Neumeister Collection

The Neumeister Collection is a compilation of 82

History

Neumeister compiled his manuscript after 1790.^[1] It has been suggested that the 77 earliest works in the collection may have been copied from a single source, possibly a Bach family album put together in J. S. Bach's early years.^[2] The five works by Neumeister's own music teacher, Georg Andreas Sorge, were a later addition.^[3]

Some time after 1807 the manuscript passed to

The Neumeister Collection contains 82 chorales, most of them unpublished before the 1980s re-evaluation of the Neumeister manuscript. The attribution of a few pieces in the manuscript remains uncertain:[10]

• 3 by Johann Christoph Bach (1642–1703),^[a] brother of Johann Michael and cousin of Johann Sebastian
• At least 24 by Johann Michael Bach (1648–1694), cousin and father-in-law of Johann Sebastian
• Around 38 by Johann Sebastian Bach (1685–1750)
• 1 by Daniel Erich (1649–1712)
• 1 or more by Johann Pachelbel (1653–1706)
• 5 by Georg Andreas Sorge (1703–1778)
• 1 possibly by Johann Gottfried Walther
• 4 by Friedrich Wilhelm Zachow (1663–1712)
• 5 unattributed works

From the state of the manuscript Wolff concludes that the five unattributed works were written by composers represented elsewhere in the collection, whose names were omitted by accident. Weighing both textual and stylistic evidence, he proposes Johann Michael Bach as the author of all five, while allowing that one could also have been written by J. S. Bach and another by Friedrich Wilhelm Zachow.^[12]

Johann Michael Bach

The rediscovery of the Neumeister Collection quadrupled the number of keyboard works indisputably written by Johann Michael Bach, from eight to thirty-two, with six more arguably also his.^[136] Of the twenty-five pieces attributed to him in the manuscript, seven were known but had been credited to other composers and eighteen were entirely new, making this the largest single trove of his work.^[137] This remains the case even if, as some have suggested, one of the chorales that appears under his name would have been composed by Johann Heinrich Buttstett.^[138] Wolff has proposed that the five unattributed works in the volume could also be by Johann Michael Bach—confidently in three cases, less so in the other two.^[12]

Generally attributed to J. M. Bach:

1. Nun komm der Heiden Heiland,
   RISM 000105398
2. Meine Seele erhebt dem Herrn,
   RISM 000105399
3. Herr Christ der einig Gottes Sohn,
   RISM 000105400
4. Nun freut euch lieben Christen gemein (1),
   RISM 000105401
   , however also attributed to J. Pachelbel
5. Nun freut euch lieben Christen gemein (2),
   RISM 000105402
6. Gott hat das Evangelium (1),
   RISM 000105403
7. Gott hat das Evangelium (2),
   RISM 000105404
8. Gelobet seist du Jesu Christ,
   BWV 723, previously attributed to J. S. Bach.^[21]
9. Jesus Christus unser Heiland,
   RISM 000105420
10. O Herr Gott Vater in Ewigkeit,
    RISM 000105421
11. Der du bist drei in Einigkeit,
    RISM 000105423
12. Allein Gott in der Höh sei Ehr,
    RISM 000105425
13. Mag ich Unglück nicht widerstahn,
    RISM 000105426
14. Dies sind die heilgen zehn Gebot,
    RISM 000105427
15. Auf meinen lieben Gott,
    RISM 000105434
16. Nun laßt uns Gott dem Herren,
    RISM 000105436
17. Kommt her zu mir spricht Gottes Sohn,
    RISM 000105439
18. Der Herr ist mein getreuer Hirt,
    RISM 000105442
19. Warum betrübst du dich mein Herz,
    RISM 000105443
20. Von Gott will ich nicht lassen,
    RISM 000105444
21. Ach Gott vom Himmel sieh darein,
    RISM 000105450
22. Es spricht der Unweisen Mund wohl,
    RISM 000105451
23. Wo Gott der Herr nicht bei uns hält,
    RISM 000105452
24. Wenn mein Stündlein vorhanden ist,
    RISM 000105460

1. In dulci jubilo,
   RISM 000105409, BWV 751, partially attributed to J. S. Bach, possibly by J. G. Walther.^[27]

1. Christ lag in Todesbanden,
   RISM 000105419
2. Was mein Gott will das gescheh allzeit,
   RISM 000105438
3. Ich ruf' zu dir Herr Jesu Christ (in D minor),
   RISM 000105440
4. Ich ruf' zu dir Herr Jesu Christ (in G minor),
   RISM 000105441
5. Heut triumphieret Gottes Sohn,
   RISM 000105459

The rediscovered manuscript prompted revisions to J. S. Bach's catalogue and reconsideration of his musical development.

