The Wolverine
(2013)
Carrie
(2013)

The Wolverine (Original Motion Picture Soundtrack) is the soundtrack album to the 2013

sequel to X-Men: The Last Stand (2006). The film's musical score is composed by Marco Beltrami, who previously scored Mangold's 3:10 to Yuma
(2007).

The score was performed by an 85-piece ensemble of the

Spaghetti Western music rather than traditional Japanese score, leading Beltrami to experiment with the instruments. The album was released by Sony Classical Records
on July 23, 2013 and received positive reviews from critics.

Development

In September 2012, Marco Beltrami, announced that he had signed on to score for The Wolverine.[3] Beltrami added that "the character Wolverine is a bit of a loner. There is a sound and melodic structure and harmonic structure that is used for him, but it’s not like a Superman type of theme; it’s much more reserved."[4] Following Mangold's noir and Spaghetti Western inspirations for the film, Beltrami explained, "I think I do every movie as a western whether it is or not, so there's definitely some of the spaghetti western influence on my music throughout the score, and I guess throughout a lot of my work. I wouldn't say there was a particular movie that influenced me more than something else. There was nothing that I was trying to mimic or anything."[2]

Despite the film's setting in Japan, Beltrami decided not to use an "authentic Japanese score", but had used Japanese instruments for licensing and not to score in a traditional way. Wolverine's theme basically consisted of harmonica, as the primary sound for the character, was the "most non-orchestral musical element of the score".[2] The koto (a Japanese string instrument) was used as a percussive instrument, instead of strings, to follow the non-traditional approach. He further used Japanese percussions, taiko drums and flutes in the score.[2] On using the Japanese flutes, Beltrami approached a "western-like treatment" which was not really "based on any pentatonic scales". He added "There’s echo tunnel drumming that takes place in there, but often times it’s processed, and different effects are put on it; so it’s nothing really traditionally Japanese as part of the score."[4]

Track listing

All music is composed by Marco Beltrami

No.TitleLength
1."A Walk in the Woods"1:02
2."Threnody for Nagasaki"1:15
3."Euthanasia"1:36
4."Logan's Run"3:56
5."The Offer Time"3:15
6."Arriving at the Temple"2:10
7."Funeral Fight"4:22
8."Two Handed"4:04
9."Bullet Train"1:31
10."The Snare"1:32
11."Abduction"2:11
12."Trusting"1:54
13."Ninja Quiet"3:40
14."Kantana Surgery"3:50
15."The Wolverine"2:21
16."The Hidden Fortress"5:02
17."Silver Samurai"3:27
18."Sword of Vengeance"4:32
19."Dreams"1:21
20."Goodbye Mariko"1:01
21."Where To?"2:25
22."Whole Step Haiku"2:08
23."Yukio"1:49

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic
AVForums(highly recommended)
Filmtracks
SoundtrackGeek(82.7/100)

James Manheim of

Filmtracks.com gave a mixed review saying "Beltrami fails to really adopt any kind of superior narrative approach, forcing ambient brutality upon us rather than continued growth for the character. Be prepared for a depressingly futile battle of cultural stereotypes if you choose to explore Beltrami's take."[7] Mfiles wrote " The Wolverine is nevertheless a contemporary superhero score done with considerably more flair and thought than most."[8]

Soundtrack Geek gave a positive review, stating "The Wolverine is a fantastic score in parts, but because of the slow beginning, the score is not excellent as a whole. It’s pretty damn good though and Beltrami’s best of the year so far."[9] James Southall of Movie Wave wrote "Beltrami establishes an incredibly dark tone – huge parts of the score consist of oppressive percussion (including mighty Japanese drums, reflective of the film’s setting) with brass stings and murky string runs around them.  Some of it’s actually quite sophisticated, particularly the more elaborate percussion; it’s just not the sort of thing I would ever actually want to listen to. A couple of the action cues are more vintage Beltrami and these are fantastic but far too much of the album consists of monotone brooding drone for it to work for me as a piece of entertainment."[10] Peter Debruge of Variety called it as "sensational cross-cultural score",[11] while Screen Rant-based critic Sandy Schaefer wrote that parts of the music recall Ennio Morricone's music for The Good, the Bad and the Ugly (1966), "which helps to hammer that idea home and strengthen the film's East-meets-West subtext in the process."[12]

Charts

Chart (2013) Peak
position
UK Soundtrack Albums (OCC)[13] 23

Personnel

Credits adapted from CD liner notes[14][15]

