Thomas MacGreevy

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This article is about the poet. For the Canadian politician, see Thomas McGreevy.

Thomas MacGreevy (born Thomas McGreevy; 26 October 1893 – 16 March 1967) was a pivotal figure in the history of Irish literary modernism. A poet, he was also director of the National Gallery of Ireland from 1950 to 1963 and served on the first Irish Arts Council (An Chomhairle Ealaíon).[1]

Early life

Thomas McGreevy was born in

British Civil Service
as a boy clerk.

At the outbreak of the

Trinity College, Dublin, in whose library his papers are now held.[3]
He then became involved in various library organisations, began publishing articles in Irish periodicals, and wrote his first poems.

Poet

In 1924, MacGreevy was first introduced to James Joyce in Paris. The following year he moved to London, where he met T. S. Eliot and began writing for The Criterion[4] and other magazines. He also began publishing his poetry.

In 1927, MacGreevy moved to Paris to teach English at the

transition. In 1931, he produced critical studies of both Eliot and Richard Aldington.[5]

In 1934, Poems was published[5] in London and New York City. The work shows that MacGreevy had absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he had brought something of his own to these influences. The book was admired by Wallace Stevens, and the two poets became regular correspondents.

Although MacGreevy continued to write poetry, this was the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.[6]

Art

In 1929 MacGreevy began working at Formes, a journal of the fine arts. He also published a translation of

National Gallery
there.

From 1938 to 1940 he was the chief art critic for The Studio. He published several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation (on Jack Butler Yeats) and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960) on Nicolas Poussin. He was director of the National Gallery of Ireland from 1950 to 1963.[8]

Religion

MacGreevy was a lifelong Roman Catholic. His faith informed both his poetry and his professional life. On returning to Dublin during the

Second World War, he wrote for both the Father Mathew Record and The Capuchin Annual[8]
and joined the editorial board of the latter.

References

  1. ISBN 978-1-4411-9271-4
    .
  2. ^ "Image Gallery > The Thomas MacGreevy Archive". www.macgreevy.org. Retrieved 27 February 2022.
  3. ^ "Modern Literary Manuscripts in English". Trinity College Dublin. Retrieved 2 June 2019.
  4. ISBN 978-1-4411-9271-4
    .
  5. ^
    ISBN 978-0-520-03389-4
    .
  6. ^ MacGreevy, Thomas (1991). Schreibman, Susan (ed.). Collected Poems of Thomas MacGreevy: An Annotated Edition. Dublin: Anna Livia Press.
  7. ^ Valéry, Paul (1929). Introduction to the Method of Leonardo de Vinci. Translated by McGreevy, Thomas. London: John Rodker.
  8. ^ a b "Thomas,MacGreevy". www.dib.ie. Retrieved 5 November 2022.
  • Wilson, James Matthew: Catholic modernism and the Irish "avant-garde" : the achievement of Brian Coffey, Denis Devlin, and Thomas MacGreevy, Washington, D.C : The Catholic University of America Press, 2023,
    ISBN 978-0-8132-3763-3

External links

  • The Thomas MacGreevy Archive
  • Colm Tóibín, London Review of Books, 6 August 2009, Who to Be (review of The Letters of Samuel Beckett 1929-40 edited by Martha Dow Fehsenfeld and Lois More. Overbeck)
  • Schreibman, Susan, ed. The Life and Work of Thomas MacGreevy: A Critical Reappraisal. Bloomsbury, 2013.
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