• Gelobet seist du, Jesu Christ, BWV 723: although retained in the main catalogue in the 1990s editions of the Bach-Werke-Verzeichnis (not moved to the Anhang of either the doubtful or spurious works), it is often attributed to J. M. Bach, as it is in the Neumeister manuscript.^[21]
• In dulci jubilo, BWV 751: moved to
  BWV Anh. III (spurious works), it is attributed to J. M. Bach or J. G. Walther.^[27]

The other thirty-eight works are most often attributed to J. S. Bach, and are sometimes referred to as the Arnstädter Chorales.^[citation needed] Five of them were already known from other sources:

• three in near-identical form:
  • Ich ruf zu dir, Herr Jesu Christ, BWV 639,^[128] from the Orgelbüchlein
  • Vater unser im Himmelreich, BWV 737.[81]
• two in similar form:
  • Der Tag, der ist so freudenreich, BWV 719,^[25] wrongly attributed to J. Chr. Bach.^{[a][citation needed]} This prelude is, in part, identical to Der Tag, der ist so freudenreich, P. 85 (T. 27), by J. Pachelbel.^[140]
  • Ach Herr, mich armen Sünder, BWV 742,^[64] wrongly attributed to Georg Böhm.^{[citation needed]}

The other thirty-three were partly or wholly new:

• Two previously known only from fragments:
  • Ach Gott und Herr, BWV 714.^[62]
  • Machs mit mir, Gott, nach deiner Güt, BWV 957: the previously known part had been included as Fugue in G major in Bach's keyboard compositions.^[118]

O Lamm Gottes unschuldig, BWV 1095

Performed by Ulrich Metzner

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Problems playing this file? See media help.

• Thirty-one previously unknown works (BWV 1090–1120) now identified as the Neumeister Chorales Nos. 1–31 (including BWV 1096, a somewhat different version of which was known as J. Pachelbel's, from another source):^{[141][142][42]}

1. Wir Christenleut, BWV 1090
2. Das alte Jahr vergangen ist, BWV 1091
3. Herr Gott nun schleuß den Himmel auf, BWV 1092
4. Herzliebster Jesu, was hast du verbrochen, BWV 1093
5. O Jesu, wie ist deine Gestalt, BWV 1094
6. O Lamm Gottes, unschuldig, BWV 1095
7. Christe, der du bist Tag und Licht, BWV 1096, a.k.a. Wir danken dir, Herr Jesu Christ, possibly by J. Pachelbel,
   Anh. III (the annex of the spurious works) in BWV^2a (1998).^[144] The Bach Digital website lists both Bach and Pachelbel as possible composers.^[42]
8. Ehre sei dir, Christe, der du leidest Not, BWV 1097
9. Wir glauben all an einen Gott, BWV 1098
10. Aus tiefer Not schrei ich zu Dir, BWV 1099
11. Allein zu dir, Herr Jesu Christ, BWV 1100
12. Durch Adams Fall ist ganz verderbt, BWV 1101
13. Du Friedefürst, Herr Jesu Christ, BWV 1102
14. Erhalt uns, Herr, bei deinem Wort, BWV 1103
15. Wenn dich Unglück tut greifen an, BWV 1104
16. Jesu, meine Freude, BWV 1105
17. Gott ist mein Heil, mein Hilf und Trost, BWV 1106
18. Jesu, meines Lebens Leben, BWV 1107
19. Als Jesus Christus in der Nacht, BWV 1108
20. Ach Gott, tu dich erbarmen, BWV 1109
21. Oh Herre Gott, dein göttlich Wort, BWV 1110
22. Nun lasst uns den Leib begraben, BWV 1111
23. Christus, der ist mein Leben, BWV 1112
24. Ich hab mein Sach Gott heimgestellt, BWV 1113
25. Herr Jesu Christ, du höchstes Gut, BWV 1114[110]
26. Herzlich lieb hab ich dich, o Herr, BWV 1115^[112]
27. Was Gott tut, das ist wohlgetan, BWV 1116^[114]
28. Alle Menschen müssen sterben, BWV 1117^[116]
29. Werde munter mein Gemüte, BWV 1118
30. Wie nach einer Wasserquelle, BWV 1119
31. Christ, der du bist der helle Tag, BWV 1120