  • Composer – Marco Beltrami
  • Additional music – Brandon Roberts, Buck Sanders, Marcus Trumpp
  • Executive producer – James Mangold
  • Recording – Tim Lauber
  • Mixing – John Kurlander, Tyson Lozensky
  • Mastering – Erick Labson
  • Editing – Jim Schultz, Ted Caplan
  • Music supervision – Rebecca Morellato, Amy Dunning
  • Copyist – Joann Kane Music Service, Mark Graham
Instrumentation
  • Bass – Bart Samolis, Bruce Morgenthaler, Christian Kollgaard, Drew Dembowski, Edward Meares, Geoffrey Osika, Michael Valerio, Nico Abondolo, Stephen Dress
  • Bassoon – Kenneth Munday, Rose Corrigan, Samantha Duckworth
  • Cello – Andrew Shulman, Armen Ksajikian, Cecilia Tsan, Christina Soule, Dennis Karmazyn, Erika Duke-Kirkpatrick, Evgeny Tonkha, George Kim Scholes, Patricia Garvey, Paula Hochhalter, Steve Erdody, Timothy Landauer, Timothy Loo
  • Clarinet – Gary Bovyer, Ralph Williams
  • Flute – Geraldine Rotella, Sara Andon
  • Harmonica – Tommy Morgan
  • Harp – Maria Dickstein
  • Horn – Andrew Bain, Daniel Kelley, David Everson, Dylan Hart, Jim Thatcher, Jenny Kim, Laura Brenes, Mark Adams, Steven Becknell
  • Keyboards – Bryan Pezzone
  • Koto – Giampiero Ambrosi, June Kuramoto
  • Percussion – Alan Estes, Donald Williams, Gregory Goodall, M.B. Gordy III, Steven Schaeffer, Wade Culbreath
  • Trombone – Alan Kaplan, Bill Reichenbach, Craig Gosnell, Steven Holtman, William Booth
  • Trumpet – Barry Perkins, David Washburn, Jon Lewis, Rick Baptist, Robert Schaer
  • Tuba – Doug Tornquist, Doug Webb
  • Viola – Andrew Duckles, Brian Dembow, Darrin McCann, David Walther, Erik Rynearson, Jennie Hansen, Maria Newman, Matthew Funes, Pamela Jacobson, Robert Brophy, Roland Kato, Scott Hosfeld, Shawn Mann, Victoria Miskolczy
  • Violin – Aimee Kreston, Amy Hershberger, Belinda Broughton, Bruce Dukov, Caroline Campbell, Charlie Bisharat, Darius Campo, Dimitrie Leivici, Elizabeth Hedman, Endre Granat, Helen Nightengale, Irina Voloshina, Jay Rosen, Jeanne Skrocki, Jessica Guideri, Josefina Vergara, Julie Gigante, Katia Popov, Kevin Connolly, Lili Haydn, Lisa Liu, Lisa Sutton, Lorand Lokuszta, Marc Sazer, Mark Robertson, Natalie Leggett, Phillip Levy, Radu Pieptea, Rafael Rishik, Roberto Cani, Roger Wilkie, Sara Parkins, Sarah Thornblade, Serena McKinney, Shalini Vijayan, Steven Zander, Tamara Hatwan, Tereza Stanislav
  • Woodwind – Chris Bleth
Orchestra
  • Orchestrator – Dana Niu, Jon Kull, Mark Graham, Patrick Russ, Pete Anthony, Rossano Galante
  • Conductor – Marco Beltrami, Pete Anthony
  • Contractor – Peter Rotter
  • Concertmistress – Belinda Broughton
  • Stage engineer – Marc Gebauer
  • Stage manager – Christine Sirois, Tom Steel

References

  1. ^ Goldwasser, Dan (November 12, 2013). "Marco Beltrami scores The Wolverine". ScoringSessions.com. Retrieved November 22, 2013.
  2. ^ a b c d Farrell, Cody (July 25, 2013). "Exclusive: Composer Marco Beltrami Talks The Wolverine, Snowpiercer, Carrie And More". Comic Book Therapy. Archived from the original on July 27, 2013. Retrieved July 27, 2013.
  3. ^ "Marco Beltrami to Score 'The Wolverine'". Film Music Reporter. September 18, 2012. Retrieved September 18, 2012.
  4. ^ a b Lee Dejasu, Barry (July 3, 2013). "Scoring Horror: Interview with MARCO BELTRAMI (Part 2 of 2)". CinemaKnifeFight. Archived from the original on July 27, 2013. Retrieved July 27, 2013.
  5. ^ Marco Beltrami - The Wolverine [Original Motion Picture Soundtrack] Album Reviews, Songs & More | AllMusic, retrieved August 17, 2022
  6. ^ "The Wolverine OST Soundtrack Review". AVForums. August 2013. Retrieved August 17, 2022.
  7. ^ "Filmtracks: The Wolverine (Marco Beltrami)". www.filmtracks.com. Retrieved August 17, 2022.
  8. ^ "Marco Beltrami: The Wolverine - original film score soundtrack review". www.mfiles.co.uk. Retrieved August 17, 2022.
  9. ^ "Soundtrack Review: The Wolverine (2013)". Soundtrack Geek. Archived from the original on February 6, 2018. Retrieved August 17, 2022.
  10. ^ "The Wolverine soundtrack review | Marco Beltrami | movie-wave.net". January 15, 2014. Retrieved August 17, 2022.
  11. ^ Debruge, Peter (July 23, 2013). "Film Review: 'The Wolverine'". Variety. Retrieved August 17, 2022.
  12. ^ Schaefer, Sandy (July 26, 2013). "'The Wolverine' Review". ScreenRant. Retrieved August 17, 2022.
  13. ^ "Official Soundtrack Albums Chart 27 July 2013 - 2 August 2013". Official Charts Company. August 3, 2013. Retrieved November 25, 2023.
  14. ^ "The Wolverine [Original Motion Picture Soundtrack] by Marco Beltrami (CD, Jul-20 888837298025". eBay. Retrieved August 17, 2022.
  15. ^ Marco Beltrami - Wolverine [Soundtrack Import] | The Record Room, retrieved August 17, 2022