Toccata and Fugue in D minor, BWV 538
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The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach. Like the better-known BWV 565, BWV 538 also bears the title Toccata and Fugue in D minor, although it is often referred to by the nickname Dorian – a reference to the fact that the piece is written without a key signature – a notation that leads one to assume the Dorian mode.
The two pieces are quite different musically. Like the Fantasia and Fugue in C minor, BWV 562, it is nearly monothematic. It opens with a motoric sixteenth note (semiquaver) motif that continues almost uninterrupted to the end of the piece, and includes unusually elaborate concertato effects. Bach even notates manual changes for the organist, an unusual practice in the day as well as in Bach's organ output.
The
Bach worked in Weimar between 1708 and 1717, during which he composed most of his organ works including BWV 538.[1]
References
- ISBN 978-1-56159-263-0. Retrieved 5 February 2024.
External links
- Toccata and Fugue in D minor, BWV 538: Scores at the International Music Score Library Project
- Free download of BWV 538 recorded by James Kibbie on the 1736 Erasmus Bielfeldt organ in the St. Wilhadi church in Stade, Germany
- Dorian Toccata and Fugue on YouTube, (audio only) played by French organist Nariné Simonian on an organ constructed by Aloys Mooser (1770–1839) in the church St.-Pierre-aux-Liens church in Bulle, Switzerland.