The Arnstädter Chorales are considered on stylistic grounds to be early works, probably dating from 1703 to 1707, when Bach was active at Arnstadt, and possibly even earlier.^[145] They provide a new window on his formative years as a composer and cast the chorale preludes in the Orgelbüchlein, previously considered his earliest essays in the form, in a fresh light: the Orgelbüchlein pieces are not the work of a precocious beginner, but of an already practised hand.

Publication

Wolff published the chorale preludes by J. S. Bach in 1985, and a facsimile of the complete collection in 1986.^[146][147]

Entire Neumeister Collection

A facsimile of the entire collection was published in 1986.^[147] In the 21st century facsimile renderings of the Neumeister manuscript became available on the Bach Digital website.^[10]

21st-century editions of Johann Sebastian Bach's Neumeister Chorales

Christoph Wolff's 2003 edition Orgelchoräle der Neumeister-Sammlung (Organ Chorales from the Neumeister Collection), Score and Critical Commentary, Volume 9 of Series IV: Organ Works of the New Bach Edition (Neue Bach-Ausgabe, NBA), includes 36 chorales (BWV 714, 719, 737, 742, 957 and 1090–1120).^[146] Of the 40 Neumeister chorales with a BWV number, four are not included in this edition:

• BWV 601 and 639, well-known from the Orgelbüchlein.^[130][128]
• BWV 723 and 751: likely not by Bach.^[21][27]

The NBA volume presented Bach's Neumeister Chorales in the order in which they occurred in the Neumeister manuscript.^[146] The 2018 last two volumes of Breitkopf & Härtel (B&H)'s new Urtext edition of Bach's organ works included them in alphabetical order, that is, together with other chorale preludes transmitted independently of the collections collated by the composer.^[148] The B&H edition includes 35 chorale preludes of the Neumeister Collection: apart from the four BWV numbers not adopted in the NBA edition, it additionally omits BWV 1096 (likely composed by J. Pachelbel).^[148]

Performances and recordings

The Bach chorales in the Neumeister Collection attracted the interest of organists even before they were published. They were first performed privately by Wilhelm Krumbach at Utrecht in January 1985, and publicly by John Ferris and Charles Krigbaum at Yale in March.^[5][149] Later the same year, Joseph Payne made the world-premiere recording for Harmonia Mundi at St. Paul's Church in Brookline, Massachusetts, working from a photostat of the Yale manuscript, and Werner Jacob made the first recording of the Wolff edition for EMI-Angel on a restored Johann Andreas Silbermann organ at Arlesheim cathedral.^[150]

Notes

Sources

• Sara Ann Jones. The Neumeister Collection of Chorale Preludes of the Bach Circle: An Examination of the Chorale Preludes of J.S. Bach and Their Usage as Service Music and Pedagogical Works, Doctor of Musical Arts Dissertation, Louisiana State University, 2002
• Jean M. Perreault, edited by Donna K. Fitch. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Lanham, Maryland: Scarecrow Press, 2004.
  ISBN 0-8108-4970-4
  ,
• Russell Stinson. "Review: The Neumeister Collection of Chorale Preludes from the Bach Circle (Yale University Manuscript LM 4708) by Johann Sebastian Bach – Orgelchoräle der Neumeister-Sammlung / Organ Chorales from the Neumeister Collection by Johann Sebastian Bach, Christoph Wolff" pp. 352–361 in Journal of the American Musicological Society, Vol. 40 No. 2, Summer, 1987.
• Russell Stinson, "Some thoughts on Bach's Neumeister Chorales" in The Journal of Musicology, vol. 11, no. 4 (Autumn, 1993)
• Christoph Wolff (1991). "The Neumeister Collection of chorale preludes from the Bach circle", in Bach: Essays on His Life and Music New Haven, CT: Harvard University Press.

External links

Wikimedia Commons has media related to BWV 1090–1120 – Neumeister Chorales.

• Neumeister Chorales, BWV 1090–1120 (by J. S. Bach): Scores at the International Music Score Library Project
• J.S. Bach's Neumeister Chorales performed by James Kibbie on historic German baroque organs